Cross Ange: Tenshi to Ryuu no Rondo – 21

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Hilda leads a team composed of herself, Roselie, Vivi, Tusk, and the three new pilots to invade Misurugi and rescue Ange, in an action-packed episode that satisfactorily juggles all the involved parties and all their individual stakes and relationships, both forged and shattered. Ange is ultimately freed from Embryos clutches, but it’s only another temporary victory, and it comes at the greatest cost yet.

To think Hilda, Roselie, and Chris started out as an annoying “popular girl clique” that shunned Ange. They’ve come a long way. Hilda is fighting for Ange, Roselie is fighting for Hilda and her novice riders, and Chris is fighting for her new, true friend, Embryo-sama. She looks back in retrospect and concludes that even before Hilda and Roselie “left her for dead”, they were never really her friends. Despite Hilda’s harsh words earlier in the show, I don’t think that’s true, but tempers are too high for any hope of reconciliations.

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Chris knocks out Villkiss’ power, and it ditches in the river. Momoka rescues Ange and tries to get her away by car before Embryo unveils another one of his little tricks: the ability to turn any mana-user into a homonculus. Ane manages to snap Momoka out of it, but throngs of zombie Misurugi citizens converge. Embryo proves as tenacious as ever in cornering Ange and bending her to his will.

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While Hilda and Chris value Embryo as a lover and best mate, respectively, Ersha is doing everything for the kids, not him. So when, in the crossfire of the battle, all those kids get slaughtered, Ersha too loses all possible compunction to ever side with Ange and her cohorts again. Now, I imagine, whatever is left of her life will be dedicated to making sure those kids are avenged.

Chris, meanwhile, takes a sadistic amount of relish in killing off Marika, one of Roselie’s novice riders who came to cover her teacher’s escape. Her end is neither as surprising or as gory as Coco and Miranda’s, but it again escalates the conflict between these former comrades-in-arms, and even proves Embryo’s point that with or without the light of mana, it doesn’t take much to turn once somewhat reasonable humans into monsters.

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Embryo’s intention to punish Ange are thwarted by her trusty, horny knight, who stalls Embryo so Ange and Momoka can escape. After getting in a dig about how Tusk, the final member of “ancient people”, is nothing but a monkey, Embryo ends the stalling by shooting himself in the head.

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Just when we think Ange is home free, with the ocean and skies sprawling out before her, Momoka is taken over by Embryo once again, as he sips tea down on a balcony below them. You have to credit Embryo with being so damn hard to foil, though that’s a given when you have the powers of a god. Frankly, anyone who attempts to oppose such a powerful being has never seemed to have a very good approach for actually doing so, and the fact he’s immortal makes that unpreparedness understandable.

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Ange is then forced to watch as Momoka, whom Embryo has powered up to the very limits of her body, slashes at Tusk with a sword. Ange is able to break Embryo’s hold on her once more, saving Tusk, but then Momoka goes after Embryo while using her mana to make a huge truck hit them and push them off a cliff. It’s one final act of valor and love from Momoka, but I wonder if she didn’t squander her life trying to take out someone who couldn’t be taken out. Ange did tell her and Tusk that Embryo can’t be killed, right?

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No matter. Even if she did know she couldn’t kill him, she could slow him down, and prevent herself from being used as a homonculus again. Tusk does the same thing, sacrificing himself with a suicide bomb in order to buy time for Ange’s escape, which isn’t her choice, as he sets auto-cruise and cuffs her to his ship.

And just like that, Momoka and Tusk, two of the people Ange cared about most, are gone. Seeing the stunned pain in Ange’s face and voice at this realization, one almost can’t fault those who surrendered and sided with Embryo, because this is the price of opposing him, with the final cost yet unknown.

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Stray Observations:

  • I know it’s indicative of far more insidious elements of their dynamic in the past, but Chris is kinda overreacting over the other two making her lose one of her braids when they only gave her a clip for one. She could have, you know, spoke up for herself regarding her hairstyle preference.
  • The fact Embryo can make any one, or any number, of mana-users into his own zombie army seems like a wildly underused power up to this point.
  • Continuing with its utterly irreverent theme of the previews, Ange considers simply replacing the fallen Tusk and Momoka with Hilda and Roselie…but ironically that’s essentially what I see happening!
  • Tusk may have died a virgin, but no one can say he didn’t have his share of interesting experiences with women.
  • I assume Salia was knocked out this entire episode.
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Author: braverade

Hannah Brave is a staff writer for RABUJOI.

2 thoughts on “Cross Ange: Tenshi to Ryuu no Rondo – 21”

  1. I can see how Chris holds a large degree of resentment for the two not always being considerate of her while she’s been considerate of them (this episode outlines it, plus the winnings she got from the Festa in ep 8 that she wanted to spend on the two), but this is beyond petty. She’s not listening to reason either. Chalk it up to the environment of Arzenal and/or being a Norma, she’s got huge issues.

  2. I’ll have to give this episode a 6.5. While I do get the progression of the events, the episode just feels all over the place, jumping back and forth between the events way too much. Also, this feels like it should have been a two-parter, just to give more room, with the thread on Momoka’s and Tusk’s sacrifice given its own episode to have a better impact.

    That said, I still like how the events here are grounded on past events in the series, which made the above problem a lot easier to bear with. For one, that humorous “hostage taking” scene with Salamandinay a few episodes back, where Ange humorously tells Salako that Tusk is willing to die for her (much to his chagrin), came back in full force here.

    And while the Festa was never mentioned here, I do like the fact that, as Andy mentioned it, that episode hangs itself rather nicely over the developments of this one, particularly for the Chris-Hilda-Rosaie arc (in fact, the Festa episode serves as a really good ground many of the character developments in these past few episodes). Chris did have a certain prominence in that episode and it is really adding to her development here.

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