Still on their class trip, Sasami (using Tama) tries to become closer friends with Edogawa Jou, who believes she has ulterior motives. As they spend more time together, Kagami grows depressed. On the night of the summer festival, she storms off, and Sasami chases her. Kagami believes she’s broken because she isn’t happy about Sasami being friends with Jou, but Sasami assures her its a very human way to act. Switching to Tsurugi’s body, Sasami enjoys the fireworks with her brother on the beach.
This was a quiet, pleasant little episode before the finale in which Sasami continues her use of Tama to experience more of normal high school girl existence, which includes class trips. Ironically, while she’s striving for an ordinary life free of the burdens of her previous station as vessel of Amaterasu’s power, the friends she’s made thus far are anything but normal. Kagami is still coming to grips with what being a friend means (as opposed to just a “practice doll”), while Edogawa Jou sees everyone as either enemies or servants (and to her, a lover goes in the latter category).
Frankly, it’s okay that Kagami and Jou are so weird. We also like how being with Sasami has made Kagami so much more human, as she expresses jealousy and lonliness. Kagami has grown quite a bit right along with Sasami. Jou seems far denser, as everything has a meaning other than its simplest interpretation to her, but we enjoyed hearing her less-aloof servants (not friends of course!) Foxie and Babysitter try to steer her right, even if they don’t always succeed. She may consider herself Sasami’s arch-nemesis (and she may yet prove why in the finale), but for now, Sasami (and Tama) are fine with being her friend too.
Rating: 7 (Very Good)
- We liked how Sasami’s trip was documented via strange postcards that her mom and Micchan recieve.
- Edogawa doesn’t have a dick anymore. Good for her!
Sasami finds out Edogawa Jou has a penis. Edogawa invites her entire class to a hot spring retreat at the Kuzuryuu (nine-headed dragon) Shrine. Sasami gets the flu and can’t go, so she disguises Tama as herself and shares all of her senses on the trip. On many occasions she helps Edogawa out, but Edogawa tells her they can never be friends because one day she’ll kill her.
Of all the series we’re currently watching, we’re just going to come out and say this may be the toughest to review. That’s not because it’s bad – most of the time it’s ver,y very good – but because it has such a unique style and intricate, esoteric presentation. Everything and everyone exists more for its own sake, but also represents some part of Japan’s rich mythology. But this week things are a bit simpler: Sasami is trying to make a friend. Ever since Edogawa Jou expressed her desire to be friends with Sasami last week, it’s been on.
Regardless of Jou’s true motives, and no matter how haughty or conceited or condescending she acts, Sasami wants to be her friend, feeding of that first encounter. She doesn’t even let the flu stop her, and uses Tama as her instrument to forge a friendship with Jou through kind deeds…and keeping her penile secret. Jou, the consummate tsundere, reject’s Sasami’s outstretched hand, mindful of her mission as her sworn enemy, but charmed nevertheless. Oh yeah, and Tsurugi sexually harassed pretty much everyone. She belongs behind bars.
Rating: 7 (Very Good)
P.S. The “tele-divine channel” Sasami uses to stay in contact with Tama and the Yagami sisters is pretty nifty concept, combining divine powers with modern social media.
With Tsurugi trapped in the underworld, Tama tends to an injured Kagami. Back at the ruins of the Tsukuyomi complex, Sasami’s mother gives her drugged daughter one last chance to return to being a Tsukuyomi princess. Sasami refuses, so her mother drugs her further to make her little more than a tool to impregnate with a Tsukuyomi priest she’s procured, in order to bear a new princess to fulfill her duty. Kagami gains consciousness long enough to heave Tsurugi’s devine sword all the way to Kamiomi, who uses it to escape from the mother’s captivity and free Sasami. The mother confronts them, but Tama arrives and take several bites out of her. A portal to the underworld opens, and Tsurugi drags Sasami’s mom in with her.
Once again this episode does a superb job subverting all of our expectations. What were we expecting? For starters, we thought we’d see Tsurugi struggling through the underworld, as depicted in a psychedelic style Shaft is no stranger to. She’d come out stronger than ever, face off against Sasami’s mom, and send her back where she belongs. But Tsurugi hardly does anything this week, and we barely see her. Most of the gruntwork of saving Sasami is left to the grade schooler with the grown-up body, Tama. In the process, we get a bit of backstory about how Tsurugi wasn’t always the perfect older sister, and times were tough for both Tama and Kagami, as could be suspected of new and reformed gods.
The episode’s climax also involves Sasami herself performing a binding spell on her mother that was taught to her by that same mother long ago, as depicted in a flashback in the cold open. There, we see a little more of the mom she remembers, rarely smiling but always kind and curious and loving, like the mother she was pretending to be last week. And for all her twisted methods (drugging and promoting rape), she is utterly convinced all she does is for Sasami’s and the world’s own good. But she’s not Sasami’s mother anymore; she died, and the kindess died with her. The bloodstained plushie Tsurugi overnights to Sasami from the underworld is a symbol of that loss and a memento of that ordeal.
Rating: 9 (Superior)
Sasami starts seeing her deceased mother in random places. One day while shopping she shows up and they spend the day together like an ordinary mother and daughter. But she has an ulterior motive: she’s made a pact with the god of the underworld and come back to make sure Sasami returns to her training to become a Tsukuyomi princess. The Yagami sisters are powerless against her; Kagami is stabbed and Tsurugi is pushed down the slope of Yomi. Before she can harm Tana, Sasami surrenders, and she and her mom are transported to another place, presumably to resume her training.
This episode was something. It had us thinking the myriad gods created Sasami’s mother as she remembered her to fulfill her wish to hang out with her more like ordinary people, not as Tsukuyomi princesses or nursing her when she was bedridden. And eventually the Yagami sisters would show up and tell her she’s just another wish fulfilled that must be put aside to move forward. Needless to say, we were dead wrong. The formula (such as it is) of previous episodes was roundly subverted this week. The priestess fish-out-of-water story is over, and we’re now in full Serious Mode, where everyone’s lives are at stake.
Put simply: the Moon believes it’s time for the Sun to step aside and let it rule the universe. To that end, Sasami’s mom has been sent to set her back on the path she strayed from. And Sasami’s protectors, virtually invincible up until this point, are dispatched with terrifying speed and ease by the mom, who was no slouch even when she was a human, and possesses a divine, god-slaying sword. (Both Tsurugi and the mom have some awesome dialogue throughout their dealings with each other). Anyone wondering if Sasami was going to one day face the consequences of walking away from her birthright…needn’t wonder any longer.
Rating: 9 (Superior)
Sasami returns to school, but she has no friends, and so she chooses Kagami to be her first. Kagami seems unenthusiastic and annoyed, and a series of mishaps befall her. She tries to limit her contact with Sasami, telling her to leave her alone. Dejected, Sasami encounters Tama. After playing tag, Tama tells her how excited Kagami is about being friends, but has something to take care of. Sasami realizes the myriad gods are punishing Kagami for becoming her friend, and races to school, where Kagami is rooting out the evil gods who had amassed. Sasami reiterates their friendship and assures her she can one day become a human.
In this, the third-straight episode of something we’ve watched involving Hanazawa Kana, her character Kagami takes center stage as Sasami’s first friend since leaving her house. But Kagami proves a tough nut to crack, prompting us to conclude that befriending a devine robot isn’t the best way to reintegrate into society. Kagami is still coming to grips with having emotions at all, and the naive and socially inexperienced Sasami interprets Kagami’s demeanor imprecisely. Though when we saw Kagami chatting and walking off with a group of other girls, even we were wondering what was up with her.
Her coldness was in stark contrast with Tama’s warm, pet-like unconditional affection for Sasami. But as lovely as Tama is, she’s a child; Kagami is Sasami’s age, and she chose her. Just when we thought Tama was useless, she reassures Sasami (out of the mouth of babes indeed). Turns out, in a very roundabout but very efficient way, Kagami is only protecting Sasami, which is her (and her sisters’) raison d’être. When Sasami chose her, she forgot that every choice she makes has consequences – both good and bad. But when she does realize this, she makes sure Kagami knows she doesn’t just see her as a loyal protector, but a real friend…her first, no less!
Rating: 7 (Very Good)
Tsurugi notes that an unusual number of students are skipping school, including her colleague Kamiomi’s sister Sasami. Kagami believes they have become addicted to an MMORPG, so the Yagami sisters travel to Kamiomi’s home to investigate, using Sasami’s many computers. Worried they’ll shut the game down and erase all her progress, she attempts to sabotage their efforts, but fails. Eventually, everyone is sucked into the game, where a divine monster is keeping the game alive. Kagami deduces that the monster is the produce of Sasami’s wish for the game to never be shut down, as it was when the company was in financial trouble three years ago. She bids the monster rest in peace and the MMO is shut down.
After primarily showing last week, the beginning of this episode is all about telling. Specifically, that Sasami is most likely “unmotivated” beause she once possessed the powers of Amaterasu, the most powerful of the myriad gods that inhabit the world (In the Shinto religion, sheis the goddess of the sun and universe, from whom the Emperor of Japan is directly descended.) Emphasis on once. Now, apparently, her faceless brother Kamiomi has that power, and he accidentally used it to turn the world into chocolate last week. This week Sasami must deal with something accidentally done in service of her wish for an MMO game to never be shut down.The game was her escape three years ago, and all the other lesser gods heard that wish and made it come true.
It resulted in an unpopular game suddenly becoming all the rage, and that game’s central monster trapping the 10,000 players inside, thus the game will never end as she wished. From what little we see of it, it’s not the best game, and Sasami seems to realize that when the time comes to free all those people. Keeping the game alive was nice and all, but she didn’t need it anymore. And so we have another instance of the entire world being altered because of a misinterpreted whim made by those who just happen to have the powers of Amaterasu. or was this just the three Yagami sisters inviting themselves into Sasami’s house, messing up all her shit, and playing video games in the dark? It was both, and more.
Rating: 8 (Great)
Tsukuyomi Sasami (Asuma Kana) is a demanding hikikomori (shut-in) who has her faceless older brother Kamiomi do everything for her. When he goes to school, she uses the Oni-chan Kanshi (Brother Surveillance) System to keep tabs on him as he interacts with the three Yagami sisters – Tsurugi (Chiwa Saito), Kagami (Hanazawa Kana), and Tama (Nonaka Ai). When Sasami accidentally turns the world into chocolate, the three of them have to fight the chocolate and return the world to normal.
“Sasami@Unmotivated” is exceedingly bizarre and quirky, but also a heckuva lot of fun to watch, and beautifully rendered, with extensive use of watercolor washes for backgrounds and textures. We were reminded quite a bit of Arakawa Under the Bridge, and not just because Sasami’s brother is voiced by Whitey. Both revel in the absurd, whether it’s a shut-in girl being waited on hand and foot by her brother, or that he is absolutely devoted and obsessed with her, almost to a fault, or that the Sasami has a “brother surveillance system”, or the simple fact that the brother never, ever shows his faaaace. Perhaps most interesting: Sasami may have to stay inside to avoid altering the world.
And that’s only part of the nuttiness. For some reason, all the discussion of Valentine’s Day chocolates suddenly has the world itself turning to chocolate, much to Sasami’s dismay. And after Sasami hangs out with the colorful and eccentric Yagami sisters one by one (although really, everyone’s pretty equally eccentric here), they whip out superpowers and save the world by encasing Sasami in chocolate, which makes her brother ecstatic. Yup, it almost wouldn’t be a proper Shinbou joint without the complicated brother-sister relationship. Like we said, this looked great, sounded great, and moved at a good clip. We’ll see if this quality – and lunacy – can be sustained.
Rating: 7 (Very Good)