A month after the cultural festival, Haru and Shizuku still aren’t getting anywhere, frustrating Asako. Shizuku’s dad’s store goes under, reinforcing her drive to become a successful businesswoman like her mom. When she tells Haru about the goldfish, he promises to catch her a crayfish. She bumps into Yamaken at the library and asks him to help her analyze her state of mind and options; meanwhile Yamaken has fallen for her, which he tells Haru when asked.
Shizuku’s mom is the breadwinner and obviously a strong-willed, domineering woman (or her dad’s just a weeny), but she’s kind of a bitch, too. Some people just aren’t cut out for business. It doesn’t make them failures, and it’s hardly fair to abuse one’s spouse when he’s virtually raising their kids single-handedly. On one hand, she’s made sacrifices – giving up romance and family in order to provide for said family (conceivably bourne out of romance), and that’s a noble thing to do. On the other hand, she’s spent so many years berating the father of her children, Shizuku has essentially been warped into the emotionless, clueless yuki-onna currently struggling with the same dilemma her mother faced, only by choice, not necessity. The cycle continues.
The thing is, in life, one can truly have it all. In a way, it’s easy to dedicate oneself to study while in the Springtime of life, rather than face uncertainty by trying to balance Haru with her bright future. Shizuku’s mom has always been a beacon of certainty, and we wouldn’t be surprised if she’s projecting her loving but insolvent father onto Haru. But she’s not alone in the stalling of their relationship; Haru is being too hands-off and oblivious. Meanwhile, in the midst of offering free advice to her, Yamaken now has the hots for Shizuku (she is cute), forming the second love triangle of the series. This is the last thing Yamaken wants right now, but if Haru remains dilatory, will he make a move?
Rating: 7 (Very Good)