Tonari no Kaibutsu-kun – 13 (Fin)

Shizuku is home alone studying when Haru bursts in asking if she’s “seen him”. Before she can find out what he’s talking about, he’s gone, and left his phone behind. He does the same thing to Natsume (his net), Sasayan (his goggles) and Yamaken (his gloves and keys). Yuu comes across a rooster and sends a photo to Ooshima, who tells her it’s Haru’s. Shizuku crosses paths with her while on a rice run, and they go to the closed batting center, where Natsume, Sasayan, and Yamaken are assembled. On her way home, Shizuku bumps into Haru on the steps, where he tells her he’s looking for a firefly. Sure enough, both of them spot it as it flies off into the night.

This finale takes pretty much every character and shuffles them around here and there, all motivated by Haru’s strange (even for him) behavior and penchant for shedding belongings. It’s a clever way to say farewell to everyone, although as narrator Shizuku laments, there’s a lot more she wanted to say about them: Natsume, Sasayan, Yamaken, Ooshima, Nagoya…and Haru, who she still can’t quite come to terms with her feelings for him. She doesn’t mind being with him, but isn’t sure she could ever match his intense innocence and sincerity. To which we’d respond, why try to? Haru isn’t looking for a more peppy Shizuku; he’s fine with her the way she is (as long as she stays away from Yamaken, of course.)

She should be fine with the way she is too. She is working hard, but is still able to occasionally spend time with not only Haru, but her other friends who legitimately care about her. Why is she so obsessed with understanding why they care about her, or why he loves her, or matching those feelings precisely? This whole series she’s been fretting so much about how to proceed with a relationship with Haru, she’s overlooked the fact that she’s already in one. She’s his handler; his tamer; the one who makes his life more fun when she’s around. He’s her release valve from a dour, tedious life of study and work; someone who makes her heart beat faster. Quit over-analyzing everything and just enjoy the ride, Missy!


Rating: 7 (Very Good)

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Tonari no Kaibutsu-kun – 12

Natsume goes to the batting center to talk to Mitsuyoshi, but is sidetracked by Sasayan’s friends, who laugh as one of them attempts to ask her out; she dismisses him. Haru arrives and invites her to a picnic after New Years, which Shizuku promised to take him on in exchange for his good behavior. As New Year’s Eve arrives, and a lonely Natsume invites herself and Haru to Shizuku’s to hang out. After dinner they fall asleep until 1 AM, but meet up with Sasayan at the town festival, ultimately ending up on the roof of the batting center for the sunrise, where Natsume confesses to Mitsuyoshi.

Natsume is fearful. She likes Shizuku and Haru, but fears when they become a couple, she’ll see even less of them than she already does. They weren’t easy friends to make in the first place, but they’re the friends she’s got, and she doesn’t want to lose them or become marginalized in their lives. She tries to maintain online friends, but it’s not the same thing. Haru is too clueless and Shizuku is too practical, so it’s up to her to take the initiative and bring the three of them together for a New Year’s celebration.

She’s also fearful of love; specifically boys. They act like everything’s a big joke and put their fun ahead of her feelings. While she’s not entirely fair to them, her behavior is based in a sort of impatience with immature boys. Her ideal right now is Mitsuyoshi, who assures her love is worth trying to achieve. It drives change in people, for better or worse, and helps them grow up. The world she wants to live in – an eternal “Kingdom of Mitty” that’s all fun and no pain – doesn’t exist, he tells her. So she asks him very straightforwardly: can he and she grow up together? Having a good ten years over her, he’s not quick to respond. But we admire Natsume for saying what she needed to say.


Rating: 7 (Very Good)

Tonari no Kaibutsu-kun – 11

Yamaken finds himself unable to explain or control his attraction to Shizuku, but anything she says or does around him turns him on. Her proximity to Yamaken continues to frustrate Haru. On an evening stroll, Haru threatens Yamaken, but he shrugs it off, leaving Haru in a funk. Shizuku appears in a moment of despair. He reiterates his love for her, but expresses his frustration with the current situation. Shizuku isn’t sure how to respond.

She loves him and has told him so. He loves her and has told her so. So everything should work out, right? Only if either of them knew what the hell to do next…and we’re not talking about renting a room at the love motel. Shizuku and Haru are stuck; sedentary; in a holding pattern; static. Declarations lead to…nothing. Both are so new to…whatever it is they have that neither’s sure what to do about it, and whenever one of them makes an attempt, they clash. As Shizuku says, they’re just “out of sync”. He can’t seem to reconcile her loving him and hanging out at cram school with Yamaken. She can’t seem to reconcile the fact that, well, she doesn’t really like to be touched.

Meanwhile, she’s oblivious to Yamaken, who is growing more bold with each passing day as his weird crush intensifies. And let’s not forget Haru clearly has some serious, traumatic issues in his past that he hasn’t begun to deal with. It’s nice that Shizuku is a calming, taming force in his life, but until the underlying issues are resolved, theirs is a doomed romance. The sad part is, we already know the jist of all this; this episode taught us almost nothing new. It’s fine for their relationship to be going nowhere, but if the show itself isn’t going anywhere (or rather, going in circles, or even backwards), then we have problems.


Rating: 6 (Good)

P.S. Ooshima’s friend Yuu wordlessly stares at Yamaken on more than one occasion, while Natsume considers paying a visit to Mitsuyoshi to tell him how she feels. Isn’t he, like, fifteen years older than her?

Tonari no Kaibutsu-kun – 10

Shizuku is anxious to tell Haru how she feels, but he’s reverted to his previous feral state because Yamaken said he was in love with her. At a Christmas party organized by Natsume at the batting center, Yamaken says he was joking, but Haru only believes him briefly. When he learns Yamaken will be in Shizuku’s winter college prep course at cram school, he gets even more jealous. While walking home, Shizuku tells him she loves him and he can trust her – but when she goes to cram school he remains jealous and suspicious.

Shizuku’s made her choice about Haru, and when the perfect opportunity comes to talk to him, she finally does so, and it’s everything Haru should or could want: She loves him; he can trust her; Yamaken is of no concern. But it’s not enough for him: he shows a complete lack of understanding of what trust is, and demands she not go to cram school. Shizuku, being Shizuku, will do what she pleases. She may love him and he may love her, but she’s not his property and he won’t dictate her life. So she ends up a cram school, sitting next to Yamaken, who contrary to his self-denial, has fallen for her and now has his own chance, however slim – to convince Shizuku she loves the wrong guy – if he bothers to even try, that is.

While we’re not exactly thrilled with the prospect of continued tension between Haru, Shizuku, and Yamaken, we do like how Shizuku finally owned up to her feelings and stop trying to repress them for the sake of her studies. And her discourse with Haru on the story of Akutagawa’s Kumo no Ito – imagery from which Haru describes her hair and concepts from which they describe their relationship – is very well done; one of those moments when you remember Haru can be pretty sharp when he’s not a spastic braying jackass. Shizuku definitely has it easier here; Oshima is not nearly as great a threat to her as Yamaken is to Haru. But we’ll do what Haru can’t quite do and trust Shizuku for now, and not read too much into those occasional impressed stares she gives Yamaken.


Rating: 8 (Great)

Tonari no Kaibutsu-kun – 09

A month after the cultural festival, Haru and Shizuku still aren’t getting anywhere, frustrating Asako. Shizuku’s dad’s store goes under, reinforcing her drive to become a successful businesswoman like her mom. When she tells Haru about the goldfish, he promises to catch her a crayfish. She bumps into Yamaken at the library and asks him to help her analyze her state of mind and options; meanwhile Yamaken has fallen for her, which he tells Haru when asked.

Shizuku’s mom is the breadwinner and obviously a strong-willed, domineering woman (or her dad’s just a weeny), but she’s kind of a bitch, too. Some people just aren’t cut out for business. It doesn’t make them failures, and it’s hardly fair to abuse one’s spouse when he’s virtually raising their kids single-handedly. On one hand, she’s made sacrifices – giving up romance and family in order to provide for said family (conceivably bourne out of romance), and that’s a noble thing to do. On the other hand, she’s spent so many years berating the father of her children, Shizuku has essentially been warped into the emotionless, clueless yuki-onna currently struggling with the same dilemma her mother faced, only by choice, not necessity. The cycle continues.

The thing is, in life, one can truly have it all. In a way, it’s easy to dedicate oneself to study while in the Springtime of life, rather than face uncertainty by trying to balance Haru with her bright future. Shizuku’s mom has always been a beacon of certainty, and we wouldn’t be surprised if she’s projecting her loving but insolvent father onto Haru. But she’s not alone in the stalling of their relationship; Haru is being too hands-off and oblivious. Meanwhile, in the midst of offering free advice to her, Yamaken now has the hots for Shizuku (she is cute), forming the second love triangle of the series. This is the last thing Yamaken wants right now, but if Haru remains dilatory, will he make a move?


Rating: 7 (Very Good)

Tonari no Kaibutsu-kun – 08

The day of the school festival arrives, and Haru, Shizuku, Asako and Sasayan are running a house of terror. Yamaken bumps into Shizuku while she’s breaking, and when Haru sees them together, Yamaken teases him and Haru accidentally punches Shizuku, who gets angry. Asako tries to offer her advice, but Shizuku blows her off. Yamaken then lends her advice, and when he spots Yuzan in the school, steals her away to a classroom where Haru later goes seeking advice from Oshima. Yuzan enters and there’s a standoff, and Haru retreats outside. Shizuku follows him and make up. After apoligies and the conclusion of the festival, Shizuku asks Haru to give her more time to figure out their relationship.

This series’ first episode impressed us with how much Shizuku and Haru progressed as a couple in such a short time. Since those heady beginnings, Shizuku’s grades have suffered, and she’s been essentially backtracking ever since. This isn’t necessarily a bad thing, as it would be somewhat unrealistic for two people with so little experience connecting with others to fully connect with one another too fast and easily. It’s been a bumpy ride, and both sides have made mistakes. This episode further analyzes their current situation, and also heavily involves the people closest to them. Natsume, Ooshima, and Yamaken all contribute to the analysis.

Yamaken spends a lot of time with Shizuku this week (and his cheekiness gets her punched) but she finds his remarks perceptive, and the two have the very slightest of flirtations this week. It’s clear Shizuku has the hots for Haru (and Haru is more than enough), but Yamaken may have more of an itch for her than he’s letting on. We also liked how both he and Haru reacted similarly to the presence of Yuzan – which leads credence to Haru’s insistence Yuzan has been – and still is – a bastard. As for Shizuku’s designs on Haru – she basically stalls for time. That itself proves she feels she owes him – and herself – more than a final rejection based on cold practicality. Humans need passion too.


Rating: 7 (Very Good)

P.S. Shizuku has narrated in past episodes, including the first – suggesting all of this is in the past and this is her recounting of it – but she doesn’t narrate in this episode.

Tonari no Kaibutsu-kun – 07

Disheartened by Shizuku’s apparent rejection of him, Haru is encouraged not to give up by Oshima and Natsume. School Culture Festival preparations begin, and Haru gives Shizuku tickets. More distant from him, Shizuku’s exam rankings rise. She tells herself she’s doing the right thing. But when Haru bumps into her at night, vows to change her mind, and almost kisses her (stopping himself after remembering Natsume’s advice) all the feelings come roaring back to her.

These past two weeks Shizuku has voiced her intention to purge elements unnecessary to her, which she tries to convince herself is a group that includes Haru. But he isn’t taking no for an answer, even when she says no outright (as in there’s no chance of her falling for him again). Shizuku’s suffering that classic case of Mind vs. Heart, in which the two do not see eye to eye.She’s learns the hard way that “purging” feelings for someone isn’t the same as “burying” them. She’s simply done the latter, and Haru doesn’t need to do much digging to bring them back up. He’s driven by his departed aunt/guardian’s words that humans will wither if left alone, and her belief he’ll one day find someone “whose presence is strong enough to soothe his pain”.

Right now Haru thinks that someone is Shizuku (Oshima doesn’t register to him as anything other than a friendly acquaintance, much to Oshima’s frustration). Yamaken tells Shizuku her relentless pursuit of grades above all else is a “boring way to live”, and she can’t deny that, because her heart is telling her the same thing as her mind is trying desperately to keeping her on a path of monastic study. The second half of this series will continue to explore that inner conflict, but we have no clue which part of Shizuku will ultimately win out. Haru will be on Team Heart; he’s listening to his, which is telling him Shizuku is the one…even if she says otherwise.


Rating: 8 (Great)

 

Tonari no Kaibutsu-kun – 03

Shizuku takes back her confession, and Haru says he’s relieved. Sasayan cannot keep Nagoya the Rooster at his house anymore, so a “School Rooster Committee” is formed and plans for a coop are drawn up. Shizuku, Haru, Sasayan and Natsume use the weekend to gather materials. Haru’s former buddies reach out to Shizuku, who recommends they “make peace” with Haru by helping them build the coop, which is finished by evening. Haru reiterates his love for her, and Shizuku caves and re-confesses. Haru gets a text about a guy named Yuzan visiting his house, and begs Shizuku to spend the night at her house.

We can’t tell you how refreshing and satisfying it is to have a female lead who is blunt, direct, and doesn’t keep things bottled up for more than the length of an episode. It took Sawako two bloody seasons to get as far as Shizuku has gotten with Haru – and we’re not talking about bases. Shizuku initially makes an incorrect assumption from Haru’s reaction to her saying she was “lying” about loving him. It eats away at her, so she decides laying everything out is better than continuing on in a frustrating limbo. She is rewarded for her honesty and forthrightness by learning that Haru is happy she loves him, and wants to be with her; he was only scared of losing her if his love was “different” from hers. The touching scene is brought to an rude, abrupt, and amusing close through perfect use of the loud text alert.

The contents of the text rattle him, and he insists on staying at her place, where she cooks him dinner, lets him bathe, and sets up a futon in the guest room. She may be a recovering anti-socialite, but her hosting skills are above reproach…she’s a keeper! But she senses unease in Haru after that text. He’s running away from something and isn’t telling her. He should; as he himself has said, only good things have come from relying on her. A few nice details: the dramatically-scored scene of Nagoya settling into his new coop; we admire how everyone knows immediately what kind of ice cream they want (it takes us forever!); and Shizuku’s conservative “granny-style” going-out clothes are adorable and true to character.


Rating: 8 (Great)

P.S. Natsume Asako’s name is just one letter removed from Brains Base masterpiece Mawaru Penguindrum’s Natsume Masako. To learn more about the rooster’s namesake, Nagoya Cochin chicken, click here.