The thunder deity Narukami pays Nanami a visit at school, offering to take the shrine and Tomoe off her hands. Nanami declines, so she takes her deity mark and turns Tomoe into a child with the hammer Daikokuten. She runs into Kurama, who lets her crash at his place. Tomoe’s body is too small to handle his demonic power, and he is disgusted by his uselessness helplessness, so he goes back to the shrine and hides there. Nanami bets that if she finds him, Narukami will return him to normal. She finds him in Mikage’s mirror, and Narukami withdraws. Nanami returns Tomoe to normal and he kisses her, resuing their contract.
The florid narrator says it all this week: severe storms lie ahead for Nanami. Narukami swoops in, and in less than eight minutes Nanami is out of house and home, has no familiar, and is no longer an earth deity. We had no idea it was so easy to strip her of her godhood, but the thunder deity is as powerful as she is impatient. It’s rather amusing that she just found out Mikage’s been gone for twenty years, and wastes no time taking over the shrine. Only once she has it, she’s miserable, because the place is a run-down mess without Tomoe, who has no intention of being her familiar.
If it wasn’t for suddenly bumping into Kurama (convenient, that), Nanami would’ve likely had to spend the night out on the street. Kurama for his part almost seems to relish hosting her and lil’ Tomoe, despite his veneer of annoyance and put-outness. It’s his chance to show Nanami – deity or not – that he’s not merely a villain. But most importantly, the ordeal switches Nanami and Tomoe’s roles for a week: she proves to him she can protect and care for him in his moment of vulnerability. There were moments when he was about to lose hope, but she pulled him out of that mirror and resolved the situation. He wastes no time re-contracting (kissing) her to show his gratitude.
Rating: 7 (Very Good)