Originally posted 24 Dec 2011 – Shoma confronts his brother, who has Himari’s dead body and is working with Sanetoshi, but Himari convinces him to stop the madness and let go; Kanba disappears. Ringo is confident she knows the words that will transfer fate even without the diary. Doing so means she’ll be swallowed up by flames, but Shoma sacrifices himself in her stead. Life returns to normal, but Himari and Mario are both healthy, Himari is friends with Ringo, and Shoma and Kanba are little kids walking by from the first episode, talking about the penguin drum.
Reset! Well, in this series, a reset made sense; the entirety of what we saw until now had taken place in a world where everyone was cursed from the stalemate between Sanetoshi and Momoka. Despite how fun and filled with love the Takahara siblings’ lives were, such a life was unsustainable. Kanba had to pay a considerable moral cost, and all the care he acquired for Himari would eventually be rendered ineffective, resulting in her death. With the curse lifted, Himari and Mario are no longer constantly near death, and Ringo can be herself. The cost was that family structure, and the new world we see lacks a painted house and a whimsical bedroom. Only the teddy remains, with a note from her no-longer-brothers stashed inside, somehow immune to the fate transfer.
For an episode in which Shoma and Kanba had a lot to say as youngsters, it’s a little disappointing that the producers didn’t secure good, authentic child voices. This has actually been a problem throughout the series, and it was hard to ignore during crucial scenes. But that’s pretty much our only gripe with what is the first series of any length we’ve rated 4 out of 4 (by our old v1.0 rating system, that is) for its whole run. No series throughout that run has come close to its attention to detail and unique mix of mystery, romance, sci-fi, metaphysics, and slapstick comedy. It fleshed everyone out and had terrific buildup to a fantastic finale. We’ll miss it.
Rating: 9 (Superior)
Originally posted 16 Dec 2011 – Himari only has one night to live, and Shoma doesn’t leave her side. She tells him in a dream to save Kanba, who has fallen victim to a curse that turns his love against the world. He is Sanetoshi’s puppet, and Sanetoshi wants to destroy the current world. Sixteen years ago, he and Momoka met. He killed her, and she killed him, but each only halfway. She ended up within penguin hats, while he ended up in two black rabbits. Sanetoshi uses Kanba to lure Ringo to the aquarium, where he burns her diary. There’s still hope as long as the hats survive, but Shoma can’t do anything without his brother.
Does this episode border on the overly melodramatic at times? Yes, but as far as we’re concerned, the series has earned it, and it always keeps things grounded with the cartoon penguins. It’s taken twenty-three episodes, but nearly all the pieces have fallen into place. We know Sanetoshi is the villain, and he’s recruited Kanba with the promise to save Himari if he helps him destroy the world. Kanba only cares about Himari and nothing else, but could that attitude be the product of the curse brought upon the Takakura siblings sixteen years ago? In any case, Momoka and Sanetoshi had a spat, came to a dead draw, and now that duel is about to continue, with proxies on both sides.
Remarkably, this episode was yet again able to draw out some really strong emotions without resorting to the killing off of anyone; it appears at first as though Kanba shoots Shoma in the gut with a real gun, but it’s only penguinshot. Then a teddybomb explodes right before Ringo, but she’s relatively okay, and only her diary burns. But now it seems that while the loss of the diary is a blow, it doesnt mean the end. It was only a record of spells of fate transferrance, the object itself wasn’t important. Everyone’s still alive for now, but if things are going to stay that way, the brothers are going to have to make up and take out the ghost that haunts them. Can’t wait for the finish.
Rating: 9 (Superior)
Originally posted 10 Dec 2011 – Hikari and Hibari visit the Takakura residence to thank Himari for the scarves, but she’s no longer there. She took off to try to convince Kanba not to throw his or anyone elses’ lives away for her sake. He won’t listen, and would sooner turn the world to ash than let her die. Masako also tries to get him to snap out of his obsession, but he starts an operation of car bombings that get him surrounded by police. He heads down into the bowels of Tokyo to escape, but they’re there too, and he gets shot. Masako decides to protect him by acting as bait.
Kanba’s stint as a terrorist leader is short-lived this week, as he initiates several brazen attacks with his car bomb smartphone bowling app (!), and essentially escapes too slowly. Neither of his siters want him to continue to serve the “curses” of Sanetoshi and the dead Takakuras. But Kanba is a stubborn kid, and he’ll to absolutely anything to save Himari. Her and Masako’s feelings just bounce off him. He’ll die for her…and by episode’s end he’s well on his way to just that.
Kanba, Shoma, Himari, Masako, Mario: it would seem fate was against all of them. Even Momoka couldn’t escape her ultimate fate of oblivion. Love is certainly losing out to fate and curses at this point, but we’re not about to throw in the towel and lebel this series as fatalist or pessimistic. Love, and life, are down, but not out. Double-H didn’t just show up at random at this point in the story: they have to have some deeper purpose.
Rating: 9 (Superior)
Originally posted 11 Nov 2011 (11/11/11!) – Tabuki kidnaps Himari, puts her in a bucket suspended by cables, and blows the cables up one by one as Kanba tries to reason with him. Tabuki wants to punish their father for killing Momoka, who was his savior, that of all mankind, and his only reason for living. When the last cable breaks, Kanba provides a lifeline for Himari, at the cost of his hand, but she is saved, and Tabuki slinks off, warning Ringo, imprisoned in the elevator the whole time, not to turn out like him. She swears she won’t.
It was pretty inevitable we’d get a Tabuki episode this week, and it was suitably dark, befitting someone now so lost, he’s prepared to kill poor innocent Himari as payback for losing Momoka. Like Yuri, Tabuki was abused as a child, first emotionally, as her mother demanded prodigal talent in exchange for love, and then physically, when his hand was slammed in a piano, ruining his future as a pianist. Things get a little symbolic with the “Child Broiler”, but suffice it to say, he’s about to be crushed into oblivion when Momoka saves him, begging him to live for her, who loves him.
Up until the last couple episodes, Tabuki has done a bang-up job concealing both his hatred of the Takakuras and the fact that the one person he chose to live for is gone. For years it stewed in him, culminating in the desperate ultimatum he issues Kanba. For a minute, we really though Himari was history, and the show played it that way, but seeing Kanba’s selfless love for Himari must have reminded him of Momoka, and so he spared her. We’ll tell ya what, now we’d like to meet their father and give him a good punch in the face for what he’s put his poor kids through…only it’s all fate, the good and the bad. Will what the parents do ever be revealed? It would be nice, but at this point unnecessary. This is some sublime drama.
Rating: 9 (Superior)
Originally posted 22 Oct 2011 – In this Yuri-centric episode, a young Yuri lives with her horrible, abusive father, a famous, renowned sculptor. He only loves things that are beautiful, and thinks Yuri is ugly, so he “chisels” away at her, leaving a body part bandaged after each session. It is during this abuse that she meets Momoka Oginome, who tries to gain her trust by telling her about a her diary, which she can use to transfer fate to living things, changing their futures. Before Yuri’s father kills her, Momoka transfers Yuri’s fate; her father and the massive tower that represented him is gone, as are her injuries – but Momoka has to pay the price, and dies. Masako infiltrates the bathhouse and makes off with half of the diary, but Yuri still has the half she stole from Ringo.
This episode began with a fresh new opening sequence, so we knew that a big episode was in store, and it didn’t disappoint one bit, opening up an entirely new can of whoopass by answering a lot of questions hanging out there, among them, who was Momoka? We finally see and hear her, as she befriends Yuri. Momoka has god-like powers. Her diary can transfer fate as easily as transfering subway routes (we friggin’ love that analogy). We also know what killed her, and that was a selfless act that saved Yuri from The Worst Father In The World. So there’s a little bit of Jesus in her, too. And how about the fact that the Tokyo Tower used to be a massive stone skyscraper in the shape of Michelangelo’s David? Weird. Wild.
Was was so amazing about this week is just how much managed to be dished out. Not only do we learn a bunch about Momoka and Yuri, but Shoma realizes the error of sending off Ringo so forcably, and comes to save the day – although, true to fate, he doesn’t have to go far, as he just happens to be in the hotel room right next to the one where Yuri has Ringo tied up and ready to do awful things to. We also have a great surprise cameo by Masako, taking back half of the diary after an excellent little battle between the two feisty women. So now we know just how powerful the diary (penguin drum…) is. And if Ringo was successful in using it previously, than it’s clear she too had to pay some kind of price for every fate she changed.
Rating: 10 (Masterpiece)
Originally posted 7 Oct 2011 – “Dr.” Sanetoshi makes a deal with Kanba (somehow involving his heart) In order to administer a serum that restores her back to life. The episode deals with a host of flashbacks that document that fateful last day the Takakura children ever saw their parents. The police placed them in a hotel room as they searched their home for further evidence of their parents’ crimes, which resulted in deaths, including Momoka’s. Sanetoshi muses about fate, and whether it truly exists.The Tokyo Sky Metro celebrates its tenth anniversary. Ringo sends an email to her father stating she knows of his second family; she believes it was fate to encounter them.
Nothing in this world is pointless. Apparently, nothing in this series is pointless, either. The series continues to squeeze as much as it can out of every scene, every setting, every word…and every sign. Hints trickle down here and there, but like any good mystery, only enough to hold our interest; no more. This much is clear (which wasn’t earlier); the siblings’ parents did awful things. After all, they were “senior members” of something, for chrissake…that can’t be good. Also, the Metropolitan Police doesn’t send a battalion of detectives to your house on a whim.
While we’re piecing together more about the past, we’re wondering more and more how much longer Kanba can keep up whatever he’s doing to pay Sanetoshi to keep Himari alive, possibly tempting fate. Since the day their parents disappeared, the three “haven’t amounted to anything” by society’s standards, but they’ve stayed together as a family. The pain their parents caused to both Ringo, her family, and Tabuki through Momoka’s death is something Ringo always thought could be healed by becoming Momoka. I like how Tabuki seems to set her straight.
Rating: 9 (Superior)
Originally posted 1 Oct 2011 – Shoma describes to Ringo how his family killed her sister Momoka on the day she was born. It involved some kind of multifaceted operation that somehow resulted in a subway accident that claimed Momoka’s life. With Shoma and Kanba unable to retrieve the penguin drum, Himari weakens, and the headdress loses its power, which would result in her death. Kanba won’t allow that, and gives his own life energy to her, as he had in the past to revive her, but it’s not enough, and Himari flatlines…
It can be tempting to feel like you’re being strung along with Mawaru Penguindrum. It’s constantly shooting out hints, but it keeps so much below the surface sometimes, you start to wonder: how much of this will make sense by the end, and how much will just never be explained? Is the “Destination of Fate” a future setting? What’s with this talk of taboos, followed immediately by Kanba kissing a nude Himari? And what is the librarian doing with those oompaloompas?
The last few episodes were actually quite revealing from a storytelling standpoint. We now know for certain that Kanba made some kind of a deal to save Himari; it wasn’t a miracle. Shoma too seems to know more than he’d let on early in the series. It could well be that phenomena like helper penguins and survival strategies were old hat to the bros before the series even started? This and many, many other questions still abound. Fortunately, Mawaru Penguindrum has plenty of time to address them. So we’ll remain patient and have faith it will all come together by the end.
Rating: 9 (Superior)
Originally posted 23 Sept 2011 – Kanba confronts Natsume at her manse, where he dismisses her as a crazy stalker. He demands the diary half back, but she refuses, as her little brother Mario is in the same situation as Himari – wearing the penguin headdress and with pink eyes. Shoma recovers and Ringo decides to continue Project M by memory, using another frog ritual to make Tabuki fall madly in love with her. It works, but only for one night, and when he advances on her she demurs. Yuri suggests it could be because she’s actually in love with Shoma. During a survival strategy session, Shoma confesses to Ringo that he and Kanba were born on the same day as she was, and are responsible for her death…
Wait…what? What? What was that? By golly, week by week this series keeps churning out pure awesome mania. While we knew Ringo probably wasn’t actually over or done with Tabuki, we weren’t expecting her to actually succeed in seducing him (albeit with a disgusting frog ritual), and I sure as hell didn’t expect her to choke when the time came to lay the guy. Not after all that determination and nudity we’ve seen from her previously. The past couple episodes, her mind has been on Shoma more than Tabuki, which is huge. But because she’s so messed up in the head vis-a-vis Momoka, she doesn’t even realize that she could be in love with Shoma.
As for Curry Day…it was an exceptionally busy one. Not only were Ringo, Kanba, and Shoma born on the same day, Momoka died. Also Natsume and Mario are somehow involved. How the boys killed her, we haven’t the foggiest idea. How would they remember something that happened the day they were born anyway? Whatever they know has to have been second-hand info from their parents, right? Where are their parents, anyway? And why didn’t IMAGINE girl demand the penguin drum this time? Curiouser and curiouser…
Rating: 10 (Masterpiece)
Originally posted 3 Sept 2011 – Ringo’s measures grow more and more drastic as she attempts to fulfill her destiny as written in Momoka’s diary, attempting to rape Tabuki in his sleep twice. The second time, she has drugged him with cake and is stopped by Shoma, just as Yuri arrives. They escape, and Shoma learns Ringo’s true motivations. The diary takes a fall, and is snatched up by a passing motorcycle – likely the woman with the black penguin. Shoma is hit by a car after saving Ringo’s life.
Ringo just happens to see her estranged father at the zoo gift shop…with his other family – definitely a potential blow to one’s mental balance – and she didn’t have much to begin with. She tells Shoma (and us) that she has to carry Tabuki’s child at all costs – not for her, but her duty to her family. That’s why she’s going so far to bed him. All this attempted rape and obligation to get pregnant juxtaposed with such silly romantic (and western) daydreams present quite the stark contrast.
The line between Ringo and Momoka is definitely beginning to blur, and her obsession has progressed from creepy to downright life-threatening (not to mention morally and ethically wrong). She is now responsible for Shoma getting hit by a car. I doubt this will snap her out of her percieved duty and it surely won’t convince her to enter a more normal, reciprocal relationship with Shoma (if he lives), but in any case, she’s lost half her diary – and with it the complete map of the path she believes she must walk.
Rating: 9 (Superior)