Nagi no Asukara – 14

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It’s been three and a half months since I temporarily closed the book on Nagi no Asukara to focus on a very full Winter season, but after watching this first installment of the second half, re-opening that book, my first reaction was “Wow…Was it always this damn good?” The Big Board indicates the answer is: “Yes, at times,” and this episode excelled in the same way the best episodes of the first half excelled: by simply touching my heart, and sometimes grabbing it at giving it a good tug.

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We never see Shioshishio in this episode; it’s inaccessible and covered in ice. Furthermore, five whole years have passed since the harrowing, life-changing events of the last episode, and a lot has gone on since then. Stranded on the surface, Chisaki, now a nursing student, moved in with Tsumugu and his granddad. Pops took ill and is hospitalized, so Chisaki and Tsumugu live alone together. Meanwhile, Miuna has a new brother, the baby she convinced her new mother Akari to keep, and along with Sayu, attends the same high school as Chisaki and Tsumugu.

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Both Chisaki and Miuna have moved on in some respects, but a part of them remains in the past, unable to love anyone other than Hikari. In the here and now, Tsumugu and Chisaki would make a great couple, if only she wasn’t still in love with someone she may never see again. Similarly, Miuna rejects the confession of a classmate. Both of them are always wistfully looking out to the frozen sea, hoping against hope that they’ll see Hikari again. Yet even if he is back, one or both of them could very well have their hearts broken, especially if Manaka returns with him.

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It can be argued whether Hikari is deserving of all this worship, but I’ll give him the benefit of the doubt. While he could fly off the handle, he was a decent, caring lad. When the atmospheric phenomenon known as the Tomoebi occurs, what do you know, Hikari returns, Terminator-style. Tsumugu and Miuna are there for his arrival, and Miuna wastes no time expressing her feelings by administering mouth-to-mouth. The twist is, Hikari hasn’t physically aged in the five years he’s been gone.

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I loved the structure of this episode, how it dropped us five years into the future, slowly, gracefully filling in the blanks as it progressed. Yet even showing how much life had gone one, the enduring pain of Chisaki and Miuna was palpable throughout. While I’m sure they’ll be elated he’s back, and the non-aging works in Miuna’s favor, the complication of the two of them loving the same guy, who isn’t in love with either of them, remains. I’m guessing he’ll pine for Manaka just as they pined for him, putting them in the position of Tsumugu and that classmate: being present and eligible, yet undesired.

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Weekly OP: Gokukoku no Brynhildr

Gokukoku no Brynhildr goes against the grain with its totally instrumental OP, a rarity in anime both past and present. The lyric-less piece is titled “BRYNHILDR IN THE DARKNESS -Ver. EJECTED-” by Nao Tokisawa, and we like it.