Prince of Stride: Alternative – 02

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So I’m apparently not that into sports anime. I never took a look at Haikyuu!!, Kuroko’s Basketball, Ookiku Furikabutte or even Free!’s sequel; they just weren’t calling to me. Now weird sports, like Shokugeki no Souma, Chihayafuru, or even Genesis from SKET Dance? Now we’re talking!

So I’ll admit, I’m craning my neck a bit into this genre I rarely enter, and struggling a bit with the premise of the central sport, which—not to at all belittle those who actually participate in this kind of thing—seems a little on the thin side. Despite all that, I am legitimately enjoying Prince of Stride….promise!

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It doesn’t really matter that I’d rather cook or play Genesis than run a lot; what matters is that these guys do want to run, and their passion and energy is infectious. They’re also all a diverse collection of personalities, united by their love of Stride (even those who prefer Shogi).

But to become a proper Stride Club (again), Honan needs to make…ahem…strides in the “relationing” department (still don’t like the use of that word). Fujiwara and Riku are out of sync due to the latter’s slowing down before the crucial high-five.

The team also needs a sponsor, but Heath has them covered thanks to his sister Diane, who owns a department chain and asks for just two things in exchange for her patronage: that they win, and that all these lovely young men model her wares, in an extended scene that does not over-indulge.

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The modelling turns out to be mostly harmless (though the girliest of them would disagree after being forced to dress in drag for Diane’s delight); as for the winning, Both Sakurai and Yuki decide to trust in Fujiwara’s speed. Yuki does as Fujiwara urges him to do and stops slowing down, instead going full-out, and from the reactions of everyone, it goes very well.

There’s still room for improvement all ’round, but there’s not going to be much time for it; their first match is coming against the famous elite Saisei Academy’s Stride Team. I’d call Honan underdogs due to their accomplishment and publicity deficit, but then again, some of their shots will end up in D’s catalogs…and Fujiwara is pretty confident they’ll be able to beat the favorites.

As for their faculty advisor…he really needs to knock it off with those invented sayings every five seconds. It’s also a little disappointing to see the only female main character boxed into a non-running support role, vital though it might be. Hana-Kana simply doesn’t have much to do here.

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Inou-Battle wa Nichijou-kei no Naka de – 03

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InoBato isn’t just an above-average chuunibyou-infused random school club harem comedy, it’s an above-average chuunibyou-infused random school club harem that has found a way to weaponize its dialogue into a fearsome weapon of mass engrossment, education, and entertainment. It made me laugh, but it also made me think, and let me tell you, that’s a hard thing to get me to do on a Monday night!

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This was an episode split into several diverse scenarios, but the theme running through them all was the exploration and analysis of the language being used. Words that can mean one thing can mean something else entirely depending on who said or read them and who’s reading or listening. I know full well the interpretation of words isn’t infinite, but sometimes it can seem that way.

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Jurai starts by having to defend to his teacher the translating of English sentences on his test to Japanese using florid kanji just because “it’s cooler that way.” And the teacher can’t mark them incorrect, because they aren’t! Or take what happens when he and his anime-loving rival Sagami have a heated debate, and the teacher gets the total opposite idea of what they’re talking about!

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Wordplay aside, I really liked the brief exchange Jurai and Sagami had after the teacher kicked them out of the lounge. Here are, truth be told, two ladies’ men, but of very different kinds. Sagami gets love letters, meets girls after school, and receives confessions; he’s a bit of a romantic nomad. Jurai, meanwhile, is a nester, with a clubroom full of girls he shares a very close bond with, now that they all have powers.

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“Sounding cool” also applies to conversation as much as writing, as demonstrated as Jurai, in a serious tennis stance and a cool smirk, declares to Kohata “I’ll show you a terrifying nightmare! Just no overhand serves, okay? They’re too fast for me to return.” Back to writing: Sayumi tricked him into writing “Bloody Vivre” instead of “Bible” on his dark journal, which just happens to have been purchased at a Vivre store.

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When Jurai forgets his “Vivre” and tells the girls to go ahead without him, they have a little conversation of their own that wouldn’t have been possible if he’d been there: they each earnestly describe what Jurai has done for each of them to help them now that they have powers. Whether it’s telling Sayumi never to even consider bringing back the dead, or warning Chifuyu not to try to create life, Jurai has helped set boundaries that will protect their lives and sanity – serious business when they themselves don’t know those boundaries.

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On a smaller scale, years ago he changed Hatoko’s nickname from “Yakitori-chan” (since Kushikawa can translate to “skewer skin”) to something dorkier so other kids would be too embarrassed to tease her. The bottom line is, he’s done a lot for them, even if most of the time it looks like he’s just messing around.

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When Jurai, AKA Guiltia Sin Jurai, returns to school for his vivre, he bumps into someone I initially thought was him from the future, or from another dimension. Turns out it’s an alumnus by he name of Kiryuu Hajime, AKA Kiryuu Heldkaiser Luci First, and its immediately clear after a few minutes with this more verbose version of Date from SKET Dance that Jurai is in the presence of a Chuuni Pro, were such a profession possible. Even Jurai himself starts to look at himself as a dabbler by comparison, while Kiryuu seems to be Living the Dream! and on a quest to attain some kind of nirvana where your speech becomes nigh indecipherable.

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Oh, and he’s also Tomoyo’s runaway older half-brother, surprise! That aspect of who he is is revealed so masterfully; as he goes off on a very good rant about the essence of Chuunibyou as he sees it: the “unresolved paradox of self-denial and self-affirmation”, or Endless Paradox which as it turns out is a nickname he gave his sister Tomoyo. Before he splits, Kiryuu tells Tomoyo in as cool and forceful a manner as he can muster: “When you go home, tell our father this…’send living expenses for this month too.” Denial and affirmation indeed!

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That Tomoyo’s brother is a Chuuni, and an even more advanced one than Jurai, speaks volumes about Tomoyo herself and her relationship to Jurai. Before he’s “more than a friend”, he’s her friend, period, and something of a surrogate brother. She’s comfortable talking about her family life and what happened with Kiryuu, even though he gives her an out. And as close a bond of kinship as Jurai felt, and as many words as he said to him, not one was about his sister and the others having real powers.

But still, as Jurai says, Kiryuu really is incredible…

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…for casually leaving him with the entire bill.

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