After Tsugumi spoils the lads with breakfast of a quality far higher than they get at the cheap restaurant down the street (and they all ask her to sing for them more), they go on their daily patrol…which the show skips entirely, probably because it knows it’s boring. Not to mention, it seem like having four people in a patrol is an awful lot, unless you expect a lot trouble every time, which seems paranoid.
And yet, even with four, they’re unable to stop a suspected cursed tome from being burned in a nighttime incident in which the thugs get away. Tsugumi can tell the book isn’t cursed, and meets its owner, doctor (and dreamboat)-in-training Sagisawa Rui, who comes out of left field to be her first (un-)official suitor of her new partoling-librarian life.
After Fukurou is assigned a police liason, Tsugumi hits the town on her own, visiting the flirty shopkeep who rudely propositions her once again despite the fact she has no interest (though his weird fluffy pet Perry is a hell of an icebreaker). Hey guy, maybe tone it down a bit!
She bumps into Sagisawa again, who is delivering his homemade kaleidoscopes for the shopkeep to sell, because in addition to being a sweet young doctor-in-training he also creates kaleidoscopes, which let you “look at the world in a different way”. Ack!
Oh and a guy with an actual cursed tome runs past, and before Fukurou can chase him down he ends up splatted by a subway car. Again, for a four-man patrol they’re sure aren’t very good at catching people they want to catch!
Furthermore, what could have been an opportunity to test Tsugumi’s toughness in the face of blood and death was squandered. Why present such a gruesome death as part of her job, then not have the MC react to it at all?
They suspect the book has been made cursed intentionally by a group they’re simply calling “Karasu” due to the crow feathers they leave behind as a calling card. That group is in opposition to Kagutsuchi, a group that seeks to find and destroy (rather than purify) all cursed tomes…and if a couple of uncursed tomes get burned, so be it.
Sagisawa Rui invites Tsugumi to a more intimate rendezvous in the park where he gifts her a kaleidoscope, and then gets into a rather unsubtle debate about whether to preserve or burn cursed tomes that betrays his beliefs on the matter to be in opposition to Tsugumi’s.
That night the police liasion informs Fukurou that Kagutsuchi is meeting on the eighth floor of a building in Ginza…but the building only appears to have six floors, not including the roof! Huh…
Anyway the leader of Kagutsuchi turns out to be Sagisawa. Why he put on that whole performance to Tsugumi before with the burning non-cursed book or the kaleidoscopes, I have no idea, but in the end the first lad who seemed to be a nice fit for her turns out to be a bad guy, at least from Tsugumi’s book-loving perspective.
After she declines his offer to join Kagutsuchi, he burns the tome in front of her and then leaps out the window, which would have been cool if we didn’t see him land on a tablecloth his henchman stretched out for him. For some reason that seemed really lame and caused me to laugh out loud.
So yeah, Tsugumi’s job seems pretty boring and tedious and full of unwanted passes by men…until it’s suddenly not, and even then gets rather silly because as I said, hot pursuit is not Fukurou’s forte. Maybe lose those bulky overwrought uniforms and…I dunno, run faster?
NAT continues to be watchable if unexceptional in its second episode, which is largely an introduction to Fukurou’s facilities and the attractive yet often eccentric men who live and/or work there.
They include a former houseboy of the Kuze family with whom Tsugumi is acquainted, a mask-wearing researcher, and an odd-eyed kid who likes to hang out up in trees. She also sees the repository of cursed tomes, which is, from her perspective, lit up like Christmas from the various auras.
Tsugumi is also shown her own apartment, a first for her, and is also chatted up in the alley by someone who turns out to be her brother’s favorite author, Migawa Shizuru, who lives at Fukurou.
He joins Tokimiya, Hayato, Akira, and Hisui for a welcome banquet of sushi, and immediately Hayato and Shizuru start making preparations to stake their claim on the right to woo the newbie, with Hisui in the middle trying to keep things calm.
The next day Tsugumi heads out for her first patrol with Hayato, Akira, and Hisui, donning her Fukurou uniform which features a skirt of a short length she’s not used to. She’s also not used to walking beside unmarried men, and so almost instinctively keeps her distance.
They visit bookstore after bookstore, but none of the old Japanese-style books they encounter has any aura, which disappoints Tsugumi, who hoped to make more of an immediate difference.
One bookstore tender even calls her “another useless good-for-nothing,” while another asks if she wants to be his lover “or sweetheart”, to which she states, for the record, she’s not interested in men or marriage at the moment. (She also meets the living stuffed animal Perry, whose reason for existing other than being the show’s mascot escapes me).
At one bookstore run by a particularly panicky and paranoid owner, Tsugumi’s failure to find a cursed tome actually makes the poor guy’s year, and Hayato points out to her that doing her job isn’t just about finding books, but putting people at ease when they learn they’re not in possession of them. So it was a good day’s work.
The intense first cold open of Nil Admirari no Tenbin, depicting people committing suicide while cops chase down a guy with a book, did not impress me as much as the opening sequence, with its catchy club beat and stage show extravaganza milieu.
I have a soft spot for OPs and EDs in which the cast “puts on a show” (see also Soremachi and the ending of Kekkai Sensen’s first season). But I’ll admit I also worried this was one of those shows whose OP writes checks the show itself can’t cash (DRAMAtical Murder’s Goatbed-led OP was outstanding; the show was a snooze).
Fortunately, after getting pumped up by the OP, I wasn’t let down by the briskly moving story centered on Kuze Tsugumi, the eldest daughter in an aristocratic Taishou Era family in dire financial straits. Tsugumi has known for a while that in order to save her family she must marry whomever her father can scrounge up. Her little brother Hitaki echoes the suppressed voice in her head saying “what about what you want?”
Tsugumi is short with Hitaki, whom she admits she’s spoiled too much anyway, but when she returns from town with olive branches including a new book and eclairs, she and the family butler find him doused in oil, lighting himself on fire while holding a book.
Fortunately, Hitaki isn’t killed, but his burns require isolation to heal (considering the era, I’m somewhat surprised he survived). Tsugumi and her butler are approached by two hotties in unusual uniforms, which is because the’re from an unusual bureau: the Imperial Library Intelligence Asset Management Bureau, or simply Fukurou (though I personally kinda like “ILIAMB”.
The men from Fukurou explain that Tsugumi’s brother likely fell victim to a “cursed tome”, a handwritten Japanese-style book containing the emotions—in this case suicidal-by-fire—of its author. When the butler brings the men the book Hitaki was holding when he self-immolated, Tsugumi is shocked to find it has flames emanating from it…but no one else can see them.
The more forward of the two guys, Ozaki Hayato, tells Tsugumi that she’s one of a very rare number of people who can see the “auras” around cursed books, and begs her to join Fukurou right then and there. After the incident with Hitaki her father postpones her marriage, so Tsugumi decides to take the job, essentially being freed from the birdcage of her destiny by cursed tome that nearly killed her brother. She also aims to help stop further incidents form occurring to others.
As the sultry parade-of-shirtless-dudes ED suggests, Tsugumi is not only pivoting from family bargaining chip to empowered modern working woman—an interesting premise in and of itself—but is also an unmarried woman joining a bureau staffed by mostly unmarried men. So we’ve got ourselves an otome anime with a reverse harem. I’m willing to see where this goes for the time being.
3GL is delivered in chapters, not episodes, so it’s not unusual for chapters that go long to pour into the next episode. That can sometimes seem random, but it also keeps the rhythm of the show fresh. And while we get three very different chapters, they all contain the same theme: Rei getting over his match and subsequent evening with Souya and rejoining mankind.
The Chairman gives Rei a call and is relieved both that Rei is fine and that he’s taking care of Souya. The Chairman throws a little dig at Rei for being so good at caring for others for his age, but he doesn’t know how much of an affect the Kawamoto sisters have had on him, and Rei may not even know he’s paying their kindness forward.
The Chairman also lets Rei in on a little-known fact: Souya’s hearing comes and goes, and the doctors can’t pinpoint anything other than “stess” as the cause.
There’s a great melancholy in the Chairman saying “just leave [Souya] alone and he’ll be fine”, but he’s proven right the next morning, when not only has Souya taken off before Rei, but paid for his room as thanks for assisting him yesterday.
Rei has a tendency to see Souya as some kind of god roaming the earth, unaware of its strange customs; one could also call him (shogi) royalty; a young king who has never had to live in the real world.
And when Souya is gone, the storm is gone as well, replaced by an almost fake-looking blue sky. The blinding white light of his “Souya Storm” match is back up in the sky, hanging there as the sun. It all feels like a weird dream, and Rei gets lost in it.
The sounds of school and other people around him gets muffled, replaced by the crisp sounds of the shogi pieces smacking against the board…almost like a tinnitus.
With the epic “White Storm” over, we get a titular—literal—”Restart” that gives us a fresh dose of the always-wonderful Kawamoto sisters.
Their half of the chapter plays like an after-episode omake, as they give us step-by-step instructions on how to make the perfect pork juice-marinated soft boiled egg, accompanying delectably tender braised pork.
It was nice to check into the sisters’ warm little world—particularly now that Hana (her hair up in a mature bun) is over her bullying ordeal and looking forward to seeing Chiho soon. But I couldn’t help but feel a bit worried by Rei’s text declining the dinner invite.
The last thing we need is him starting to follow in Souya’s footsteps, making the Fausitan deal of shogi divinity in exchange for utter and profound lifelong loneliness as the sounds of the world around him fades out. Let’s not go there, please!
When the chapter returns to Rei, who is so deep in the notes of his match with Souya Shimada has to stop him from getting trucked, my weariness for such a development lingered. However, once Shimada brings up Nikaidou, I was pleased to discover I had nothing to worry about.
Rei is at first shocked Nikaidou is already out of the hospital and playing matches, then worried for his classically shaky health. Shimada also tells him it’s likely Nik is feeling depressed since his absences have forced him to forfeit some matches, making rank demotion a possibility.
But Nikaidou isn’t depressed; he’s right where he wants to be, and when Rei checks in on him, he’s defeated an 8-dan with an all-new move he’s hopeful they’ll name after him. Seeing Rei there only compounds Nikaidou’s manic joy, and when Rei sees how wrong Shimada was and how happy his friend is, he can’t help but smile and laugh—something Souya could never do. I reckon Rei will be fine!
Rei has known Souya for years, but like everyone else, has regarded him as some kind of shogi diety, floating above the ground on a higher plane of existence…and shogi. But thanks to his win in the Newcomer Tournament, here he is, sitting opposite Souya, a real, living, breathing human being. Rei isn’t sure if Souya has strayed into his world, or if he has strayed into Souya’s.
As their commemorative match progresses, it’s pretty clear it’s the latter. And you know what? Rei likes it in Souya’s world! It’s a pretty chill place where he doesn’t feel the same pressures or emotions when facing previous opponents.
He’s in the eye of the white storm, where all is quiet, and where there is nothing but shogi, the next move, and the moves after that. Calm, tranquil, and refreshing almost to the point where Rei feels bad for insulting an opponent who defeated him.
And Souya does defeat him, mostly due to an error Rei knows he made the second he placed the piece. In the review, he makes the right move instead, and the Meijin nods. When Rei looks at the palm of his hand, Souya speaks the words “that’s what it’s like.”
Whether Rei can now feel the game through his fingers, the fact remains it was a good match. I’m glad Rei didn’t pull out a miracle win, because that frankly would have not lined up with all we know about Souya, mostly that he’s nigh unbeatable.
Rei doesn’t like losing, but at least he knows when a win simply isn’t in the cards; the gap is too wide, and he hasn’t figured out how he’ll catch up, if that’s even possible. And it wasn’t by any means an embarrasing loss; his match with Souya engendered much lively discussion among their shogi peers.
Last week Rei got his first taste of Souya-attempting-to-act-human at the pre-match reception, and was somewhat troubled by the fact Souya has always been profoundly alone.
Rei, as we know, has a fair amount of Kawamoto in him, and so when the bullet train service is suddenly suspended, he takes care of a disoriented Souya, who proceeds to follow Rei around like a lost puppy.
That being said, Souya has been on this earth longer than Rei, and so whenever Rei can’t find what he’s looking for among the chaotic crush of the station, Souya always seems to quietly point out the proper way forward, be it the ticket booth, finding an inn for the night, and finding an exit that won’t get them drenched.
But yeah, if Souya isn’t physically deaf, he’s certainly close to it…as if he cast off the need to hear sounds because sound isn’t required in shogi.
We start things off with Shimada and Yanagihara inspecting a conspicuously cool and high-quality poster prominently featuring Kiriyama and Souya’s upcoming commemorative match. Takanori says he spared no expense because he needs interested eyes and ears on the match, and because Shimada and Yanigahara’s “sickly” match involving hacking coughs and stomach pains simply wasn’t the most marketable shogi, so limited resources have to be allocated where they’ll be most effective.
Rei isn’t concerned with the poster composition or style, but on studying for his very first match against Souya Meijin. He’s so immersed in game notes he initially doesn’t realize Hayashida-sensei has joined him on the roof.
Rei takes the opportunity to relay to his teacher that Kawamoto Hinata’s troubles would thankfully seem to be resolved, before once again lamenting how he wasn’t able to do anything. Hayashida asks Rei if she said that to Hina (he did) and whether she responded by saying that wasn’t true (she did). Results don’t reach people, and the world doesn’t revolve around them.
With that, Rei and Souya depart for their journey to the site of the commemorative match in Morioka, Iwate, and Rei is overwhelmed by the fanciness of the hot springs hotel room and facilities in which he’ll have free reign.
One thing I love about 3GL is its geographic accuracy; it only took fifteen seconds on Google Maps to locate Lake Gosho, the Tsunagi Hot Spring, and the Hotel Taikan where he’s staying. While strange fantasy worlds are cool, so are places I can actually go and experience the highly alkaline waters of the Tsunagi springs, and their naturally moisturizing salicic acid, for myself.
But like I said, Rei is easily overwhelmed, and what should be a haven of peace and relaxation is more like a storm. Granted, were I to go, I wouldn’t have to deal with an evening reception with speeches, Q & A, flowers, signings, etc. This is the big leagues, and it’s a lot for someone as reserved and bashful as Rei to endure.
Rei observes Souya, who is much older despite his looks, navigating the same choppy waters with aplomb…until he doesn’t. Souya apparently reaches his limit of human interaction before the festivities have ended, resulting in him delivering the wrong rehearsed answers to questions, and not reacting at all when a hostess spills wine all over his white suit, the only one he brought to Iwate.
Souya has always been a bit of a cautionary future look at Rei if he devotes his life to shogi and shogi alone. If Souya ever had something like the Kawamotos (or Kyouko for that matter) in his life, he doesn’t seem to anymore, and as a result, he lives for shogi and shogi alone.
One attendee calls him a “demon of shogi” who can only hold his “human form” for so long. However far in the world of shogi Rei wishes to go, he doesn’t want to go so far he doesn’t even know when he looks like he was slashed with a chainsaw.
And yet, Rei cannot deny that Souya’s total dedication and complete lack of distractions has made him so formidable a shogi player that he’s nigh unbeatable. When the demon emerges the next day for the match, he’s switched from his irreparably stained suit to traditional Japanese dress; all silver and white as always.
And Rei forebodingly reports that the morning of their match, an unseasonable typhoon began creeping up to the Japanese archipelago, so for the next few days he’ll have to deal with storms both within and without the shogi venue.
Thanks to the efforts of Kobuku, the bullying in Hina’s class has stopped. The ringleader Takagi and her five co-conspirators were exposed for all to see and made to apologize to the class for their actions. And yet Kobuku remains unconvinced that Takagi in particular shows any remorse for what she’s done.
In an interrogation-style scene, he tries to get past Takagi’s limp excuses (it’s society’s fault) and tries to get to the root of her trouble. Takagi is frustrated with always being told to study and work hard by people who won’t take responsibility if all that studying and working amounts to nothing.
But more importantly, as all those people were dishing out those platitudes, they never made any real effort to ask Takagi how she feels and what she wants. But now she has Koboku’s undivided attention; she no longer has any excuses.
Hollow apology or not, Hina is happy the darkness in her class has been expelled, even if she’s still terribly hurt by the effects of Takagi and her henchmen, especially where poor Sakura Chiho is concerned, which is why Hina is so overjoyed when she finally receives a letter from her.
In it, Chiho tells Hina that after initially being a bit lonely, she’s made friends and found peace at the remote farm surrounded by mountains and forests and full of animals and kind people. Tears well up in Hina’s eyes as she reads; tears of both enduring heartbreak of what went down in their class, and relief that Chiho is okay, and wants Hina to visit some time.
Rei, perhaps feeling like Hinata is slowly stealing his show (he’s not wrong!), shows up at the Kawamoto residence to find Hina lying supine and fast asleep in the sun. She has an etheral, almost angelic aura about her that makes him feel extra self-conscious about entering the room. So he waits in the genkan, only to be woken up by Hina.
She tells him, simply, that “it’s over”, and eagerly describes the day when her classmates cried and apologized to her, then invited her over to make cookies. These were the same classmates who, with the threat of retribution from Takagi and her ilk removed, finally felt safe enough to tell the teacher what happened and to talk with and hang out with Hina again.
When Hina opens her mouth wide to show Rei the burn caused by a fresh baked cookie, Rei decides to make this about himself: Woe is he, who wasn’t able to do anything to help Hina in her time of need. Oh wait, he didn’t do nothing in that time; he did a lot!
Hina sets him straight by listing everything he’s done for her, then doles out punishment in the form of several love bites. Then she starts to dance and twirl under his arm as they walk briskly beside the river, happy as you please. Which begs the question: Is Hina merely the best girl in the galaxy, or the entire universe? I’m gonna go with the latter.
One of the question marks last week was what, if anything, would bring Salia back into the fold. That turns out to be Alektra, whom Salia brings to the Aurora. All Alektra wants is a cigarette and the chance to say what she needed to say to Salia, whom she regards as a little sister, if not a carbon copy of herself, complete with the same mistakes. But as Aura halts the world-merging, there’s still a chance to beat Embryo.
And is there some villainy thee vile Embryo hast not committed? Why, forcable rape, of course! His final move is to return to his own timeless “in-betweeny space”, where he gives Ange more of his backstory in between slapping and stripping her. He won’t be refused, and aims to “purify” Ange, who was “sullied” by Tusk. Now Embryo is just pathetic, though who can say this wouldn’t happen to any man kept alive for a thousand years, with the power to control everything?
But yeah, in it’s last episode, Ange “goes there”,just it has not been afraid to go there throughout its run, for good or ill. He binds her arms and legs with vines so she’s spread eagle, but is kind enough not to gag her, so Ange takes advantage and sings the song of Villkiss. Tusk boards it, and with his tears of love he’s able to activate her ring, and the Villkiss teleports him, Hilda, Salia and Salako to Ange’s location.
Tusk is just in time to stop Embryo from going too far, and rescues Ange in their now trademark position of his head in her crotch. This time, Ange is too scared and happy he’s there to blush or slug him. And he even has the panties she gave him so she can cover up. I wondered when those panties would come in handy.
There’s still Embryo to content with, and Tusk crosses swords with him, as is expected of a knight, and we also learn this is Embryo’s original body. He’s still a tough customer, so Tusk keeps him busy as Villkiss upgrades again to a Ange/Tusk combo paint scheme, and cloaks Ange in a crisp, white flight suit.
Hilda (riding Chris’ mail), Salia, and Salako prove to be a good group to have accompanied Tusk to this place. They’re kept busy fighting duplicates of Embryo’s Ragna-mail. He tries to brainwash Salia and briefly takes over control of her mail, but as Ange and Salako monologue about how they’ll allow themselves to be controlled (by a man, no less) over their dead bodies. Hilda and Salia join their voices.
Salako even figures out why Norma exist—judgment for Embryo thinking in his hubris he could control human genes—and why they’re all women: so they can re-populate the Earth with a population of humans he can’t control. Life Will Find A Way, Cross Ange-style. It holds together pretty well.
As Tusk runs Embryo through and Ange delivers that dynamite one-liner in the top-right, she runs his Ragna-mail through, and it’s over. No more dirty old man. Good game; let’s go eat!
The world Ange & Friends return to is the “true” Earth of Dragons, now freed from Embryo’s tinkering. There, with no one left to fight, Ange declares she’ll build a new nation, and at this point everyone at her side is fine with that. She was born to lead, after all, not to mention she’s the reason they’re all alive.
When Momoka asks what’s to be done about the other world, Ange basically shrugs and says it’s not her problem, which she’s well within her rights to do. The people of that world are humans; they’ll figure it out.
Sure enough, we see Sylvia embracing the fact that she really can walk, and arms herself with friends and weapons to protect the weak. The show didn’t have to do anything else with Sylvia, but I’m glad they did. She is Ange’s sister, and Ange herself was once an insufferable brat, so it stands to reason Sylvia had that same strength within her.
As the credits roll we get a great epilogal montage that shows us what everyone is up to now that there’s peace: Ersha, Salia, and the surviving rookies meeting Vivian’s parents; Ange opening her dream cafe with Tusk; Momoka and the bridge crew; hanging out with Salako on her time off; paying respects to the fallen, and building their new nation.
Left out of the end montage, in a rare showing of restraint for this show: Hilda-Roselie-Chris makeup sex, Ange-Tusk baby-making, and other potential bedroom formations, such as Ange-Salako-Tusk or Ange-Tusk-Hilda-Roselie. Gotta leave some things to the imagination, I suppose…but I imagine at some point they’ll want to populate this new nation, and there are only so many men. Gotta watch out for inbreeding.
And on that somewhat inappropriate note, it’s time to say goodbye to Cross Ange, at least until the OVA or film, if they come to fruition. It was a very fun ride, and I’ll miss the show’s shameless raunchyness and shlock combined with genuinely compelling character drama and feminist commentary.
As you can see, a lot happened in the second-to-last episode of Cross Ange, but not a whole lot was resolved; most glaringly the Embryo problem: dude just won’t die. Perhaps they’re leaving that for the last episode; though as Ange remarks in the preview, they could also hold that off until a special or movie…which would make me as cross as Ange usually is (if it’s to be believed the show’s title is a pun).
While the fate of Ange, Tusk, Salia, and Embryo remains up in the air for the finale, this episode focused on secondary characters, as many as it could, and tied up some loose ends we were hoping wouldn’t end in tragedy.
The Aurora takes a beating, but Jasmine, Vivi, Riza, Momoka, and Ersha (taking to the cockpit again) manage to keep it together long enough for DRAGON reinforcements to arrive (sent by their empress to back up the Norma).
Embryo also shows his Diamond Rose Knights exactly how little he really thinks of them by using them to bait the Dragons so he can go grab his “wife” Ange. Two of Chris and Salia’s comrades, whom I could never remember the names of, are killed off in quick succession.
In the episode’s best act, this latest betrayal basically breaks Chris, who just fires wildly at everyone wishing they’d all die. A nifty combo of Hilda’s tough love (“Give it a break, you emo bitch!” is particularly cutting, but apt) and a desperate stunt by Roselie, who plucks Chris right out of her cockpit and won’t let go until she’s heard.
Hilda manages to catch them both, by which time Roselie has reiterated her love for Chris, and the fact she can’t live without her, and wants to be her friend again more than anything. Chris, back to her senses and thinking like the Chris of old, uses this opportunity to make Roselie agree to several conditions, which will have the effect of balancing their relationship.
If nothing else, I’m glad these girls made up and no one had to be killed (well, except Marika).
While all this feel-good making up is going on, Salako and Ange succeed in releasing Aura from his cage. Jill also smells defeat on Embryo and tries to get him to take her with him…wherever he escapes to. It’s a trick, but one that doesn’t work out for Jill, as she wrongly assumed she was dealing with Emby’s original body. She’s injured, but not dead, so we’ll see what becomes of her.
There’s not a lot of her here, perhaps because she’ll factor so huge in the finale (Embryo plucks her away in the end, sans clothes), but the fact large swaths of time pass where we’re not sure what she’s up to was troublesome. Furthermore, Salia has seen her comrades be betrayed by Embryo, but she doesn’t quite wake up like Ersha and Chris.
Emby doesn’t seem to care about either world anymore, and as they’re 97% converged when the credits roll, he may not have to care about them much longer. Ange remains his top priority, and he seems genuinely pissed when Tusk boasts deflowered her. Which when you look at that flashback and see Embryo with Tusk’s mom, adds a somewhat icky sheen to this whole affair.
Then again, it wouldn’t be Cross Ange if it wasn’t a little icky.
Even though two more episodes remain, this had the feel of a second-to-last episode, with a lot of character housekeeping leading into the start of the final battle that will decide the very fate of the world(s). With such a tangled web of character connections, any housekeeping episode in which many were either resolved or set up to be resolved soon could run the risk of feeling overstuffed and unwieldy.
Not so here, and you can chalk that up to the show’s genuine care and concern for each and every one of its characters, with the possible exception of Embryo, who has been painted pretty consistently as a transparently evil pervert of late.
Because Cross Ange cares so much, so do I. So even when minor characters like a sober Emma and Riza Randog achieve redemption, it lifts my spirits as much as Ange returning to the Aurora with Tusk aboard his mother’s paramail, or Ersha returning to the fold. Everyone is getting into the right place.
As Ange later remarks to Salia, she has a lot of “errands” this week, which starts with welcoming Salako back and thanking Riza, and continues with trying to slap some pride back into a sulking Jill. Hilda now sees fully what she’d only seen glimpses of before; how inspiring and natural a leader Ange is.
To that end, she offers Ange the command, and to Hilda’s credit it feels more like a correct and practical decision rather than any kind of emotionally-driven concession borne out of her inadequacies. She just prefers to run around with a gun, which is true.
As for Hilda’s feelings for Ange, well, now is the time to confess them, and when Ange insists, Hilda doesn’t hold back: she sees Ange as her knight; her Tusk. When she laughs away these feelings as strange because they’re both women, Ange leans in for a kiss, and tells her the world where such things are strange is the same world they’re going to destroy.
Ange will need Hilda in that world as much as Tusk and Salako. This suggests it will be a society in which relationships need not be monogamous. It’s another credit to the care with which these characters’ roller-coaster history has been portrayed that this corridor exchange hits all the right emotional notes. Tamura Yukari also turns in a great performance as Hilda here.
When chewing out Jill, Ange pointed out that many lives were destroyed in her failed missions for revenge and revolution, and that even Salia had to latch onto Embryo when Jill spurned her. When we see Salia saluting Embryo, you can tell that Embryo himself is now secondary to her own desire to rid the world of Ange once and for all, hoping that will make her special and desired. It’s a misguided motivation that I simply don’t see unfolding.
As Ange’s “errands” continue, she and Tusk have a quiet tender moment on the eve of battle, when Ange insists on giving Tusk something back for his undying devotion. Something more than being safe, that is, which is enough for him. But being light on the possessions, she decides to give him the panties she’s presently wearing, which Tusk accepts graciously and promises to return “so she doesn’t catch cold.” It’s the same kind of risque sweetness that has defined so much of their romance.
After Ange delivers a stirring pre-battle speech that only demonstrates Hilda made the right decision in raising her to the command, the Aurora, with Jasmine at the help and Ersha on the weapons, heads to the Dawn Pillar for a frontal assault. The conventional Misurugi military units don’t put up much of a fight, so as the enemy nears, Embryo sends his harem of ragna-mail pilots out to meet them, and the battle’s stakes heighten accordingly.
Such a wide-ranging battle with everyone involved means we get some nice matchups: Hilda and Roselie against their former lover Chris, who’s still in Embryo’s court; Salako’s two lieutenants we can’t remember the names of versus the other two Embryo girls we can’t remember the name of, and Vivi inspiring the rookies with her usual kick-ass combat skills. And then Tusk takes on Embryo, who is amused that Tusk isn’t dead.
Jasmine and Ersha successfully fire the Aurora’s cryo-cannon at the Dawn Pillar, destroying it and opening the way for Salako and Ange to free Aura beneath the ruins. But Ange has to get past a hate-fueled Salia, who may yet again be ignoring her natural shortcomings in her obsessive quest to destroy her rival. Note that her arc has gone in essentially the opposite direction of Hilda’s.
Salia tosses Ange into the palace, where Ange happens to come upon her sister Sylvia, who is being harassed by commoners furious that nothing’s being done to protect them. Ange has nothing for these people but contempt, and in one case, a bullet to the head. In what she believes will be her last encounter with her pathetic little sister, Ange fires warning shots at her, forcing her to stop pretending she can’t walk and run away, taking care of herself for once.
It’s pretty harsh treatment when you consider that like much of the rest of humanity, Sylvia is simply a slave to her genetic abhorrance of Norma and Dragons, and a victim of her weak, brainwashing-susceptable mind. But alas, this is not a fair world; that’s why Ange’s going to destroy it, giving rise to a fairer one.
With that last “errand” taken care of, Ange returns to her duel with a patient Salia, and it’s pretty clear at this point there’s nothing Ange can say that will make her see reason. Enter Alektra Maria von Levenherz, who has taken Ange’s words to heart, suits up, and pilots Ersha’s ragna-mail to join the fray, doing her part for Libertus.
Perhaps Jill will be able to succeed where Ange has thus far failed vis-a-vis Salia. She certainly knows how to press Salia’s buttons, as the first thing she says to her is that she’s disappointed, the kind of tack that drew Salia away from her in the first place.
Is she provoking Salia to throw her off the game so she’ll break off from Ange and start attacking Jill? Is Jill’s goal to atone by snapping Salia out of it, or simply by letting Salia kill her, if she can? Did Embryo really set up this whole world-merging threat simply to draw Ange to kill him for realsies, using the Villkiss’ inter-dimensional ability.
Will the battle end next week, making episode 25 an epilogue? Who will live; who will die; who will reconcile? The housekeeping and table-setting is over: it’s time for the big dance.
P.S. In the adorable preview, Vivi celebrates Ersha’s return by demanding food, and Ersha headbutts her, but the preview ends before she can tell us what happens next week. Drat!
This week somewhat inauspiciously begins with Salia being spanked like an insolent child by Embryo, for letting Ange get away. But as painful and humiliating as this experience is, there’s still a glint of defiance in Salia’s face and words. Chasing after Ange the Chosen One like an obedient errand girl is not what she signed up for; in fact, it’s one of the very reasons she defected from Arzenal in the first place.
Aboard the Aurora, Embryo finally manipulates Emma Bronson to antagonize what looks like the beginning of a Norma/Dragon alliance, in the midst of Riza’s report that Embryo is trying to merge both their worlds to form a new one, destroying them in the process. Even if Salako & Co. are Dragons, Hilda can relate Salako’s friendship to Ange. Roselie, meanwhile, isn’t looking forward to killing Chris, but it’s her or them; something she laments with great sadness.
Embryo expounds on his grand plans for the world by stating it will be ruled by “strong, intelligent women.” He leaves out “pliable women who will acknowledge his unlimited power and know their place below him.” At the same time, he takes no pleasure in watching Ersha grovel and beg him to restore the lives of her children. He really never intended those children to survive the merging at all. Rather, he intends Ersha to become the mother of the new world’s children, which has some pretty messed-up ramifications if you think too long about it, which, judging from Ersha’s expression, she does.
Like Salia, Embryo essentially warns Ersha that she’s not acting like the “intelligent women” he needs for that world. Unlike Salia, he basically casts her aside and tells her to stay out of sight, whereas he at least gives Salia one more chance to prove her loyalty. Salia won’t be doing that, though.
It looks like her spanking was the straw that broke the camel’s back; she won’t prove her value to Embryo by finding Ange; she’ll prove she’s stronger by besting and killing her, going against Embryo’s wishes in a desperate bid to win his approval.
This is not the best plan, considering Embryo can bring people back from the dead at will, but even if her judgement-quashing inferiority complex is still as strong as ever, at least she now realizes how much of a sack of shit Embryo is. Ripping up her Pretty Salian cosplay is as strong a symbol as any that she’s done playing the heroine.
Ersha, meanwhile, realizes how appallingly naive she’s been, and how easily she allowed Embryo to win her obedience by manipulating her powerful maternal instincts. In both her and Salia’s case, they were girls with ambitions (albeit very different ones) that got their way, and now that they’ve seen how thin the veneer of Embryo’s goodness extends, They’re both well and truly disillusioned, and will no longer follow him.
Chris is different, in that nothing happened to her this week that suggests she’ll be going against Embryo. Embryo is her best bud, after all; the one person who would simply be her friend the way no one else ever did. Her ambitions are far smaller by comparison, and so easier to both fulfill and maintain. Are Chris, Roselie, and Hilda doomed to try and kill one another without ever reconciling the often twisted shit they’ve all been through? Or will something Embryo does cause CHris to revolt as well? I hope it’s the latter.
Meanwhile, Tusk’s chopper-thingy deposits Ange on his island and releases her, and it doesn’t take long for the same crushing loneliness Tusk must have felt in the years he was here to sink in for her, combined with her grief over losing both Tusk and Momoka. Ange can’t see the purpose of trying to save a world she can’t share with those two very important people.
She even considers taking her life, before remembering Tusk’s final words to her about her having to live. But reading Tusk’s diary, including the entry when she arrived (not Ange’s best outing), at which point he’d already chosen to be her knight, only makes Ange more upset. She may have spared her own life for now, but she still can’t see the point of sparing it indefinitely.
And then, all of a sudden, as she remarks on how she’d have gone all the way with Tusk if she’d known he’d sacrifice himself, Tusk pops up behind her, alive and well! She thinks it’s another of Embryo’s illusions at first, but I had a pretty good idea it was Tusk. Am I going to defend this ridiculous plot twist? No, but I can understand it: You don’t know what you have until you’ve lost it; we never saw Tusk actually die in the explosion.
Having tasted the bitterness of losing Tusk, Ange isn’t going to side-step the issue of the furtherance of their relationship any longer. On the contrary, she has sex with Tusk right then and there, under the stars, to prove it’s really him. Afterwards, it’s as if all of that sexual tension had simply melted away, leaving two far calmer, less distracted people.
Momoka’s back too, because Hell, why not? She had a frying pan in her clothes that stopped a bullet. I’m more on the side of happy than angry they’re back, even if it’s very sudden. The why isn’t really important, only the that. And that Tusk and Momoka are alive means Ange has far stronger motivations to stop Embryo.
I just don’t see how she’s going to do it considering how easily he dispatched them last time. Maybe these two finally getting laid was the key?
Hilda leads a team composed of herself, Roselie, Vivi, Tusk, and the three new pilots to invade Misurugi and rescue Ange, in an action-packed episode that satisfactorily juggles all the involved parties and all their individual stakes and relationships, both forged and shattered. Ange is ultimately freed from Embryos clutches, but it’s only another temporary victory, and it comes at the greatest cost yet.
To think Hilda, Roselie, and Chris started out as an annoying “popular girl clique” that shunned Ange. They’ve come a long way. Hilda is fighting for Ange, Roselie is fighting for Hilda and her novice riders, and Chris is fighting for her new, true friend, Embryo-sama. She looks back in retrospect and concludes that even before Hilda and Roselie “left her for dead”, they were never really her friends. Despite Hilda’s harsh words earlier in the show, I don’t think that’s true, but tempers are too high for any hope of reconciliations.
Chris knocks out Villkiss’ power, and it ditches in the river. Momoka rescues Ange and tries to get her away by car before Embryo unveils another one of his little tricks: the ability to turn any mana-user into a homonculus. Ane manages to snap Momoka out of it, but throngs of zombie Misurugi citizens converge. Embryo proves as tenacious as ever in cornering Ange and bending her to his will.
While Hilda and Chris value Embryo as a lover and best mate, respectively, Ersha is doing everything for the kids, not him. So when, in the crossfire of the battle, all those kids get slaughtered, Ersha too loses all possible compunction to ever side with Ange and her cohorts again. Now, I imagine, whatever is left of her life will be dedicated to making sure those kids are avenged.
Chris, meanwhile, takes a sadistic amount of relish in killing off Marika, one of Roselie’s novice riders who came to cover her teacher’s escape. Her end is neither as surprising or as gory as Coco and Miranda’s, but it again escalates the conflict between these former comrades-in-arms, and even proves Embryo’s point that with or without the light of mana, it doesn’t take much to turn once somewhat reasonable humans into monsters.
Embryo’s intention to punish Ange are thwarted by her trusty, horny knight, who stalls Embryo so Ange and Momoka can escape. After getting in a dig about how Tusk, the final member of “ancient people”, is nothing but a monkey, Embryo ends the stalling by shooting himself in the head.
Just when we think Ange is home free, with the ocean and skies sprawling out before her, Momoka is taken over by Embryo once again, as he sips tea down on a balcony below them. You have to credit Embryo with being so damn hard to foil, though that’s a given when you have the powers of a god. Frankly, anyone who attempts to oppose such a powerful being has never seemed to have a very good approach for actually doing so, and the fact he’s immortal makes that unpreparedness understandable.
Ange is then forced to watch as Momoka, whom Embryo has powered up to the very limits of her body, slashes at Tusk with a sword. Ange is able to break Embryo’s hold on her once more, saving Tusk, but then Momoka goes after Embryo while using her mana to make a huge truck hit them and push them off a cliff. It’s one final act of valor and love from Momoka, but I wonder if she didn’t squander her life trying to take out someone who couldn’t be taken out. Ange did tell her and Tusk that Embryo can’t be killed, right?
No matter. Even if she did know she couldn’t kill him, she could slow him down, and prevent herself from being used as a homonculus again. Tusk does the same thing, sacrificing himself with a suicide bomb in order to buy time for Ange’s escape, which isn’t her choice, as he sets auto-cruise and cuffs her to his ship.
And just like that, Momoka and Tusk, two of the people Ange cared about most, are gone. Seeing the stunned pain in Ange’s face and voice at this realization, one almost can’t fault those who surrendered and sided with Embryo, because this is the price of opposing him, with the final cost yet unknown.
I know it’s indicative of far more insidious elements of their dynamic in the past, but Chris is kinda overreacting over the other two making her lose one of her braids when they only gave her a clip for one. She could have, you know, spoke up for herself regarding her hairstyle preference.
The fact Embryo can make any one, or any number, of mana-users into his own zombie army seems like a wildly underused power up to this point.
Continuing with its utterly irreverent theme of the previews, Ange considers simply replacing the fallen Tusk and Momoka with Hilda and Roselie…but ironically that’s essentially what I see happening!
Tusk may have died a virgin, but no one can say he didn’t have his share of interesting experiences with women.
I assume Salia was knocked out this entire episode.
The above scene is a blatant, laughable lie, one proven to be one mere minutes later when Embryo puts the exact same moves on Ange (Also, why does he always get fully dressed before her? Can’t he snuggle Pretty Salian once in a while?). But Salia accepts it, because talk of love or destiny aside, Salia’s made a deal with Embryo.
She gets to live out her fantasy, and he gets to have her mind and body. Embryo is essentially an immortal pimp, and he makes each woman he manipulates feel like they’re his queen, through offering things they want most.
Angelise is former royalty, so he continues to treat her as such with lovely invitation letters, second flush Darjeeling, and more honeyed words, many of them recycled from speeches with the other women. Salia doesn’t even care what Ange wants or does from this point on, as long as she’s not there to steal her spotlight and her man.
But the same flattering, nurturing faux-kindness doesn’t work on Ange. She’s the same warrior she was when she pulverized that dragon back when she got stranded on that island. If she has a blade and a threat, she’s going to take it out. This time, Ange tries to make her point clearer by making Embryo suffer.
Little does she know Embryo is going easy on her out of real kindness, preferring to turn her with a minimum of suffering. When he pops back again, alive and well, he reluctantly resorts to stronger measures, and it’s here that we start to take Embryo a bit more seriously.
He did create Ange’s race of humans, after all; it stands to reason he has all the tools at his disposal to manipulate them at will. Playing nice didn’t work on Ange, so he makes things far more elemental: zapping her brain with 50xPain, followed by 50xPleasure. It’s not a pretty sight, even for an eavesdropping Salia.
What makes this episode the best in a long time is just how nicely it balances development of the careening plot with a bevy of truly great character moments, and because there are so many of them, the pacing is brisk and thrilling. Take Roselie sneaking into Hilda’s room, where Roselie comes to terms with the fact Hilda has fallen for Ange, while she herself admits she loves Chris, and always had the wrong idea about who looked out for whom. They want to be with Ange an Chris again, and Hilda knows that’s not going to happen as long as Jill is in command.
To do something about it, they’ll need help, which means recruiting the gaoled Tusk and Vivian. Hilda initially tries to seduce Tusk, but despite the rumors his head is almost constantly in Ange’s crotch (a gross exaggeration), Hilda is almost disappointed to find that he never slept with her, confirming what Ange said, and is in fact saving himself, like a true knight. Hilda just calls him a “loser”, but he’s also a useful loser, so they make an accord.
Jill, meanwhile, can’t get Embryo-sama out of her head, so she dons her flight suit and attempts to fly off, leaving Libertus and her crew behind. Hilda organizes and stages the most necessary mutiny ever, and in Jill’s fractured state she’s no match against people with far clearer heads. It’s an awesome bring-down, especially since we learn soon after that Jill needed and wanted to be saved…from herself.
“How was I supposed to explain? That I went to kill Embryo, but instead he took my body and mind?”
This is the crux of Jill’s sad story, which there’s no point in concealing from her crew any longer, and it really nicely explains all of her actions and attitudes to this point, helping us see her in a far more sympathetic light. Jill may have been an ace mail-rider and royalty and pilot to Villkiss but she’s still only human, and able to be reprogrammed into submission by her creator, the very same curse that befalls all other humans, mana-using or not.
This is a fact Embryo wishes to impart onto Ange in no uncertain terms, as he enjoys another cup of tea in Dave Bowman’s 2001 Bedroom as a topless Ange flails about on the floor in rapidly fluctuating states of acute pain, pleasure, and amusement. It’s a sickening scene, like watching one of the replicants in Blade Runner go berserk before blowing up.
This is no longer a battle of wills, but a battle of science. Even if her will continues to resist longer than Jill’s or Salias, Ange’s body and mind will only hold up so long against this punishment. When Embryo leaves her, Salia comes in, pleading with Ange again to go away, for both their sakes.
Salia isn’t going to excuse what she did to get to where she is. Even if Jill deserved to be betrayed, Salia still chose to do so. She traded her pride, duty, and chastity for pleasure, the illusion of true love, and utter dependence on Embryo, just like Jill. But Salia did this because she felt she had no other choice but death, and she’d be right. Embryo is a repellent slimeball, but he’s all Salia has left. She’s either abandoned or revoked everything else.
They may have had their differences, but deep down Salia has always known that Ange was stronger than her; even the sweating, shambling half-naked wretch at her feet is stronger than her (the bit about ‘without having to transform’ is particularly devastating). In Salia’s self-narrative, Ange has been cast as her nemesis, so it does the heroine no good to see the nemesis in such a pathetic state. She’s not just begging Ange to flee Embryo out of the kindness of her heart, but because she needs Ange to continue to be strong, or all the rest of that fantasy falls apart.
Salia isn’t brainwashed. She’s just chosen the path that she thought would give her the most happiness, and accepted the steep costs. She hasn’t really even transformed herself: the garb and weaponry and love Embryo showers her with is just another form of cosplay, and Salia remains hidden behind those facades because she fears if they were all torn down there’d be nothing at the core. I hope she’s proven wrong.
Ange thanks Salia for freeing her, and even repays her by putting her in a sleep hold and stealing her uniform, hoping it will lessen Salia’s punishment for letting her get away. I’m not convinced Embryo will be so forgiving to a tool that turned out to be defective.
Plot and character really went hand-in-hand in this well-composed episode, with the anti-Embryo parties starting to coalesce. Jill gives Hilda command of the Aurora and Libertus; Tusk, Vivian, Roselie, and the rest of the crew are behind her plan to rescue Ange. Ange is able to summon Villkiss and escape with Momoka.
Her escape is covered by Salako, which would be an awfully convenient effect, if it didn’t have such a solid cause: Momoka shows an act of kindness and forgiveness by freeing the battered Riza Randog, who is able to contact her Dragon commander. So nice assist from Momoka, an unsung heroine of the series.
Even if Embryo has control over the bodies and minds of all who oppose him, in the case of Hilda with Jill, Momoka with Riza, and Salia with Ange, the capacity for genuine kindness, forgiveness, and love may be effective weapons against him. But at the end of the day, while his methods repel, Embryo is no entity of pure evil. He too a victim of his own immortality, arrogance, and the belief he must bear the entire weight of the world upon his shoulders.
That means if his creations find a way to really kill him, he may not necessarily resist that chance to be freed from his curse, thus ending obsession with “getting humanity right this time.”