Ganta finds himself in Isaki’s house when he and Kurashiki-sensei come to inform the parents of the training camp. That’s how he meets Haya, Isaki’s big sister. Haya immediately sets a tone by introducing herself with a ridiculous fake name and claiming that Isaki is a clone of her. But what’s not a joke is that she’s joining them on their trip as a chaperone.
Isaki and Haya’s sibling chemistry is wonderfully complex (I’m a middle child, so it’s also relatable) and beautifully performed by the voice actors. So too his Ganta’s soft-spoken father, who reveals that his wife simply walked out in the middle of the night. He also mentions a time Ganta wore shoes that were too small because he didn’t want to trouble him.
Kurashiki’s face upon learning these things is worth a thousand words. Shiromaru’s face is a lot simpler when seeing him off. It could be she’s just naturally shy and averse to eye contact, but she could also have a little crush on her “little protégé”, who she admits has quickly improved his photography skills. Her advice to Ganta is not to get too hung up on taking the perfect photo of a starry sky, but simply listen to his heart.
If and when he feels a spark, that’s when he should hit the shutter, and when he’ll create truly great photos. As he and Isaki go shopping for camp gear in Hanazawa, Ganta feels that spark whenever Isaki is in the viewfinder. And the gorgeous, loving way she’s drawn and animated, you really can’t blame him!
Haya isn’t just their chaperon on their trip, but also their driver. When they arrive at the sisters’ vacant grandmother’s house, it’s a little stuffy, but it has an engawa that opens up to the sea, and Ganta and Isaki are able to have a quiet little moment together before Haya is yelling about toilet paper. She proceeds to act as an agent of chaos throughout the evening, getting Ganta to say Isaki’s name, and drawing on Isaki’s napping face.
But there’s a method to Haya’s madness: she drew on Isaki to delay her on purpose, so she could speak to Ganta one-on-one. Growing up, Haya was constantly being neglected in favor of the smaller, younger, and far more fragile Isaki. Resentment was Haya’s constant companion.
Haya, who is surprised when Ganta says he knows about Isaki’s heart, then asks if it’s true “what she heard” about Isaki trying to hook up with him. He answers honestly that he’s not sure he can take her words about him being “special to her” to necessarily mean romantic love. Haya is impressed by his answer, but then warns him not to get involved with her sister.
She says Isaki already knows how “different from the norm” she is and doesn’t need anyone feeling sorry for her. Ganta, turning direct and serious as he fights back his blushing, assures Haya he’s never once felt sorry for Isaki. Instead, he’s thought she was cool (which she is) and is someone who “shines very brightly” in his eyes.
Haya learns what it means for someone to shine in his eyes when Ganta invites her to look into the camera and she sees the dull podunk town she despises looking gorgeous and idyllic. Isaki then tells her sister Ganta’s pretty amazing.
The next morning, Haya is off. She says she’s going to meet up with her boyfriend, and maybe she is, but she’s also leaving because she saw and heard all she needed to know get a good measure of Ganta. That said, she still orders Isaki not to tell their folks she split, and the sisters end up waking Ganta up with their rambunctious roughhousing.
Haya doesn’t treat Isaki like this because she hates her sister; quite the contrary. As she prepares to drive off, she tells Ganta one more story: of how she watched with resentment as her shrimpy, slow sister ran in a race and was helped to the finish line by her peers. Watching her be pampered and cheered on made Haya sick.
But then Haya saw Isaki bawling her eyes out into a tree, saying “this sucks”. At no point did Isaki feel like she was being pampered, or like how she was being treated differently. So from then on, Haya vowed to be the one person in Isaki’s life who wouldn’t treat her like a pity case.
Isaki also never tells anyone about her heart problems. I doubt she’s even told her girlfriends, as close as they are. But that she told Ganta tells Haya a lot about how Isaki feels about him. There’s love, but also trust. And so in a simple little ceremony, Haya has Ganta high-five him, serving as a tag-out. She’s leaving Isaki in his care.
After Isaki appears to give Haya a curt goodbye, Haya drives off, and Isaki and Ganta are alone at last in the rural peace and quiet. Only they’re late for their bus, so they have to skip breakfast and end up in a mad scramble to gather all their stuff—an adorable little preview of their future domestic life.
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