As the Mirrored City continues to crumble, a portal opens and the Chief Priest of Koto and Inari’s organization arrives with his adjutant, declaring that the city, or “13th plane” was illegally created for Inari and Lady Koto’s own selfish purposes, and it must be destroyed to keep the other 12 planes from being destroyed. Aun and Inari’s familiars turn against him, and Lady Koto is wounded protecting him. Koto despairs at everything being her fault, but before the familiars can get to her Myoue shields her and snaps her out of it. With her hammer at the Chief Priest’s head, Koto demands he help her save her mom and the Mirrored City, or she’ll destroy all the planes herself.
“I feel no uncertainty. I know what’s most important to me.” So says Inari after smashing his fox mask, and with it the “observer” position he surpassed long ago. His boss isn’t moved and dismisses his speech as nonsense and stupidity, but then what he deems most important is far different than Inari. He seeks order and balance among the planes he looks over; the Mirrored City is an anomaly that threatens all that. But Family was what was most important to Inari, a family he was never meant to have but made anyway.
While out preserving the world he built for it, he and Lady Koto had a daughter, who inherited her mom’s not insignificant powers. Once Koto stops blaming herself for being born, it’s simply a matter of properly leveraging those powers to get what she wants: to save her family and preserve the city. There’s no shortage of people telling Koto how special she is, and the time has come to prove it. Is there a way to get what she wants without the rest of the universe suffering? Surely there must be.
Rating: 8 (Great)
Koto returns safely to the Mirrored City with her mother Lady Koto in tow. After a reunion and tour of the city, Lady Koto says it’s time for her to go back, surprising everyone. She tells Koto to help her older brother Myoue, but later that night a distraught Koto breaks down in Myoue’s room. Meanwhile, a portal opens in Kurama’s temple, and Koto’s first “sensei” Inari emerges. He arrives at Myoue’s house and removed his mask revealing himself as the original Myoue, Yakushimaru’s adoptive father. As a result of his entrance, the Mirrored City starts to disintigrate.
For something as momentous as Myoue, Yase, Kurama and Koto’s mother returning after who knows how many years away, her return is surprisingly low-key. Koto and Yase are the ones most outwardly excited, but Myoue and Kurama are more reserved. She’s glad everyone is all right, is pleased with what they’ve done with the place, and asks forgiveness for being gone so long. But she doesn’t solve everyone’s problems; in fact, she creates totally new ones. The original Myoue must’ve sensed her arrival and came back himself, causing serious damage to the drawing in the real world and thus the Mirrored City.
So what, is he the bad guy all of a sudden? Is he improvising, or was this all part of his original plan? Did he even have a plan? Is the city toast? There are just three more episodes to answer those pressing questions, but for now, despite the foreboding tone of the ending, we’ll be cautiously optimistic. After all, the family is finally back together; how could that be bad? Also of note this week: Koto finally protesting being constantly used and asked to do things when nobody is willing to give her any answers about her past. With her sensei back in the picture, that might change.
Rating: 9 (Superior)
Yakushimaru isn’t happy about being revived and adopted by Myoue and Koto (of the “monster temple”) and tries to kill himself again, to no avail. Gradually he gets accustomed to his new life and even starts to enjoy himself, as the family grows to five with Kurama and Yase. In the present, Koto confirms that Lady Koto is her mother. During the Mirrored City’s festival, Kurama and Yase bring Koto before the Council of Three against Myoue’s wishes. Kurama takes A and Un hostage and make Koto fight the robot Bishamaru, as the three siblings fight each other. Bishamaru’s mouth opens to reveal a portal to another dimension through which Koto falls, floating through space before being found by Lady Koto.
The more we learn of Yakushimaru’s past, the more it seems like he was the unwitting victim of a mad scientist, or rather mad priest. His rightful fate—the same fate as his original family—was torn from him, and a new, far more complicated fate assigned to him. That Myoue’s act was more one of selfishness than mercy. Perhaps it wouldn’t have been right to allow Yakushimaru to die, but making it so he can’t die ever? Keeping him from joining his family in the afterlife? Locking him in a world where more and more he and his siblings get on each others nerves as their methods for reaching their goals conflict? Yakushimaru didn’t sign up for any of this.
But he’s stuck. Kurama and Yase are in no hurry to die, and are done waiting for Myoue and Lady Koto to return. After sizing her up, they’ve determined that their ‘sister’ Koto and her magic hammer are the key to locating and reuniting with their parents. As Koto says, this all happens very fast, and there’s a striking contrast between the playful bliss of the siblings’ past and their over-the-top sparring in the present. Myoue’s beads, Yase’s brawn, and Kurama’s tech smash into each other in a brilliant amplification of rough-housing. They’ve remained children in their dream-world, and now they need a time-out and a scolding, so it’s fortunate Koto finds their mother after all.
Rating: 9 (Superior)
- Now all that past pomegranate imagery makes sense: Myoue drew a magic one and Lady Koto fed it to Yakushimaru to revive him.
- The rabbit, frong, and monkey drawings are taken straight from the real Choujuugiga scroll in Kouzanji.
- Nice touch: A and Un are stuck in a Nintendo game.
- There have been times in this show when we thought the background score was a little to loud or schmaltzy, but it worked perfectly this week, including return of the techno battle music from the Yase-centered OVA.
In the past, a young Myoue watches his house burning, lamenting his parents, and commits seppuku, but Myoue Shounin find him and brings him home as his son, later passing the care of the temple to him. In the present, Myoue waits by the station for his parents to arrive; Kurama compares him to Hachiko. A frustrated Myoue lashes out at Koto, but after spending a night alone, finds her at the station. They take a scooter trip to the fields outside the city, where Myoue tells Koto the rabbit she’s looking for is probably his (adoptive) mom, and asks Koto to kill him when they find her.
The Kyousougiga OVAs that ran last year were only brief tastes of what was to come, but they were enticing ones. Even a year and several dozen series since we last watched the fourth, the gorgeous environs at the end of Myoue and Koto’s scooter ride remain clear in our minds. This week represents the last of the material the OVAs previewed, in which we delve into Myoue’s story, which proves more complex than either of his non-human siblings. In fact, after keeping him on the margins for the previous four episodes, this episode establishes him as the unequivocal heart of the entire show. Everything revolves around him, and he’s the product of his father saving him from that fire. It’s not crystal clear whether Myoue Shounin saved ‘Lil Myoue’s life back then, or if he somehow resurrected him (that was a lot of blood), but we know Myoue would surely have died without Shounin, hence no show.
Myoue got a new life, new parents, a new family, and a new home; the parents left, and he’s lived in Mirror Kyoto for a very very long time ever since, waiting for them to return. We see Myoue’s increasing fatigue with his unending life, and when Koto arrives with the “beginning and end” his father promised before leaving, he apparently believe’s Koto’s presence to be the beginning of his end. They’ll find the rabbit – his mother – and then he’ll be released of his immortal burden, having lived a full and wonderful life—unlike that suicidal boy surrounded by flame. Up to this point the world was so wondrous and fun and peaceful that it never occurred to us Myoue would be ready to move on to…whatever’s next, but there it is. The episode closes before we can see Koto’s reaction to his asking her to kill him, but we wouldn’t be surprised if she wasn’t okay with it.
Rating: 9 (Superior)
Next Week: A live-action tour of the temple that inspired the series. So lifelike!