Cross Ange: Tenshi to Ryuu no Rondo – 22

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This week somewhat inauspiciously begins with Salia being spanked like an insolent child by Embryo, for letting Ange get away. But as painful and humiliating as this experience is, there’s still a glint of defiance in Salia’s face and words. Chasing after Ange the Chosen One like an obedient errand girl is not what she signed up for; in fact, it’s one of the very reasons she defected from Arzenal in the first place.

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Aboard the Aurora, Embryo finally manipulates Emma Bronson to antagonize what looks like the beginning of a Norma/Dragon alliance, in the midst of Riza’s report that Embryo is trying to merge both their worlds to form a new one, destroying them in the process. Even if Salako & Co. are Dragons, Hilda can relate Salako’s friendship to Ange. Roselie, meanwhile, isn’t looking forward to killing Chris, but it’s her or them; something she laments with great sadness.

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Embryo expounds on his grand plans for the world by stating it will be ruled by “strong, intelligent women.” He leaves out “pliable women who will acknowledge his unlimited power and know their place below him.” At the same time, he takes no pleasure in watching Ersha grovel and beg him to restore the lives of her children. He really never intended those children to survive the merging at all. Rather, he intends Ersha to become the mother of the new world’s children, which has some pretty messed-up ramifications if you think too long about it, which, judging from Ersha’s expression, she does.

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Like Salia, Embryo essentially warns Ersha that she’s not acting like the “intelligent women” he needs for that world. Unlike Salia, he basically casts her aside and tells her to stay out of sight, whereas he at least gives Salia one more chance to prove her loyalty. Salia won’t be doing that, though.

It looks like her spanking was the straw that broke the camel’s back; she won’t prove her value to Embryo by finding Ange; she’ll prove she’s stronger by besting and killing her, going against Embryo’s wishes in a desperate bid to win his approval.

This is not the best plan, considering Embryo can bring people back from the dead at will, but even if her judgement-quashing inferiority complex is still as strong as ever, at least she now realizes how much of a sack of shit Embryo is. Ripping up her Pretty Salian cosplay is as strong a symbol as any that she’s done playing the heroine.

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Ersha, meanwhile, realizes how appallingly naive she’s been, and how easily she allowed Embryo to win her obedience by manipulating her powerful maternal instincts. In both her and Salia’s case, they were girls with ambitions (albeit very different ones) that got their way, and now that they’ve seen how thin the veneer of Embryo’s goodness extends, They’re both well and truly disillusioned, and will no longer follow him.

Chris is different, in that nothing happened to her this week that suggests she’ll be going against Embryo. Embryo is her best bud, after all; the one person who would simply be her friend the way no one else ever did. Her ambitions are far smaller by comparison, and so easier to both fulfill and maintain. Are Chris, Roselie, and Hilda doomed to try and kill one another without ever reconciling the often twisted shit they’ve all been through? Or will something Embryo does cause CHris to revolt as well? I hope it’s the latter.

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Meanwhile, Tusk’s chopper-thingy deposits Ange on his island and releases her, and it doesn’t take long for the same crushing loneliness Tusk must have felt in the years he was here to sink in for her, combined with her grief over losing both Tusk and Momoka. Ange can’t see the purpose of trying to save a world she can’t share with those two very important people.

She even considers taking her life, before remembering Tusk’s final words to her about her having to live. But reading Tusk’s diary, including the entry when she arrived (not Ange’s best outing), at which point he’d already chosen to be her knight, only makes Ange more upset. She may have spared her own life for now, but she still can’t see the point of sparing it indefinitely.

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And then, all of a sudden, as she remarks on how she’d have gone all the way with Tusk if she’d known he’d sacrifice himself, Tusk pops up behind her, alive and well! She thinks it’s another of Embryo’s illusions at first, but I had a pretty good idea it was Tusk. Am I going to defend this ridiculous plot twist? No, but I can understand it: You don’t know what you have until you’ve lost it; we never saw Tusk actually die in the explosion.

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Having tasted the bitterness of losing Tusk, Ange isn’t going to side-step the issue of the furtherance of their relationship any longer. On the contrary, she has sex with Tusk right then and there, under the stars, to prove it’s really him. Afterwards, it’s as if all of that sexual tension had simply melted away, leaving two far calmer, less distracted people.

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Momoka’s back too, because Hell, why not? She had a frying pan in her clothes that stopped a bullet. I’m more on the side of happy than angry they’re back, even if it’s very sudden. The why isn’t really important, only the that. And that Tusk and Momoka are alive means Ange has far stronger motivations to stop Embryo.

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I just don’t see how she’s going to do it considering how easily he dispatched them last time. Maybe these two finally getting laid was the key?

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Author: braverade

Hannah Brave is a staff writer for RABUJOI.

3 thoughts on “Cross Ange: Tenshi to Ryuu no Rondo – 22”

  1. Okay, let’s get this out of the way, shall we? That whole spanking scene is just flat out facepalm-silly, even for this series. It’s as if someone from the writing staff went to watch 50 Shades of Grey, pen and paper on hand, and then decided to throw it into to the blender that is Cross Ange.

    I kinda forgive that Ange x Tusk outdoor quickie though, since it was pretty much forthcoming. As for Tusk and Momoka quickly coming back to life, I do like the fact that Ange points out that it should be impossible, since both of them don’t have any injuries at all. Knowing this show’s penchant for foreshadowing, I won’t be surprised if this sudden twist actually becomes a plot point in the final episodes. And speaking of foreshadowing, I really like that call back of Sala “roaring” to Emma to snap her out of Embryo’s control to episode 12 where Emma went berserk after a dragon roared at her.

    As for Embryo, being the manipulative bastard that he is, it seems that he is intentionally antagonizing everyone in order for them to come and kill him (which is, it seems, what he wants all along).

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