Aldnoah.Zero – 24 (Fin)

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I knew every Orbital Knight wouldn’t immediately heed Asseylum’s out-of-the-blue call for an end to hostilities, but that didn’t matter: as long as some of them stopped to see which was the wind was blowing, it was going to be a huge blow to Slaine’s power base, drawing things that much closer to an endgame.

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Neither Lemrina and Harklight want Slaine to give up, but neither of them have the benefit of his experience, all of which runs through his head in the corridor, where he has a clear view of the death and destruction taking place in his name. From there, he decides to evacuate Lemrina and order Harklight and the rest to surrender while he blows the Moonbase up.

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Harklight isn’t going down quietly, however, and neither are his Stygis comrades. They end up changing Slaine’s mind, at least insofar as he’d rather go out dueling Inaho one last time then dying in that control room. And so their final battle begins.

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When Inaho engages Slaine and asks him (via radio channel…SEE, Gundam G? Mecha pilots CAN communicate with each other once in a while), Slaine assumes Inaho wants to fight him as much as he wants to fight Inaho. But Inaho’s “different objective” isn’t that.

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Asseylum had her big badass announcement that turned the tide of the battle, so even though we know this has to be about Inaho and Slaine at this point, it’s a bit disappointing that all she can do here is clasp her fingers together, watch, and wait, hoping the boys don’t succeed in destroying each other.

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They very nearly do, too, exhausting their ammo, snapping all of their swords, and finally just pummeling each other like rock-’em-sock-’em robots. But Inaho, even without relying on his magic eye, is the better tactician, and he manages to neutralize Slaine as a threat and serve as an ablative shield for their mutual re-entry into the atmo.

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Once back on good old Earth, Slaine again gets the wrong idea, thinking he’s in a reversal of last season’s finale and that Inaho is going to put a bullet in his head. Inaho might want to do that, considering everything Slaine’s put him and Earth and Seylum through, but I knew he wouldn’t.

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That brings us to the epilogue, in which Empress Asseylum activates the first Terran Aldnoah Drive as a gesture of goodwill, and EYEPATCH INAHO visits Slaine, who is believed dead by the public, but remains alive in a creepy lucite prison cell.

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Not that the creepy cell is helping, but he’s not in a great place emotionally, and not eating his meals. He’s still waiting for Inaho to finish him, to exact justice upon him for all of his sins. But while Inaho has been many things throughout the run of this show—Mary Stu; know-it-all; humblebragger; cyborg; savior of mankind—but he’s no executioner, and he entrusts Slaine’s fate to the one most equipped to properly judge him: Seylum.

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Slaine taught Asseylum a lot of things about Earth (some of them, like why the sky is blue, weren’t accurate, but still). But it’s Asseylum who teaches Slaine something about Vers that he may not have picked up on while hanging out with all those Orbital Knights: pages can be turned, people can be forgiven, and lives can be redeemed in time.

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Durarara!! x2 Shou – 12 (Fin)

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Everyone seeks purpose and relevance in life, and everyone has a code; boundaries they won’t cross to attain those things. Drrr! is largely about what happens when the interests and the methods of a great number of people clash, which is almost always immensely entertaining, especially when some of those people can carry sportbikes on their shoulders.

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The book on Chapter one of three of Drrr!x2 comes to a close with “Adversity Makes a Man Wise.” Shizuo is the force that ceases the brawl between the Rogue Dollars and Saitama, as well as Anri and Varona. Non’s kidnapper is punished, and both sides are satisfied and withdraw.

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Also, Walker opens his eyes. I would too if I saw Anri handling Saika.

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But that’s far from the end of the adversity. Mikado watched firsthand (while his vision wasn’t wreck from that flash grenade, that is) what the gang he founded has become. He doesn’t like it, and wants to do something about it; no more hanging back.

But first, Varona meets the unstoppable, nigh invincible Shizuo, who unlike Celty or Anri, is a full-blown human being, which both astounds and frightens her, because nothing she throws at him seems to work, nor can she get away with Sloan and Akane.

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Shizuo sets his mind to rescuing Akane, so after some car soccer, instant automatic weapon disintegration (IAWD), and box truck punching, he succeeds. Akane is confounded he’d save his would-be assassin, but he’s just glad she wasn’t hurt, and a new, unlikely friendship is forged, with a helmet-scratching Celty as witness. This was Varona’s first defeat this week, but by no means her last.

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Mikado, meanwhile, tracks down Chitage and Non to formally take responsibility as founder of the Dollars. Chitage doesn’t think he’s lying, but isn’t entirely impressed either, and believes the few moments of time he has to look over Mikado is sufficient to conclude Mikado has no business running the Dollars, and advises him to give it up at his earliest convenience and settle into “the ordinary life” he seems better suited to.

Little does he know that ordinary life is the very thing Mikado escaped his hometown and founded the Dollars to avoid. If he were to quit on them now, it would “negate his being.” He may be better suited for ordinary life, but he doesn’t want to live that way. He wants to be in the thick of it.

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Mikado isn’t the only one patronized and not taken entirely seriously. Varona is too, after her quiet meal with Sloan is suddenly interrupted by Aozaki and Akabayashi. Like her, I thought she was tougher than these guys due to her military training, but they bring her and Sloan down with grim efficiency, only to reveal that Varona’s dad has struck a deal with their organization to secure her safety and retrieve her.

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Dennis, Simon, and Egor arrive to pick her up, and point out that, after all, she’s “still a little girl” who hasn’t “hardened” yet, remarking that kids liker her can still “change in all kinds of ways.” She may have become an assassin at a very young age, but she’s not necessarily destined to be one forevermore. And the yakuza ambush really put her skills into perspective; up to that point, she’d depended heavily on firepower, stealth, and surprise. Not to mention her youthful exuberance over Ikebukuro dulled her senses.

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Speaking of hardening, that’s what Mikado aims to do, and furthermore, what he has to do to preserve the Dollars as he envisioned them. All the adversity he’s faced really has made him wise to the truth of his situation: to be able to take control of a group with no rules, he needs power, so he accepts Aoba’s offer to become the leader of Blue Square along with the Dollars, even forming a blood contract by uncharacteristically stabbing Aoba through the hand with a pen. Then again, Mikado is pissed Anri was put in harm’s way, so he’s mad.

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But once that contract is signed, he snaps back to his usual chipper self, even offering to dress the wound he just gave Aoba. In a way, he owes Aoba one for opening his eyes to the fact that he shouldn’t fear being left behind by all the strange and exciting things in the city, because he hasn’t caught up to it yet. His journey is incomplete, and this was never a static situation. He’s going to fix the Dollars and stay in the mix.

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We close with one more person being one-upped at his own game, as Varona was: Izaya, who had been slipperier than teflon throughout the show. Like Mikado, even he didn’t realize the full scope of his actions, and ended up stepping on the toes of one Yodogiri Jinnai, who didn’t want Shizuo and the Azuki group getting mixed up. For that, Jinnai literally takes Izaya out, leaving him lying in a pool of blood in a crosswalk. A provocative and enticing teaser for Chapter 2, to air in July.

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GARO: Honoo no Kokuin – 24 (Fin)

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Well now, Anima certainly didn’t hang around long! But it was for the best, as Mendoza rips out his own ribcage and consumes the horror, gaining a shiny new body.

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Leon can slice the body up all he wants (including, hilariously, slicing Mendoza’s face off to shut him up for at least a few moments), but he always comes back together, and always has a rejoinder such as “it is useless” at the ready.

Leon is missing something in this battle, because, in the beginning, he’s fighting alone. That ain’t gonna work against ol’ Mendoza; he of the giant light fists.

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No; he’ll need to draw from the strength Mendoza denies himself, the true immortality humans are capable of achieving, even if it isn’t in the form of a literal everlasting corporeal form. Kinship, love, family, and cooperation will always prevail over Mendoza’s selfish designs. When he blithely discarded his only remaining family, Octavia, leaving himself alone in the world, he did himself no favors.

On the other hand, Leon is able to combine Garo and Zoro into a very cool hybrid suit of armor, imbued with the love and strength of his father, and placed in his hands by the teamwork of Alfie and Ema. Now Leon is no longer alone, so he won’t lose.

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Mendoza also miscalculate’s Leon’s commitment to banishing him from the world, even he’ll be dragged down into Makai with him forever. Ema foils Leon’s suicidal plan by holding the portal open, and Mendoza tries to use this as proof that allies are worthless, since they’ll always have times when their opinions clash. Ema and Alfie would rather Leon not die.

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Their desire for Leon to live on is shared by his own mother Anna, who is revealed as the source of the flames that have always burned within him. They were never a curse or a manifestation of his revenge, but a means of protecting him until he could stand on his own two feet as a knight and a good man. Now Anna’s flames will continually burn Mendoza for eternity, which is an apropos punishment for the man who would be immortal, and took so many lives and souls to achieve it.

Clearly, Mendoza didn’t consider all the angles of this immortality thing. His shiny new body was a dead end; flawed and unnatural. But the love, protection, and duty passed from generation to generation, from mother and father to son, between siblings, friends, or lovers, is both more righteous and more durable.

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With that, mother and son part ways, and as Zoro’s horse bears Leon back home, a semi-spectral Herman rides alongside to tell him he’s a good son…aaand also to look out for that nice young lady Ximena. It’s a great cathartic moment when he emerges from the portal to the elation of Alfie and Ema.

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As the re-reconstruction of Santa Bard commences, we see that Prince Alfie is gonna be just fine. When the rebuilding is complete and he’s further along on being groomed for the throne, he’ll one day take a wife, and his son or daughter will inherit Gaia from him, along with the duty to protect.

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What about Leon and Ema, found and comforted and supported each other in the shadow of the loss of their past true loves? Well, it’s kind of a Princess Mononoke end, in which they say not “goodbye” but “see you around” as they return to their respective lives, which feels right.

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As for Ximena, she’s going to have a baby—gender to be determined, but let’s call it a girl, shall we?—and Leon’s duty now is to protect her and his incoming new sibling, who will inherit Garo and Zoro. Thanks to everything the child’s forbears have done for her sake, she won’t be born while her mother burns at the stake!

GARO was a very fun and entertaining show. A bit inconsistent at times, but it marched to the beat of its own drummer, took bold risks, and wasn’t afraid to fail. I can forgive when it did because it made such powerful impacts when it struck true. Its finale was one of those times. It looks like there will be a second season of GARO. I’ll definitely be tuning in.

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