Noir is the only Magus not shut down by Wiesheit’s order because she’s technically not a Magus, and never was. First inhabiting Mystere’s body and now the late Ciel’s, Noir was little more than data with no body of her own. But now she embraces her status as neither human or Magus, but … just Noir. And she’s not going to let Weisheit win.
Noir leads Kanata to where Mystere is located, and Tokio and Macht switch to manual mode to keep Weisheit busy. When he does manage to get a lase blast off, Mystere puts up a shield that protects Daisyogre, then shows up inside the cockpit to join the Dud and the Hack and complain about being woken up and then having to save their sorry asses.
Noir and Mystere team up, with the latter guiding the former to sense all of the nanomachines Weisheit has launched, and use them for their own purposes. A Dual Magus Skill ensues, firing off a beam that’s bigger and stronger than Weisheit’s Magus-less coffin can withstand. He’s first pinned to the wall of Histoire, then falls through it to float free into space.
Weisheit asks Histoire if civilization can be restored without Magus, and it replies that it can. However, when Weisheit calls Magus “unnecessary”, Histoire takes exception. Whether Magus are necessary or unnecessary is up to the choices humanity makes. In the grand scheme of things, Histoire makes clear that humanity can achieve a more efficient recovery with Magus by their side.
This is apparently a world Weisheit doesn’t want to live in anymore, so he drifts off and waits for his oxygen to run out, and remembers when Ciel first sang to him. For a brief time before his ideals became twisted and prejudiced, he didn’t seem to mind her as his Magus.
Mystere sends Kanata and Noir back down to earth in an escape pod, insisting she stay behind to send the signal to reactivate all Magus on earth, as well as to fulfill her master’s dream. Now that she’s here in Histoire, there’s much to do, but she has all the time in the world. Both Kanata and Noir promise they’ll return to her someday. Back down on earth, Ange, Dolce, and all the other Magus wake up, much to their partners’ relief.
With that, things return more or less to the status quo in Rock Town. Maria continues to test rockets of her own design while Ellie and Ange look on. Claudia and Flamme pay their respects to Mystere’s master, Pascale. Macht and Schnee become Drifters, rescuing Range and Dolce from certain death. Tokio travels the world with Mouton, confident the next generation of Drifters will pick up where they leave off.
And then there’s Kanata and Noir, who search for the materials needed to build another spacecraft that get take them back to Histoire and their friend Mystere. They were able to defeat Weisheit’s backwards, solitary, ultimately self-defeating philosophy. Kanata continues to strive to be the best damned Drifter he can be, while Noir is now aware of who and what she is and determined to stick by Kanata’s side.
Just a couple of bright-eyed dreamers, fixing their gaze to the starry sky, keen to return there and be reunited with their friend. Truly a Eureka Seven for the 2020s in style and scope, Synduality: Noir provided steady, consistent, slick-looking sci-fi entertainment brimming with heart and optimism. Not a bad deal at all.
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