Tokyo Ghoul:re – 09 – Awful Superheroes

Tsukiyama Shuu……is BACK, YA’LL! He knows Kaneki Ken when he sees him…and “Sasaki Haise” IS Kaneki Ken and Shuu will have him. He’ll chase him round the Moons of Nibia and round the Antares Maelstrom and round Perdition’s flames before he gives him up!

Even if he doesn’t know who he is. That means striding right up to the pack of young Doves that surrounds him…and having to be scooped up and whisked away by Kanae. No matter; it’s great to see the Gourmet has his appetite and vigor back…all thanks to Hori Chie (Kanae seemed particularly clueless about how to quell their master’s slump).

The Quinx are in that ward because Kan…er, Sasaki wants to have them all fitted for masks at Uta’s shop, so they can infiltrate ghouls. Uta is glad to be of service, and has a high opinion of every Quinx member. Kori officially denies Sasaki’s request to go forward on such a plan, but cannot deny it’s a good idea considering how similar the Quinx are to Ghouls.

Meanwhile, creepy-looking Kijima has released a gruesome video of him torturing a member of Shuu’s household staff, presumably out securing food for him. Kijima is dangling his captive as bait, no doubt hoping to snag more important Ghouls. Not the most pleasant methods!

Within a day or so, Shuu’s Kaneki-fueled recovery is complete. The kid’s alive, and so he can keep on living. The hard part will be to get someone who’s forgotten who they are to remember who he is.

Shuu arranges for a number of “chance encounters”, but if we’re generous, he’s basically just stalking Sasaki, and coming to the same roadblock every time: the pesky Quinx kids that keep him from being alone with Kaneki.

Kanae hires a team from Aogiri Tree, including Torso, to eliminate the Quinx Squad so her master can have what he wants (Kanae also gives Shuu a second photo, at which point a much more lucid Shuu realizes his little friend Hori is supplying the pics for his benefit).

Quinx ends up scattered, with Sasaki taking on the bulk of the Ghouls in a parking lot; Tooru and Saiko go one way, while Urie and Shirazu go another. Among the mercs is the “Grave Robber”, who is a fan of burgundy nail polish and, presumably, stealing quinques from the Doves she’s killed.

When up against Kanae, Shirazu’s kagune is damaged and he has to use Nutcracker…but he just can’t. He’s still not okay with how things went down, and especially not okay with using what amounts to her corpse as a weapon. Luckily, a stronger Urie is up to the task of forcing Kanae to retreat, and then intervenes in the battle between Tooru and Grave Robber.

Saiko, who was told to hide, is found by…someone, who proceeds to try to choke her out until she’s saved by…someone else. So many new (or old?) faces to keep up with! Her vague description of her savior causes Sasaki stare into space thoughtfully, as Eto, who we know wants Kaneki to get his memories back, perches atop a building not far away.

Denpa Kyoushi – 04

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Kagami-sensei’s latest lecture kills two birds with one stone: teaching Irregular Twintails (Makina) the true dignity of maids (Akiba, not regular), while encouraging Potatoes (Kiriko) to get back to doing what she loves: performing as the underground maid idol and YouTube sensation “Cutter Girl.”

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Makina puts up a fight, offering her Wikipedic knowledge of real-world maids and dismissing the Akiba kind as “fakes.” Even so, she agrees to serve as a maid at a cafe run by a friend of Kagami’s who has gotten serving down to an intricate science.

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Kagami, or rather the cafe where he brought Makina, makes a decent case for the dignity of Akiba maids by showing her the amount of skill, initiative, creativity, and people skills required to make a diverse array of “masters” happy. Sometimes that means acting cute or subservient…sometimes it means being standoffish and rude.

He paints maid cafes as a microcosm for society at large, but Makina fires back that most of society doesn’t “get” or approve of maid cafes, so she can’t let Kiriko continue lest she give the school a bad image.

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In the B-part (which Kagami announces by tapping on the fourth-wall), Kagami arranges a live performance in front of a growing crowd of people, with the idea being if society doesn’t approve, she’ll make them approve by delivering a dazzling performance.

Potatoes, suddenly full of confidence, calls Makina’s bid, stating she’d be able to weather explusion better than not being able to do what she loves. She then takes the stage and becomes an instant hit online and off, with Kagami pulling the logistical strings. Now, it would hurt the school’s image if they did expel Potatoes.

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While I’m glad the show seems to be back on track with regard to Kagami tackling the problems of a student or two per week, this will be my final review of Denpa Kyoushi. It’s far from terrible, and often downright charming. In a lighter season, or with higher quality visuals, I’d keep it. But the fact of the matter is I’m reviewing more shows than I want to this season, and Denpa’s iffy production values made it vulnerable for culling.

Class dismissed!

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Zankyou no Terror – 03

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Twelve isn’t content to wow a bunch of dummies; he wants a counterpart: someone at least clever enough to decipher Sphinx’s riddles; someone to make a game of this, because when you’re raised in a government facility where love doesn’t exist, what is life but and elaborate games? And in any game, Twelve wants a worthy opponent.

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Well, Mouse…Meet Cat: Shibasaki is officially on the case. Every bit the Japanese Lester Freamon, “natural police” who dug a little too deep a politically sensitive case years ago. Doing so exiled him to the archives and presumably cost him his family. We also learn he’s the son of Hibakusha, which combined with his wan complexion and haggard appearance make him an object of compassion.

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Shibasaki and Twelve/Nine are a lot alike in that both had things taken from them, but they still survived and have been living on, in an almost dormant state. Now the Sphinx has awakened and is bearing its claws all over Tokyo. Shibasaki, once the force’s ace detective, nicknamed “Razor”, has been taken out of its sheath, and the rust is shaking off fast.

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Just as a great comic can make a joke out of anything around him, on the spot, a great detective can find inspiration for the case anywhere around him, as long as he keeps his eyes and ears open. The spark that leads to solving the riddle comes from Mukasa, who defeats the “green dragon” on his online phone game. In the process, he won over a skeptic in the young hotshot Hamura, who would do well to watch and learn.

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Shibasaki also muses that just as Mukasa is playing a cooperative multiplayer game, connecting with random people rather than playing alone, the young duo of Sphinx are similarly reaching out for a human connection, one sophisticated enough to solve their riddles and hang with them in a protracted chase that will sharpen both Sphinx’s claws and the Razor’s edge.

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But no matter how wounded or lonely these kids may be, Shibasaki won’t forgive them if they use the plutonium trump card they stole, and retrieving it is paramount. Twelve and Nine seem amused by the old man’s righteous indignation, but they also seem happy to have a legit playmate.

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As for Lisa, well, she’s mostly on the margins of this episode, deciding to run away from home. It seems unlikely she’ll be able to find her one-time saviors, but maybe Nine will find her. He seems more interested in her than Twelve, who seems more interested in an albino kid from the facility who haunts his daydreams.

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Samurai Flamenco – 01

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Policeman Goto Hidenori encounters Hazama Masayoshi naked in an alley, having failed in his debut as the superhero “Samurai Flamenco” when a drunk punched him. Goto escorts Masayoshi home, where he learns he’s a model and a hardcore fan of superhero shows, believing them to hold weight in the real world. Goto hears him out and warns him to be careful, but the next night Masayoshi ends up in another spot when he takes on a gang of delinquent kids. He loses but Goto arrives and scatters the kids. Masayoshi continues fighting petty crime, and his legend starts to grow on the web.

In its first of twenty-two episodes, we found a heckuva lot to like about Samurai Flamenco, such that we found it worthy of the first “9” of the season. The realistic urban setting, the likable characters; but we were also impressed with how much logical sense it was making. We believe Masayoshi as one of the rare people who never let society jade him from the idealism of the hero anime he used to watch (and still watches). His comfortable life as a popular model can quench his thirst for justice. Being a model, he has a swanky base of operations and access to a fashion designer who can make him awesome costumes – it’s perfect. But even better is the bond forged between him – an unconventional defender of justice – and Goto, an actual cop living a relatively dull existence.

They’re your classic odd couple; one who eats justice for breakfast and the other ignoring minor offenses like most everyone else because it’s easier. Details like Goto’s long-distance girlfriend and daily quest to the 7-Eleven for dinner and smokes drive home the point that this is a no-nonsense, minimal-excitement kinda guy. Still, he doesn’t dismiss Masayoshi’s nonsense out of hand, because at the end of the day it isn’t nonsense. Give certain bad apples in the city an inch and they’ll take a mile, dragging down society with it. The path of a superhero is not an easy one – Masayoshi has already been on the receiving end of two beatings – but he knows he must walk that path with the utmost resolve – and it seems Goto will have to walk that path with him – a couple steps behind – just in case.

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Rating: 9 (Superior)

Stray Observations:

  • Goto might seem like this is all a bit hassle – “why me” and so forth – but he’s kidding no one; we’re certain deep down he’s loving his suddenly spiced-up life.
  • A potentially good running joke: if we never see or hear Goto’s GF, making her just as mythical as Harakiri Sunshine…or Santa!
  • The food metaphors are awesome, as is the majority of the dialogue.
  • Masayoshi mentions a “new suit” in his closet that he uses. We thought that would be the cue to him unleashing some kind of real superpower on the kids. It turned out to be a tease, but a good one. 
  • FWIW we hope there aren’t any supernatural happenings moving forward – and that the OP and promo art are only puffed-up fantasies of what Masayoshi imagines to be doing, rather than chiding jaywalkers.
  • There’s a three-girl idol group that is only present in the ED (which really isn’t bad as j-pop endings go); we’re wondering if Masa’s status as a model will have him crossing paths with them at some point.
  • The punk who beat up Masayoshi was wearing…Crocs. Insult to injury…

20 of Our Favorite OPs

(In Alphabetical Order)

UPDATE: We added five more for a total of 20.

Angel Beats!

A very lovely, moving theme accompanies an opening that still manages to efficiently unveil the sizable cast and the show’s purgatorial school setting.

Angel Beats!

(Yui’s J-Rock Arrangement)

A rippin’-good remix with electric guitars and a bolder, edgier palette.

Bleach OP#1

We once watched a lot of Bleach…too much, in hindsight. But we won’t deny it had a good start, and we still consider its first (of many) OPs to be the best.

Bokurano


We don’t know why, but Ishikawa Chiaki’s powerful, mournful yet hopeful vocals that open this GONZO series always get us a bit choked up. Pass the tissues, damnit! (This talented lady also sang the themes to Majestic Prince and Kamisama Dolls.) 

Chrome Shelled Regios

This is what happens when an OP washes down some adderall with a half-dozen Red Bulls. The booming energy is infectious.

Cowboy Bebop

One of the best anime ever made also has one of the best – and most iconic – openings.

Darker Than Black

This was a pretty good series partly due to Yoko Kanno’s participation in the soundtrack, but the OP is handled by a band rather amusingly called “Abingdon Boys School.” Our favorite part is how it so abruptly ends, which unfortunately this YouTube video cuts off.

Escaflowne

Yoko Kanno’s stirring, epic instrumentation, paired with a young Sakamoto Maaya’s strong, buoyant vocals make this entire OP shimmer and soar.

Eden of the East

We’re not what you’d call super Oasis fans (we’d never put a name to the song before watching this), but it really works here, and the complex, easter-egg-filled visuals still enthrall us today. A feast for eyes and ears.

Gantz


Considering how dark this show gets, it has a mighty upbeat theme! Another great GONZO OP.

Gundam 00

We’ve seen a lot of Gundam OPs, but this is our favorite, with a very serious and mature tone to it.

Kare Kano


Despite an abysmal ending due to running out of material and/or money, this remains hands-down our favorite romantic comedy series. Nothing else has been able to get into the heads of two crazy kids in love quite like this show did.  Its (literally) uplifting OP is one of our favorites as well.

Last Exile

Yet another GONZO series. Pretty much OP perfection, starting off with bagpipes and digeridus, then giving us Napoleonic sky battles and creepy starfish mechas. Claus’s touching down on the flight deck brings things to a tidy close.

Macross Froniter

Another very well-balanced and captivating OP, with an incredibly catchy theme tons of sci-fi action, love trangle themes and a few military salutes for good measure.

Mawaru Penguindrum

Crisp, sparse, dramatic, fantastic.

Neon Genesis Evangelion

Evangelizin’ it old school.

RahXephon

Six Years after Escaflowne, Kanno and Sakamoto strike again and prove they’re a match made in heaven. The theme starts quietly, then progresses to a utopian/futuristic sound, and finishes with a nice acoustic guitar.

Samurai Champloo

Some days, some nights, some live, some die, in the way of the samurai.

Serial Experiments Lain

In our opinion, another successful use of an english-language song, along wih lots of weird multiple-personality imagery and general malaise.

Shiki

Weird-ass vampiry goodness, with a grinding, snarling, and rousing Buck-Tick song laced with appropriately dark lyrics.

Our runaway favorite OP or ED of Winter 2013 (Video)

There are other pretty good OPs and EDs this winter, but one ED surpasses them all in our opinion. Take the haunting voice of veteran vocalist Akino Arai (who also sung the also-lovely OP to Spice & Wolf 2, tasteful use of voice distortion, blend the ethereal vocals with some surging bass, subtle guitars and interwoven and progress into a stirring rock beat.

Pair it with elegant Renaissance book-style visuals that portray Maou, Yuusha, and other characters, and you have yourself a winner; an ED that perfectly encapsulates the sprawling, legendary scale and peaceful outlook of the series, presaging the adventures that await Maou and Yuusha in the episodes to come.

(Note: we’re not under any illusions this YT clip will last long, but if you’re following the show, we’re sure you know what we’re on about!)