Zetsuen no Tempest – 09

Samon successfully convinces Mahiro that Hakaze is only bones now, and is speaking to him from the past through the magic doll. Mahiro doesn’t care though, and will use the talisman anyway unless Samon grants the wish Hakaze couldn’t – to find Aika’s killer and bring him to him. Samon considers it a reasonable requests, and orders Tetsuma to investigate. Yashiro tells Hakaze what has happened, and when she mentions not having a line from Hamlet to say, Yoshino remembers when Aika told him why she quotes Hamlet. He tells her it’s too tragic, so she tells him about The Tempest, which had a happy ending. Yoshino attacks Mahiro, and begs him to rejoin his side to try to bring Hakaze back. If he does, he’ll tell him who Aika’s boyfriend was. This sways Mahiro, who agrees to hear him out, but only until Samon can get him Aika’s killer.

We know a little more about The Tempest thanks to Wishbone (who might’ve done Hamlet too, we just didn’t catch that episode), but not much more than the fact it involves a mage on an island, and, well, a tempest. But darn it all if our preoccupation with Hamlet and its connection to this story totally distracted us from the obvious: this story isn’t one or the other: it could go either way. Yoshino doesn’t want to end up in a duel with Mahiro over Aika, and she doesn’t believe a second girl – Hakaze – should be so easily abandoned to fulfill Mahiro’s selfish, immediate thirst for revenge. Of course, Mahiro has the gun, so Yoshino uses those flash bombs he hoarded to shake things up.

With one word – “boyfriend”, Yoshino is able to turn the tables a second time in as many episodes. And with Samon cursing the Tree of Genesis for everything that doesn’t go his way, it really makes you wonder, is logic and nature really still on Hakaze’s side, even though she’s dry bones in the present? Why not? Sure, things are complicated, and it will take a lot to nullify those bones, but as long as there’s magic in the world, and someone willing to stand and put his own life on the line to save her, Hakaze, the mage on the island, has a chance to return home and exact revenge upon those who wronged her. And Mahiro can get his sister’s killer and the name of her boyfriend…though who knows how he’ll take the latter revelation.

This episode may just be three guys yelling at each other while holding weapons while a half-naked girl lies on a distant beach (and another guy fights tanks with a spear) but good God was it powerful. It not only sports a ton of mythic resonance, but elegantly, effortlessly transfers the power to choose the fate of the world from the hotheaded trigger-happy vengeance junkie into more calm, collected hands, precisely because said junkie is so hotheaded, his knowing who his sister dated carries the same weight as the opportunity to face her murderer. Here’s hoping for that happy ending where he learns both, Hakaze is saved, and the world isn’t destroyed. It even takes a hearty jab at its own characters‘ (over?)use of Shakespeare.


Rating: 10 (Masterpiece)

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