Eureka Seven AO – 11

As Gazelle & Co. investigate the identity of the musician Miller in Britain and America, Pied Piper engages a new scub coral in Australia. Ao sees Truth’s shadow, but his attacks are useless. Upon retrieving the quartz, a strange trapar-based substance attaches itself to the ships, and later the pilots, causing them to hallucinate. Ao and Elena end up trapped in a vivid hallucination in which they’re on the run with Miller, but in real life Miller is made up of the substance. Investigators in Indiana learn that Elena is not really Elena.

This week, Ao gets all trippy and surreal again. We’re jumping here and there with the characters, and things are happening which may or may not be real. It’s a little disorienting, but that’s the point; the most effective way to portray the character’s disorientation is to put the audience in their shoes. This time the secret doesn’t take the form of an angel-like alien spaceship, but infiltrates thebodies of the child pilots. It makes quick work of scrambling their brains, presumably in order to scatter them far away where they won’t be a threat.

Ao asks a lot of questions about secrets and the scub coral’s origins that Georg isn’t able to explain in the alotted time. So we’re left wondering: are the secrets sentient beings, or do they operate on pure instinct, and this hallucinatory sand-like trapar is their latest survival tactic? A little more confusing is the role of Elena Peoples / Miller. We had a feeling they were the same person, but by episode’s end we’re meant to believe neither the pilot nor the rock star are really the real Elena, for real. So who exactly is she? For now, an enigma.


Rating: 7
 (Very Good)

 Car Cameos: Gazelle & Co. drive around in America in style, rockin’ a 1975 Chevrolet Caprice Estate Wagon, one of the more interesting rides we’ve seen in an anime. The MiBs also investigating Elena drive a fairly-new Cadillac CTS.