Nagi no Asukara – 21

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I really liked how Manaka’s awakening was handled so casually; both the randomness of the moment it happened, and her adorable, almost ridiculously chipper attitude right afterwards. They even teased the fact that she might have Amnesia, but it’s just because she doesn’t recognize a five-years-older Miuna at first glance. All, it would seem, is well.

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With the group of sea kids finally united, Miuna retreats. Her rivalry with Manaka had been an abstract thing in her head for so long, now that Manaka is up and about, she’s unsure of how to interact with Manaka; saying she “has no right” to hang out with that circle. Sayu snaps her out of her funk with some strategic water-splashing.

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In their latest effort to enter the circle, Miuna and Sayu quickly find they have nothing to worry about, just as Hikari, Kaname, and Chisaki find Manaka to be almost unnervingly happy, despite the fact she’s lost five years and her ena is gone. Manaka is seemingly able to do effortlessly what Miuna and the others struggle to do: be present and happy in the moment.

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It’s great to see the gang back together, but Chisaki now finds herself singularly isolated by the age gap. In a lovely, heartbreaking little moment after excusing herself from the school, she turns back briefly, perhaps resigned to the new reality: by not hibernating, she passed her friends by. The only one who grew with her was Tsumugu, but while they come so close time and again they just…can’t…quite…come together. ARRGH…they’re both doomed, aren’t they?

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Then, finally, there is something weighing on Hikari’s mind throughout his time with the reawakened Manaka: he really would like to know what she was going to tell him after the Ofunehiki, but either he’s throwing her off by not asking the right questions, ir her memory is genuinely foggy. Like Hikari, I really want to know. With Tsumugu apparently cursed by Uroko, they may get some answers soon, but they may not be the ones they—or I—necessarily want.

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Stray Observation: The OP has been tweaked somewhat; rather than depicting Manaka sleeping at the bottom of the sea, she and Miuna are both down there dressed somewhat Ojoshi-sama-y, which seems to confirm the fact both of them will play a part in appeasing the sea god. Meanwhile, in the episode, Manaka seems to be sporting boots very similar to Uggs.

 

 

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Nagi no Asukara – 20

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As the days went on and Manaka simply wouldn’t wake up, it was interesting how remarkably calm and upbeat Hikari remained. Perhaps it was because he really was optimistic Manaka would wake up any minute, and if she didn’t, that catching Lord Uroko and making him wake her up would be a piece of cake.

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But it doesn’t take long for Hikari to become a man obsessed, repeating patterns from early last season when he was a fiery ball of bad-tempered energy fueled by many factors, including his feelings for Manaka and the future of their village. Even as the sea grows colder and he grows more exhausted, he can’t just sit still; he suddenly can’t soldier on with normal life until she’s awake.

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In other words, things pretty much the same as they was when Miuna and Tsumugu first found the awakened Hikari, only amplified: before, he thought of little else but finding Manaka, and now that they’ve found her, now he thinks of little else than waking her up. In the midst of this wild intensity, Miuna no doubt feels more left out than ever. Manaka is the Sleeping Beauty that has invaded her home and monopolizes the thoughts and time of the boy she loves.

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It’s a very cruel situation for Miuna, in my opinion, and I can’t hold it against her if she happens to voice her frustration in a moment of weakness. She starts to wonder if a part of her doesn’t want Manaka to wake up. But her desperation for Hikari’s attention is butting up against his desperation to wake Manaka, and something has to give. It does, when after mistaking Miuna for Manaka (with her hair down, a rare sight), Hikari collapses into a feverish heap.

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Miuna learns again that she’s not alone; Tsumugu is having similar complications in his relationship with Chisaki, and the two have a very interesting little chat on a pier. Tsumugu admits he too pondered a simpler world without anyone ever waking up, but he can’t deny he was and continues to be happy they’re back too. Miunta wants to be happy too; Tsumugu says it will happen, but it’ll take time.

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He’s not suggesting she surrender, but it is important not to get sucked into a vortex of despair from persistent lack of success. Life is too precious to waste inordinate amounts of time on self-pity and navel-gazing. In life, circumstances and fortunes can change in an instant. To whit: Manaka quite suddenly waking up, not because Hikari kissed her, but to scold him for yelling at Miuna for suggesting he kiss her.

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Nagi no Asukara – 19

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The big adventures and discoveries in the last episode give way to a quieter, more introspective episode focusing primarily on Chisaki, who was mostly absent from all that. The episode explores her thoughts and her heart as thoroughly as the others explored Shioshishio.This leads to some beautiful, touching, and often hilarious scenes with her alternating between the childhood and adulthood.

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By all appearances, she the nurse and Tsumgu the researcher are a married couple, and Kaname is like their sour-faced kid who bristles when Tsumugu explains the pragmatic approach to everything that’s happened. Chisaki the Adult takes Tsumugu’s side, and Kaname excuses himself, making a snide comment about how much she’s grown up. This leads to her breaking out her old school uniform  (once cute, now sexy) and pouring herself into it, a deeply funny private moment that both guys invade when they hear her slip and fall.

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Chisaki also see that Miuna likes Hikari too, from the look in her eyes as she eavesdrops on Hikari talking to the still-slumbering Manaka, the bomb that will restart time if and when she awakens. Chisaki can’t not see her past self in Miuna, feel the futility and pain of not being the one. Between that and the result of trying on her old uni, she decides to pivot back to adulthood, insisting Tsumugu ply her with plum wine. Things get loose but never amorous, and she dozes off before Tsumugu and state an important truth.

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That truth is that he has filled the space left by Manaka for five years with Chisaki, which is what people do when they lose things in the transition from childhood to adulthood. Because he was able to do it, he’s sure she can too, if she takes the next step. Part of her back-and-forth this week is due to her realizing she’s the age Akari was when she had to decided between the sea and her love, mirroring the continuation of the Ofunehiki she hears from Tsumugu’s gramps.

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The rest of the story is that the sea god and surface girl are happy for a time, but she grows depressed and restless because her true love is still on the surface. The sea god finally allowed her to return, but in exchange for something—likely her ena—and sure enough, Manaka’s shattered. But when Hikari saves Chisaki from getting lost like he did years ago, she also realizes she still likes him. Nothing harder than growing up when the gaps you’re expected to fill with new things are still occupied by the old.

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Nagi no Asukara – 17

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Kaname returns (also naked like the Terminator), and through him we get a fresh look of what has changed and what hasn’t since he went into hibernation. His situation’s a little different from Hikari’s, in that his true love isn’t still somewhere under the sea; instead, his true love is now five years his senior and living with Tsumugu, the two acting like an domestic couple on the same wavelength, what with their well-practiced kitchen maneuvers.

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But like Hikari, he both pines and is pined for: Sayu enters the vortex of one-sided loves. Honestly, I’d forgotten she’d taken a liking to him, and remembered there was a surface girl who also liked him, but there’s no sign of her still being in town. But Kaname made his feelings plain for Chisaki, and lets her know that he—and those feelings—haven’t changed. The ball is in Chisaki’s court, though she has two other balls to juggle.

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Kaname’s return also makes things tricky for Miuna in her quest for Hikari’s heart. That Kaname returned has increased the chances that everyone else will wake up soon; Hikari’s beloved Manaka included. Tsumugu’s research is also adding fuel to that fire. With Manaka increasingly on Hikari’s mind, Miuna’s chances are as slender as ever.

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But when she overhears Hikari and Kaname having a chat by the pool their schoolmates maintained in their absesnse, she’s reminded she’s not alone in liking someone who likes someone else. Just as Kaname’s flame for Chisaki continues, so does Hikari’s for Manakas. Initially this deflates Miuna, but I think it inspires her to stay true to her feelings.

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Sayu is similarly deflated. After Kaname left, she vowed to remain alone forever, but when he returns and doesn’t immediately remember her name, she sinks into despair, saying the proper thing to do is to give up on her childhood crush, and either wait to fall for someone else, or settle for someone just to avoid lonliness. Horrified by Sayu’s words, Miuna shouts it out for anyone to hear:

“I don’t care if I’m sick. I don’t care if it’s a manga. Even if it’s gross or pathetic, I’m not changing!”

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When Sayu crosses paths with Kaname again, and he calls her by name and treats her affectionately, Sayu admits to herself that she’s “sick” too, and doesn’t want to change either. The ones they love may still be far away, but they won’t stop trying to get closer. To that end, Miuna makes use of her newly-formed ena to lead Hikari to Shioshishio, his home she’s never seen, even if they end up finding Manaka.

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Nagi no Asukara – 16

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This episode focuses in on the growing item that is Hikari and Miuna. Hikari may not see her as a love interest, but this episode gives Miuna ample opportunities to, if not overtly express her feelings, to at least spend some time close to him. When he bristles at the prospect of just the two of them going into town to order him a school uniform (he’s also in her class now), Miuna invites Sayu as a sort of chaperone.

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Little does she know by doing so, she turns Sayu, who has probably seen little of her friend Miuna since Hikari arrived, into an unwitting, awkward third wheel, as well as a captive audience for Miuna and Hikari’s near-constant flirtation. I personally reveled in their interactions—even though Hikari and Miuna have very different ideas about what such actions mean—but I can totally understand how it would irritate Sayu, until she can’t hold her tongue anymore.

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Hikari may not know what’s going on yet, but he does know Miuna well enough to be able to locate her at the abandoned shipyard where they bonded five years ago. Little does he know by going after her, he makes it that much worse for Miuna to let go of the possibility of being with him. When a rusty crane collapses and she’s thrown into the icy drink, half of me feared for the very worst and the other half knew Hikari would rescue her, possibly leading to a confession.

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Hikari does dive in after her, but surprisingly (as much to her as us), she doesn’t need rescuing: she grows an Ena, enabling her to breathe and swim like Hikari. Sayu is only half-right when she yells at Miuna (in their fight that ends as quickly as it starts): quite a few good things have happened to Miuna, but they’re tempered by a couple significant things that are, from her perspective, decidedly not good, namely the fact the guy she loves is her step-uncle, and isn’t interested in her in that way.

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The episode ends with a naked Kaname wandering through the town, not dead after all. That will certainly complicate matters for Chisaki (see org chart), but also means that at some point Manaka may return as well. These last three episode have me rooting for Miuna to the point where I’m dreading the date of Manaka’s return almost as much as she must be, for that could be the day all hope of Hikari ever coming around on Miuna dries up.

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Nagi no Asukara – 14

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It’s been three and a half months since I temporarily closed the book on Nagi no Asukara to focus on a very full Winter season, but after watching this first installment of the second half, re-opening that book, my first reaction was “Wow…Was it always this damn good?” The Big Board indicates the answer is: “Yes, at times,” and this episode excelled in the same way the best episodes of the first half excelled: by simply touching my heart, and sometimes grabbing it at giving it a good tug.

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We never see Shioshishio in this episode; it’s inaccessible and covered in ice. Furthermore, five whole years have passed since the harrowing, life-changing events of the last episode, and a lot has gone on since then. Stranded on the surface, Chisaki, now a nursing student, moved in with Tsumugu and his granddad. Pops took ill and is hospitalized, so Chisaki and Tsumugu live alone together. Meanwhile, Miuna has a new brother, the baby she convinced her new mother Akari to keep, and along with Sayu, attends the same high school as Chisaki and Tsumugu.

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Both Chisaki and Miuna have moved on in some respects, but a part of them remains in the past, unable to love anyone other than Hikari. In the here and now, Tsumugu and Chisaki would make a great couple, if only she wasn’t still in love with someone she may never see again. Similarly, Miuna rejects the confession of a classmate. Both of them are always wistfully looking out to the frozen sea, hoping against hope that they’ll see Hikari again. Yet even if he is back, one or both of them could very well have their hearts broken, especially if Manaka returns with him.

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It can be argued whether Hikari is deserving of all this worship, but I’ll give him the benefit of the doubt. While he could fly off the handle, he was a decent, caring lad. When the atmospheric phenomenon known as the Tomoebi occurs, what do you know, Hikari returns, Terminator-style. Tsumugu and Miuna are there for his arrival, and Miuna wastes no time expressing her feelings by administering mouth-to-mouth. The twist is, Hikari hasn’t physically aged in the five years he’s been gone.

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I loved the structure of this episode, how it dropped us five years into the future, slowly, gracefully filling in the blanks as it progressed. Yet even showing how much life had gone one, the enduring pain of Chisaki and Miuna was palpable throughout. While I’m sure they’ll be elated he’s back, and the non-aging works in Miuna’s favor, the complication of the two of them loving the same guy, who isn’t in love with either of them, remains. I’m guessing he’ll pine for Manaka just as they pined for him, putting them in the position of Tsumugu and that classmate: being present and eligible, yet undesired.

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Nagi no Asukara – 13

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The day of the Ofunehiki and the hibernation arrives. Manaka tells Hikari she’ll tell him her answer after the ceremony, while Chisaki is still thinking about Kaname’s confession. When the ceremony begins with Akari as the Ojoushi-sama, Uroko uses the sacred fire to light her way, then knocks out Hikari’s dad along with the rest of Shioshishio. Multiple whirlpools open up; Akari and Tsumugu are thrown overboard. Chisaki, Manaka, and Hikari dive in after them. Chisaki rescues Tsumugu, but Kaname is crushed by a fallen concrete bridge pier. Shioshishio is cloaked in some kind of barrier. Manaka offers herself to the sea god so Akari is spared. Hikari tries to reach out to her but the sea pushes him away. Akari surfaces safe and sound.

We’ve reach the midpoint of the series, to where everything has been building up: the Ofunehiki. There’s a little more buildup early in the episode as characters arrive at peaceful places in their lives prior to the big event. In bittersweet scenes we see Manaka tucking her sleeping parents in, Chisaki’s parents letting her go, and even Hikari’s dad and Uroko cordially seeing off the four. Manaka and Chisaki haven’t properly addressed the confessions they’ve received, but both Hikari and Kaname assure them they’ll love them no matter the response. In all of these instances, with the focus on everyone’s lives and the futures they’re stepping towards, their personal affairs and conflicts loom large and prominent. And then nature—courtesy of the sea god, if you will—cruelly proceeds to dwarf and dash all of those hopes and dreams.

The episode gives the start of the Ofunehiki a proper level of pomp and ceremony: the fires, the flags, the fishing fleet. Akari and Hikari are transformed by their new traditional garb. In lighting the way, Uroko seems to be holding out an olive branch to the surface. But things turn sinister and it looks like the sea god really will try to claim Akari. While she survives, the town now seems to be totally asleep (and covered by…something), Kaname is taken out of the picture altogether by a freak accident, and the fate of Hikari and most importantly Manaka is left up in the air. If she became a sacrifice and Hikari surfaces, that’s a hell of a turn. We have no idea where the series will go in the second half, but all the upheaval here left us eager to find out.

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Rating: 8 
(Great)

Nagi no Asukara – 12

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Akari and Hikari’s dad meets Miuna. Tsumugu, Manaka and Chisaki go into town to buy a kimono. Tsumugu runs into his mother, with whom he’s not close. Akari has a conciliatory talk with her dad. Hikari volunteers to bear one of the huge flags that will guide the Ojoushi-sama during the Ofunehiki. Hikari, Manaka, Chisaki and Kaname return to Shioshishio to find the younger children have already started to hibernate. While reminiscing at their old school, Kaname asks Hikari about Manaka, and he says he loves her. She freaks out and runs away. Hikari runs after her, but stops and turns back when Chisaki falls, and she in turn confesses to him.

As the growing evidence all around them attests, it won’t be long before this quartet of friends starts drifitng off into a hibernation of indeterminate time, and there’s no guarantee they’ll ever be together if and when it ends. As unpopular as the general opinion is about confronting various matters, Kaname takes it upon himself to be the guy to force a confrontation. It’s something Manaka still isn’t ready for, since she’s not sure who she’s in love with, and so it comes off as cruel, but thanks to Kaname, everyone finally knows who likes whom (again, except Manaka). The parties involved can either pretend these truths never came out and continue maintaining the status quo until the end, or they can act on the information, one way or another.

All we can say is, thank God for Kaname and his forthrightness; if not for him the awkwardness would only continue. As things stand, Hikari is glad he was finally able to express his feelings clearly to Manaka, regardless of how she took the news, while Chisaki is equally glad she was able express hers to him. They were alike in their hesitation out of fear of destroying friendships, and both seem to take solace in knowing they’re not alone in their frustration, and never were. Manaka can’t find such solace, as she’s still too unsure of her feelings. No doubt adding to her anxiety is the fact that her uncertainty won’t change just because time is running out. While Akari had time to grow up and choose her path before calamity came, Manaka isn’t so lucky.

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Rating: 8 
(Great)

Nagi no Asukara – 11

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Chisaki is caught off guard by Kaname’s confession. Hikari decides he’s not “going to sleep helplessly” and break his fast; Manaka follows. Akari and Itaru prepare to get married, but Miuna tries to hurt Akari so she’ll return to the sea and not die. The surface fishery cooperative apologizes to Hikari and offer to help with the Ofunehiki. Uroko’s assurance it won’t do any good. Akari asks that she be allowed to assume the role of Ojoushi-sama in the ceremony, after which she’ll marry Itaru. Moved by Akari’s determination to do something before it’s too late, Chisaki resolves to confess to Hikari.

When everything around you is changing and time grows short, you do whatever you can. When you witness others working hard to do something, you’re inspired to contribute in some way, any way. Even if the situation is hopeless, or your actions will likely have no effect on what’s to come, you try anyway. There’s always a slimmer of a chance if you try, as opposed to no chance if you don’t. These are the ideals by which Sakishima Akari and her brother Hikari are living their lives. They’re swimming against the tides of fate, and Itaru and Manaka are swimming right beside them.

It’s pretty clear that everyone the lead four are scared of the coming “sleep,” and with good reason: it’s a terrifying proposition, and has been ever since it was first announced. It also seems like something biologically inevitable, as demonstrated when Hikari suddenly gets woozy in class. As the Ofunehiki plans are restarted and Akari volunteers to be the Ojoushi, it occurred to us that perhaps this latest Ofunehiki could end up being as significant as the very first, and powerful in ways even Uroko can’t fathom. Or it could end up being a futile attempt to restore normalcy to an increasingly abnormal world. There’s no harm in trying.

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Rating:7 (Very Good)

Nagi no Asukara – 10

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Uroko and Hikari’s dad inform Hikari and Manaka the saltflake snow will continue to fall above and below the see, causing a cold period during which all those with ena must hibernate to survive. As preparations for a final feast and ena-thickening fasting commence, Hikari convinces Uroko to let him and the others keep going to school until its time to sleep. Hikari vows to have the Ofunehiki no matter what. After avoiding him for some time, Manaka’s feelings for Hikari deepen, while Kaname confesses to Chisaki.

Trials continue continue to mount for our quartet of burdened middle schoolers, who wrestle with their hearts as the gentle but unrelenting snow threatens to snuff out their existence. The apparent solution to hibernate was straight out of left field, and the global implications of the snow were unexpected, but the poor state of the village up to this point justifies such desperate measures. Humans above and below the sea have enjoyed a pleasant world up until this point, but by abandoning the sea god, he has enough power to adversely affect that world, and the surface dwellers are apparently SOL. At this point, Hikari’s wish to proceed with the Ofunehiki seems like too little too late, but there’s no harm in trying.

Meanwhile, all of this is a bit too much for Manaka, who reverts to crybaby mode in the face of all of this drastic change and looming uncertainty. When she’s alone with her thoughts and a red-bellied sea slug, she seems to be somewhat possibly coming around to Hikari…maybe. Chisaki copes by making sushi. Kaname not only takes things in relative stride, but also decides at this point he’s done watching and waiting for his friends to sort how who likes whom; he likes Chisaki and makes sure she knows it. Even if nothing about the world is certain, his feeling for her are. Will his bold action inspire the others to follow suit? The time for sleep draws near.

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Rating:7 (Very Good)

Nagi no Asukara – 08

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Hikari stays at Itaru’s house with Miuna and Akari, who is surprised Hikari and Miuna get along so well. The next day Hikari, Manaka, Chisaki, Kaname and Tsumugu all accompany Miuna into the city to buy a gift for Akari, as a sign of her approval and love. They can’t find the shell necklace she wants at any of the stores, so they return to the village and find comparable materials on the beach. After Miuna presents the necklace to Akari, saltflake snow starts to fall.

All hands on deck: Miuna has to find a gift for Akari? We agree, that’s a pretty lightweight premise for an episode, but a lot is achieved along the way. Chief among them, Hikari isn’t looking back or regretting his decision, something even Akari can’t believe. He’s also not letting the unplesantness with the sea and surface elders get him down. Life goes on, only on the surface. Helping Miuna is just as much about him taking his mind off those troubles, while bonding with who could end up being his step-niece.

But we’re not done with the sea, as Itaru and Akari both want to do their marriage “properly” if they can (which means dealing with people who haven’t been reliable in the approval department.) We also enjoyed Chisaki and Hikari’s discussion when they were alone together thanks to her setting off the elevator’s weight limit buzzer (another unfortunate dig on her alleged “largeness” that has no basis in physical fact). Their talk is brief and incomplete, but we hope it’s the first step in more forthright dialogue between them.

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Rating:7 (Very Good)

Nagi no Asukara – 07

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The students complete the Ojoshi-sama, and Hikari takes it upon himself to make sure they hold a real Ofunehiki. Everyone hands out flyers and collects signatures, but when Hikari asks his dad, he refuses. Hikari and Tsumugu are able to gather representatives from both sea and land, but the meeting ends in a fight, and the ojoshi is destroyed. Akari and Hikari both decide to leave Shioshishio, but when Uroko-sama tries to punish them, their father begs him to show mercy, and they escape to the surface.

At the start of the series, Hikari felt very much as his father did, that the surface people could not be trusted or reasoned with. But that prejudice was handed down, not the product of a lifetime of dealing with them, as his father has. Once Hikari was forced to the surface for school, actually got to know surface people,  befriended some, and worked with them to build the Ojoshi-sama, he started to change. When he saw how much Akari had invested in Itaru and Miuna, he changed more. And when his father coldly rejected his plans for rapprochement with the surface, it was the last straw.

It was a poignant moment when Akari told her father what her mother said, about loving him even if he was form the surface. You can tell he knows that was true. His children may be fed up with his stubbornness, but we cannot fault him for, as Tsumugu says to Chisaki, being only what he can be. He has to balance love for his family and his desire for their happiness with the responsibilities of a high priest of a village that doesn’t have much time left. If his own children succumb to the lure of the surface (albeit for different reasons), what hope does the village have? Certainly not much, but a village preserved by isolation, suppression of free will, and force may not be worth saving.

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Rating: 8 
(Great)

Stray Observations:

  • Hikari’s initial motivation for holding the Ofunehiki seems clear: he wants Manaka to be happy no matter what, even if he thinks she continues to drift away from him. Later, he’s fueled by his father’s bull-headed obstinancy.
  • Manaka notices Hikari’s different attitude, and worries about things changing, but Chisaki is there to tell her that sometimes change can’t be stopped. Chisaki remains mopey, meanwhile; we hope she speaks up to Hikari soon.
  • The petty bickering of the men at the meeting contrasted sharply with the cooperation and comraderie of the students—more proof that amity often skips a generation.

Nagi no Asukara – 06

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In his first swimming class on the surface, Hikari challenges Tsumugu to a race, but loses and splits his toenail on the pool wall. Manaka tries hard to bring Chisaki and Hikari, but only ends up making things worse. While biking her to the pier, Tsumugu asks her about the phenomenon known as “Tomoebi”, when there appear to be three suns underwater; Manaka remembers angering Chisaki when she missed it last time. When it happens again, she finds Chisaki and they watch it together; Hikari and Kaname also watch just below them.

After focusing on Akari we return to the core group and its bright, buoyant core, Mukaido Manaka. As Kaname points out, is always the first to jump way ahead in things before the other three realize it, contrasting with her classic scaredy-cat nature. When Hikari gets hurt she springs into action before Chisaki can budge. She tries desperately to keep everyone together, and happy, but no matter what she does or says, the unhappy reality remains: it might not be possible for everyone to be happy. Too much may have changed, or is changing, between them all.

All she and everyone else in the group can do is be clear in their feelings for one another, face the trials that come with those various revelations, and see how the saltflake snow shakes out. Even Kaname, a relative island of tranquility (and gaining a surface-girl admirer), hasn’t come clean about liking Chisaki as Hikari remains paralyzed vis-a-vis Manaka. The final scene of the Tomoebi in all its grandeur is remarkably beautiful in its execution, but also profoundly sad; an echo of simpler times. Manka brought everyone back together for that moment, but the peace may be fleeting.

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Rating:7 (Very Good)

Stray Observations:

  • A lesser show might’ve had Hikari’s pool duel with Tsumugu be the entire plot of the episode; here the point is made and it wraps it up quickly
  • Speaking of wrapping-up, what was with the surface girls wearing modesty towels even in their own locker room?
  • At this point, Hikari gets so mad seeing Manaka alone with Tsumugu that it makes his own encounters with Manaka needlessly tense and strained.
  • We like how the show portrayed the sea people being accepted more and more by the growing number of people helping out with the Ojoshi-sama
  • We hope to more of Kaname’s growing friendship with the nice surface girl who likes him.
  • Manaka’s multiple attempts to include Chi-chan were appropriately hard to watch, but that’s kinda Chisaki’s fault for not being upfront with the necessary party; not that anyone else has been, mind you.
  • Tsumugu’s suggests that Manaka finish her sentences to avoid ambiguity, which is safe but ultimately self-defeating in the present situation. That sound advice could apply to everyone in the group.