Shoujo Shuumatsu Ryokou – 12 (Fin)

Aboard the derelict sub, the girls find a clean boat, chocolate…and a kind of patchwork history of everybody and everything that came before them, thanks to the camera auto-syncing with the monitors on the bridge. In addition to all the pictures they took, and those Hanakawa took before them, the camera is a veritable cornucopia of visual (and audiovisual) information.

The content ranges from simple images of life and death, to the reports of a school robotic research club, to news reports of a worsening geopolitical situation that leads to large-scale war and genocide. On the whole, though, Chito and Yuuri feel less lonely, now that they were able to watch how others lived.

Suddenly processing more information than they ever had before proves exhausting for the girls, who fall asleep under the consoles and dream of their escape from their town.

When Chito wakes, she’s too late to do anything about Yuuri getting swallowed up by a giant version of Cut. Chito suspects Cut might’ve been some kind of lure used by the bigger ones, but Cut’s body language suggests that’s not the case.

Chito runs through the submarine, desperate to find her one and only companion, and eventually emerges from the conning tower to find the Big Cut isn’t interested in eating living humans, and spits Yuuri out. It then transforms to reveal it’s a kind of semi-sentient mushroom.

The mushroom has a mix of good and bad news…though I guess it’s mostly bad for humanity. They are systematically ridding the earth of toxins leftover from the human population after it destroyed itself with war. Yuuri and Chito are the last two humans left, by the mushrooms’ reckoning.

All machinery will shut down around them, and after they’ve passed away, the world will enter a period of rest and inactivity, as the mushrooms hibernate. With that all said, mushrooms emerge from the nuclear missile tubes of the sub and they all ascend into the sky, likely to start “cleaning” the higher levels.

There’s not much for Chito and Yuuri to do but continue on their tour, with the goal of reaching the highest level. Even with their companion/pet Cut gone off with its brethren, Chito and Yuuri aren’t lonely, nor do they care if the world ends, because they have one another.

As with so much relating to this show, it’s simultaneously a deeply bittersweet ending, conveying the lesson to not be troubled by things life you can’t control (like the ending of the world) and take comfort in those you can—like who you choose to spend your days with.

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Shoujo Shuumatsu Ryokou – 11

In “CULTURE”, as Yuu feeds the “cut” bullets of increasing size, the girls roll into an armory, but Chito is far less interested in the tanks than a book lying on the ground. Titled “War and Human Civilization”, it’s written in English, which means even Chito can’t read it, calling them “letters from an old, far-off place.”

Considering the state of civilization in this show, that would seem to be something of an understatement. We build taller and taller buildings; Saudi Arabia is building one that will be 1km tall when finished. But we’re a long way from stacking cities on top of other cities like so many pizza boxes.

The book and its language, like the elaborate giant whirligig, are elements of human culture that should be preserved and understood if lessons are going to be learned by future generations.

It’s all well and good to feed an animal bullets, but to possess a book about how and why that animal can eat bullets—or detect where radio waves are originating—is even better.

Lessons of being mortally injured by falling objects or stray bullets led to the development of helmets, and in “DESTRUCTION” Chito gets and object lesson on why they still wear them even though there’s no one else around: their environment can be extremely hazardous at the drop of a hat…or bolt.

That bolt is the vanguard of a hail of shards of metal and machinery, as a gargantuan robot that could be a flesh-less warrior from the Seven Days of Fire plummets into a heap. The girls explore, and the cut shapes its body into a key of sorts to activate the robot. Yuu activates the first lever she sees, and a cruise missile is launched and detonates a few thousand feet away.

She presses another button, and the robot emits a laser beam that causes even greater destruction and widespread fires just off in the distance. Yuu starts laughing uncontrollably, saying it’s “fun”, but Chito gives her a closed-fist punch, telling her that nothing about this is funny. Yuu apologizes.

If they didn’t before, a first-hand demonstration of the destructive capabilities of civilization helps the girls to understand a little better why so much of the world is abandoned and in tatters. And yet there’s stuff all over the city and its environs that is still on, long after humans disappeared.

In “THE PAST”, Using their new pet as a guide, Chito and Yuri traverse a forest of windmills in, and come across a nuclear submarine. Again the animal creates a key out of its body, granting them access. The submarine may be beached, but it’s in working order, to the girls’ amazement.

It’s nuclear reactor seems to still be generating power (though I worry about radiation), while the girls traverse another forest within the sub on foot: a forest of what look like ICBMs.

Macross Delta – 07

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It’s Hacking Time on Macross Delta, with Mechanical Makina and CyberReina combining their talents to break through Windermerean orbital security, using a little bit of song to help things along. The good guys get an undercover team down to the surface, composed of Walkure, Hayate, Mirage and Messer. They have to disguise themselves as cat-people, which I guess is cute?

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On Vordor, they learn a great deal: the minds of everyone in the military and police are being controlled by the Var. Even an elite pilot is in the thrall of the Var, unable to hear the cries of his own children. Freyja wants to help in addition to being useful, but Mikumo pulls her back; they’ll only be able to fix this planet if they find out what’s going on. Vordor would seem to be a stategically middling world, but it does have one thing: ruins from the Protoculture.

Walkure surmises that the Windermereans are interested in the secrets the ruins may provide, including on dimensional weapons, a form of WMD that caused the “wound” on Windermere, but which Mirage insists was detonated by the Windermerans themselves, then passed off as an attack from offworlders in propaganda (which Freyja consumed).

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Even Prince Heinz would seem to be under the impression the wound he saw wasn’t self-inflicted, but an act that must be avenged using the Song of the Wind as his weapon, even if it kills him. As the show darts from one exotic locale to another, we’re treated to awfully gorgeous establishing shots that would look great framed and hung on my walls. Also Freyja continues to be not-that-useful on this trip.

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The rest of Walkure, on the other hand, prove they’re far more than just var-nullifying songstresses. Mikumo does her surveillance with robotic cicadas, Kaname leads the operation, and Reina and Makina, who were once so repelled by one another early shows with them had to be cancelled, are in perfect sync now, in addition to being something between BFFs and sisters.

They get the rest of the team down to the bowels of the ruins, where they find…bottle water and apples.

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Mikumo goes off on her own—as is her wont—drawn by a song that seems to be calling her; perhaps the Protoculture? As for the others, Hayate makes the connection between the apples and water, which when ingested together create the conditions for var infection.

Now they know how Windermere is infecting and conquering worlds, now they have to find a way to stop them. But first, they have to book it out of there, and once alerts are raised, that becomes more difficult.

Hayate, Mirage, and Freyja fall behind and are caught in a trap set by Bogue, who is looking forward to dealing with two “NUG dogs” and a “Windermerean traitor”. Our main triangle finds themselves in quite a bit of hot bottled water…

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