Weismann recounts that when the Colorless King in Isana Yashiro’s body attacked him, their powers clashed and they switched bodies – Weismann into Isana and Colorless into Weismann. He recruits Kuroh, Awashima, Kusanagi and Anna to help him end the fighting and evacuate the school. He also calls the Gold King, the lieutenant from WWII to say goodbye. Weismann intends to deal with the Colorless King, save Kukuri, and stop the Red and Blue Kings from destroying each other and the city.
Things really get moving this week, as many dots are connected in satisfying ways. Finally we’re getting answers about what the heck is going on, and for once, the red and blue clansmen are the ones who are confused. All of the current conflict has, predictably, been caused by the colorless king, who is so crafty, he doesn’t even have his own body. Kukuri’s myriad facial expressions as not only he but other personalities talk with her voice and move with her body is quite chilling, particularly the tiny voice of the real Kukuri begging for someone to help.
Help is on the way, in the form of Isana/Weismann. The new-and-improved Silver King isn’t interested in stamping out his bodily host, even though he may not be able to ever leave him. He seems willing to coexist with Isana as a dual person, and as a handy metaphor for the coexistence that has to happen between SCEPTER-4 and HOMRA. For all the answers now in the light, there are still multiple threats to deal with. This is a war of the order of Silver (and Gold) against the chaos of Colorless, with Red and Blue in the middle, two bombs that must be defused if there’s to be a Tokyo tomorrow.
Rating: 8 (Great)
The entire episode is a flashback to The Great War when Huey was a lieutenant in the Royal Air Force, where he quickly distinguishes himself. It focuses on his captain, Ilas, who switches sides to the Germans. He is writing a war anthology containing the voices of the battlefield. A biblioprincess, Raziel, visits him one night to tell him it is the egg of a phantom book. He meets Huey in a dogfight, at which time Huey tells him he should be dead, and uses the anthology to defeat him. Raziel’s keykeeper – whome Ilas met earlier as a bartender – raised him from the grave to finish the book, but when he didn’t, he returned him to the afterlife.
The subjects of this series have been as wide-ranging as those contained within a library, and I like that. The episodes can be enjoyed individually due to their unique and diverse characters. This week, there’s no Dalian, but another biblioprincess – the third we’ve encountered – but rather than focusing on her and her keykeeper, it’s mostly about their instrument, Ilas. This episode is also full of WWI-era bi-(and tri-)plane action, which when set against the picturesque European countryside, makes for a most impressive and bouyant setting. For Raziel’s (brief) part, she is quite nimble and light on her feet, sporting a very cool get-up.
Huey and Ilas are both total Wright-nerds and adept at “basquet-ball”. They’re both aces (Huey won the Victoria Cross and gave it to his underling without a second thought), but neither consider themselves “warriors”. Ilas is more interested in crafting his poetic war anthology than killing bogies, while we all know that when the war ended, Huey moved on to solving mysteries with Dalian. It must have been strange for Huey’s CO and mentor to die, then suddenly reappear on the enemy side. A nice touch is the key to Dalian that Huey mistakes for the key to the manor – perhaps he didn’t yet know his mystical calling?