Yuusuke insists he saw Daiki’s sister Natsumi flying, and proposes she and her friends may be witches, which angers Daiki because it isn’t like Yuusuke to lie. Yuusuke follows Saki, who learns of his falling out with Daiki, and devises a way for them to make up: she arranges for them to watch them fly again, under the guise that she’s the only witch. The rock doesn’t cooperate, but they make up anyway.
Every week both we and the girls learn one or two new things about the wish-granting big rock. This week, we learned that an identical wish can be wished upon other people (i.e. Yuka and Rin getting stuck together), but the same wish apparently won’t work twice on the same people (i.e. everyone flying.) Which, if that’s true, kinda sucks, since it means no more flying. But regardless of the rock’s ‘rules’, it’s existence and their ability to wish upon it must remain closely-guarded secrets.
If too many people find out, it may ruin it’s power altogether…or even worse, attract the attention of Men In Black who may abduct and experiment on the girls (and it’s just not that kind of anime!) Still, even without the rock working, Saki managed to help Yuusuke and Natsumi’s brother make up. One way or another, the rock brings people together.
Rating: 7 (Very Good)
Car Cameo: A somewhat crude but still identifiable white Honda Integra DC5 (AKA Acura RSX) zooms down the street as Yuusuke stalks Saki.
On his seventeenth birthday, during the school festival, Bossun is approached by the doctor who delivered him. He apologizes for letting his mother die, but also for something much bigger: Bossun has a twin brother. The doctor, whose wife could not concieve, took the other twin, as was Haru’s dying wish so Akane wouldn’t be overburdened by two sons; Akane never knew. When the doctor tells him it’s somebody he already knows, it’s clear to him that Tsubaki is his brother. When the festival ends they meet up and discuss it, but decide to proceed like nothing’s changed. Himeko, however, has different ideas…
Clearly Sket Dance wasn’t done with the heavy durama…although thankfully this week was bookended by the usual comedy. We’ve gotta feel for Bossun…learning his mother and sister aren’t related by blood; that both his parents died the day he was born, and now he has a twin who just happens to be Tsubaki, who was the nerdy little kid he protected a couple years ago – kid’s got a lot of stuff on his plate all of a sudden. But he takes it in a combination of shock and stride, because what else can you do?
Some nice details: Tsubaki learned he was adopted without asking his parents whe he discovered they had Type O blood, befitting a doctor’s son. Yet no bloodwork or words, for that matter, would change the fact he was their son. Bossun is the older of them, and the face he makes when he learns this is priceless and pure Bossun. Himeko seems absolutely enamored of the idea Tsubaki and Bossun are brothers, and Switchfinds it pretty amusing as well. And Renzou’s dad is even more hilariously intense than he is.
Yuusuke sleeps on a bench near the place where his father was killed. A trio of roughs beat him until another good-size guy breaks it up. His name is Taisuke, and he’s the boy who Kyousuke saved from being hit by a car. Taisuke still remembers what the dying Kyousuke told him, and he gives Yuusuke the bag meant for his deceased mother, containing a watch and letters for both her and his not-yet-born son. We also see the circumstances of his mother’s death, as Akane loses control and hits a doctor, who delivers Yuuske but can’t save Haru.
Like most of Sket Dance’s serious efforts, this episode flat out executes. There’s nothing fancy here, its a nice simple story of a kid coming to terms with the fact that certain information had been withheld from him his entire life. The shock of this info still raw in his mind, all he can do is run. He finds himself at the park where his father died fifteen years ago, and he lets punks whale on him almost as a messed-up therapy session. While he works out these issues in his head, everything else just seems peripheral. He’s not even outraged that the first passersby to witness his beating do nothing about it; they’d help, but they fear death.
Last week wasn’t all that clear about when exactly this took place in the Sket Dance chronology, but we learn that Yuusuke isn’t Bossun yet, and he hasn’t met Himeko or Switch and formed the Sket-dan yet, either. This is a Bossun we haven’t encountered yet; one who spent his time rifling through his mother’s possessions. Once he learns about his father’s selflessness and desire to help others, even at the cost of his life, and also realizes he’s not alone as his mother and sister are still just that, well, let’s just say this whole two-parter journey is what made Yuusuke into the Bossun we know and love listening to as he yells at things.