Originally posted 22 Oct 2011 – In this Yuri-centric episode, a young Yuri lives with her horrible, abusive father, a famous, renowned sculptor. He only loves things that are beautiful, and thinks Yuri is ugly, so he “chisels” away at her, leaving a body part bandaged after each session. It is during this abuse that she meets Momoka Oginome, who tries to gain her trust by telling her about a her diary, which she can use to transfer fate to living things, changing their futures. Before Yuri’s father kills her, Momoka transfers Yuri’s fate; her father and the massive tower that represented him is gone, as are her injuries – but Momoka has to pay the price, and dies. Masako infiltrates the bathhouse and makes off with half of the diary, but Yuri still has the half she stole from Ringo.
This episode began with a fresh new opening sequence, so we knew that a big episode was in store, and it didn’t disappoint one bit, opening up an entirely new can of whoopass by answering a lot of questions hanging out there, among them, who was Momoka? We finally see and hear her, as she befriends Yuri. Momoka has god-like powers. Her diary can transfer fate as easily as transfering subway routes (we friggin’ love that analogy). We also know what killed her, and that was a selfless act that saved Yuri from The Worst Father In The World. So there’s a little bit of Jesus in her, too. And how about the fact that the Tokyo Tower used to be a massive stone skyscraper in the shape of Michelangelo’s David? Weird. Wild.
Was was so amazing about this week is just how much managed to be dished out. Not only do we learn a bunch about Momoka and Yuri, but Shoma realizes the error of sending off Ringo so forcably, and comes to save the day – although, true to fate, he doesn’t have to go far, as he just happens to be in the hotel room right next to the one where Yuri has Ringo tied up and ready to do awful things to. We also have a great surprise cameo by Masako, taking back half of the diary after an excellent little battle between the two feisty women. So now we know just how powerful the diary (penguin drum…) is. And if Ringo was successful in using it previously, than it’s clear she too had to pay some kind of price for every fate she changed.
Rating: 10 (Masterpiece)
Originally posted 7 Oct 2011 – “Dr.” Sanetoshi makes a deal with Kanba (somehow involving his heart) In order to administer a serum that restores her back to life. The episode deals with a host of flashbacks that document that fateful last day the Takakura children ever saw their parents. The police placed them in a hotel room as they searched their home for further evidence of their parents’ crimes, which resulted in deaths, including Momoka’s. Sanetoshi muses about fate, and whether it truly exists.The Tokyo Sky Metro celebrates its tenth anniversary. Ringo sends an email to her father stating she knows of his second family; she believes it was fate to encounter them.
Nothing in this world is pointless. Apparently, nothing in this series is pointless, either. The series continues to squeeze as much as it can out of every scene, every setting, every word…and every sign. Hints trickle down here and there, but like any good mystery, only enough to hold our interest; no more. This much is clear (which wasn’t earlier); the siblings’ parents did awful things. After all, they were “senior members” of something, for chrissake…that can’t be good. Also, the Metropolitan Police doesn’t send a battalion of detectives to your house on a whim.
While we’re piecing together more about the past, we’re wondering more and more how much longer Kanba can keep up whatever he’s doing to pay Sanetoshi to keep Himari alive, possibly tempting fate. Since the day their parents disappeared, the three “haven’t amounted to anything” by society’s standards, but they’ve stayed together as a family. The pain their parents caused to both Ringo, her family, and Tabuki through Momoka’s death is something Ringo always thought could be healed by becoming Momoka. I like how Tabuki seems to set her straight.
Rating: 9 (Superior)
Shoma describes to Ringo how his family killed her sister Momoka on the day she was born. It involved some kind of multifaceted operation that somehow resulted in a subway accident that claimed Momoka’s life. With Shoma and Kanba unable to retrieve the penguin drum, Himari weakens, and the headdress loses its power, which would result in her death. Kanba won’t allow that, and gives his own life energy to her, as he had in the past to revive her, but it’s not enough, and Himari flatlines…
It can be tempting to feel like you’re being strung along with Mawaru Penguindrum. It’s constantly shooting out hints, but it keeps so much below the surface sometimes, you start to wonder: how much of this will make sense by the end, and how much will just never be explained? Is the “Destination of Fate” a future setting? What’s with this talk of taboos, followed immediately by Kanba kissing a nude Himari? And what is the librarian doing with those oompaloompas?
The last few episodes were actually quite revealing from a storytelling standpoint. We now know for certain that Kanba made some kind of a deal to save Himari; it wasn’t a miracle. Shoma too seems to know more than he’d let on early in the series. It could well be that phenomena like helper penguins and survival strategies were old hat to the bros before the series even started? This and many, many other questions still abound. Fortunately, Mawaru Penguindrum has plenty of time to address them. So I’ll remain patient and hopes this makes a little more sense eventually.