Huey and Dalian encounter a phantom book in a batch of newspapers that give rise to zombies. When they investigate, they meet The Professor and the Red Biblioprincess, who plot to distribute the papers and unleash a zombie army that will destroy London. The Professor shoots Huey, who then escapes out a window with Dalian. He unlocks Dalian and convenes with the “Inner Dalian”, tries to release her, and acquires the phantom book that eliminates the zombies. Hal and Flamberge burn the remaining papers, and the Professor flees. Huey and Dalian continue their quest to hunt down phantom books.
“I go on to tomorows unknown,” says Huey. Well, he won’t be going alone. He’ll have a sweet-toothed biblioprincess talking down to him all the way while barely concealing her deep affection for him and everything he’s done for her. She can no longer pretend that there isn’t a part of her inside – one with pale pink hair. After all, that Inner Dalian even speaks to her when Huey is close to death’s door. She and Huey have been a good team, and will continue to be as they go on to tomorrow. The other two keykeeper/biblioprincess duos were almost afterthoughts by comparison, relegated to examples that Huey/Dalian weren’t unique in their relationship. But it isn’t like they needed to be anything more.
Gainax has a tendency to be all over the place with its series. The last I’d seen was Panty & Stocking, which couldn’t have been any different from this. But both were good. Shikabane Hime? Not so good. With only one hiccup to its name, Dantalian no Shoka was consistently fun to watch, its mysteries and themes were suitably clever and eclectic, it’s settings were pretty and often gorgeous, and the core duo and their verbal duelling grew on me as much as they grew on each other.
The entire episode is a flashback to The Great War when Huey was a lieutenant in the Royal Air Force, where he quickly distinguishes himself. It focuses on his captain, Ilas, who switches sides to the Germans. He is writing a war anthology containing the voices of the battlefield. A biblioprincess, Raziel, visits him one night to tell him it is the egg of a phantom book. He meets Huey in a dogfight, at which time Huey tells him he should be dead, and uses the anthology to defeat him. Raziel’s keykeeper – whome Ilas met earlier as a bartender – raised him from the grave to finish the book, but when he didn’t, he returned him to the afterlife.
The subjects of this series have been as wide-ranging as those contained within a library, and I like that. The episodes can be enjoyed individually due to their unique and diverse characters. This week, there’s no Dalian, but another biblioprincess – the third we’ve encountered – but rather than focusing on her and her keykeeper, it’s mostly about their instrument, Ilas. This episode is also full of WWI-era bi-(and tri-)plane action, which when set against the picturesque European countryside, makes for a most impressive and bouyant setting. For Raziel’s (brief) part, she is quite nimble and light on her feet, sporting a very cool get-up.
Huey and Ilas are both total Wright-nerds and adept at “basquet-ball”. They’re both aces (Huey won the Victoria Cross and gave it to his underling without a second thought), but neither consider themselves “warriors”. Ilas is more interested in crafting his poetic war anthology than killing bogies, while we all know that when the war ended, Huey moved on to solving mysteries with Dalian. It must have been strange for Huey’s CO and mentor to die, then suddenly reappear on the enemy side. A nice touch is the key to Dalian that Huey mistakes for the key to the manor – perhaps he didn’t yet know his mystical calling?