Saenai Heroine no Sodatekata – 04

We open in Utaha’s room, where she’s on the phone with her editor Machida, who tells her something so surprising, Utaha moves too quickly and smacks her foot against her desk, hard. This is a mishap that befalls me all too often, and that visceral bang really brings both Utaha and the scene to life. It’s also nice to see that like “Mr. Ethical”—and myself!—she spends much of her creating time…staring at a blank screen.

Following the credits is a live taste of her work, in which Sayuka chooses her dreams over tearfully clinging to Naoto, even though she truly love him and always will. It’s a nice segue to Tomoya on the train with Kato, who has just blasted through Utaha’s five-volume Metronome in Love series and is impressed with it.

Tomoya couldn’t be happier, as he utterly worships Utako Kasumi, and isn’t afraid to profess it emphatically on the train (Tomoya does a lot of emphatic professing in this episode, all of it good). Notably, he seems capable of separating Utako from Utaha, with whom he shares a past we only see in brief flashes; a past that may have inspired Utako’s work, as well as the Mr. Ethical moniker.

Utaha’s foot-stubbing shock was a reaction to the news the inteview she didn’t want to do will be performed by none other than Aki Tomoya (I love how diverse his part-time jobs are). Initially, Utaha comes in and puts up a Beast Mode-esque wall, but Tomoya is able to get her to cooperate (sorta) by telling her he took the job so he’d get a chance to learn more about her next book before anyone else.

The interview takes many twists and turns, including Utaha’s assertion that it wasn’t her that made her books take off, it was him. Machida qualifies that by saying Tomoya’s review caused a spike in interest and increased sales at a crucial time for the novel, but I heard Utaha loud and clear: she wasn’t just talking about the publicity or buzz Tomoya provided. I like to think the novels are based, at least in part, on her experiences with “Mr. Ethical”.

It’s for that same reason that Utaha agrees to show up for their first official circle meeting to talk about the details and responsibilities. Eriri repeats a misstep by going all tsundere at Tomoya before seeing who’s actually in the room with him: Utaha, as well as Kato. Though Kato is mostly out of the frame, I’ve trained myself to keep my eyes peeled for her.

That’s the last we see of Kato for 90% of this scene. The rest is dominated by Utaha and Eriri alternating between teasing or torturing Tomoya and fighting each other tooth and nail. They turn Tomoya’s lovely whiteboard diagram of the project schedule into a piece of modern art, while Utaha offers to provide funding in exchange for “favors” from Tomoya, which earns Tomoya some twin-tail slaps from an irate Eriri.

Eventually, they literally toss Tomoya aside and simply start bickering nonstop, with neither girl prepared to give an inch, although Utaha’s calmer demeanor means she’ll have more stamina. Tomoya breaks them up and gets them to work by again appealing to their vanity. Utaha will write up the plot, while Eriri will get some character designs going.

Tomoya asks them if they’re capable of that, and both girls put down their dagger for each other and grab a laptop and a sketchbook. The success of Tomoya’s dating sim depends on how well he can manage/juggle these two undeniably talented but just as undeniably prickly and emotionally needy artists.

Of course, it also depends, at least form Tomoya’s perspective, on his ability to transform Kato into the ultimate dating sim heroine. Of course, considering she was in the a/v club room that long without any of the other three noticing her, as well as the substantial talent of said artists, I’d argue Kato isn’t really needed for the circle to belt out a decent dating sim. The one who needs Kato, rather, is Tomoya.

At the end of the day, this dating sim is a way for him to make the world care about and worry about and love Kato Megumi just as much as he does. He’s not going to come out and say it, but his actions and demeanor speak louder than words.

The way she affected him when he first “met” her on that hill (and their other encounter, for that matter); the fun they had simply hanging out in his room all night; the way they talk on the phone; and the jealousy he feels when she walks into the restaurant he’s working at with a tall, handsome young man; it’s all there, plain to see.

I must admit my heart sank a little when I saw Kato with that guy, but it turns out to be her cousin, and they were simply going out to eat because their parents were at the theater. Being an otaku and thus a consumer of media in which blood is not always an obstacle to romance (his voice actor Matsuoka Yoshitsugu also played Kirito in SAO, whose sister liked him), Tomoya is still worried, but Kato makes it clear in her passive way that this is his problem, not hers.

That means, if he feels threatened by the fact she hangs out with her tall, attractive cousin, it’s up to him to step in and take the cousin’s place. So he does: he asks her he can accompany her shopping instead of her cousin, and she accepts instantly.

At that point Tomoya seems worried that it could be construed as a date. As ever, he’s in surface denial about what he has with Kato, even as he embarks on an incredibly tough road to create a dating sim from scratch in time for Winter Comiket that will essentially validate his feelings for Kato to the rest of the world.

Stray Observations:

• “What’s with that reaction, like you’re reliving past trauma?” Kato, hitting the nail on the head
• I was immensely pleased by the fact that Utaha and Eriri drew on each other off-camera.
• I also enjoyed how they scared Tomoya by telling him just how much they make off their work, with the actual yen figures censored by tweeting birds and gunshots.
• “I’m gonna take that utterly moe-less heroine and raise her into the ultimate main heroine that everyone will worry about!” Tomoya, not realizing that if Kato wasn’t moe-less, he wouldn’t care about her so much.
• “Kato, do you understand your position here?”
  “I’m a second-year high school girl with absolutely no agency who was brought into a game circle by the biggest otaku in school?”
  “That’s your pre-transformation, assumed identity! The real Megumi Kato is a pure beautiful dating sim heroine who makes everyone’s hearts beat faster!”
  All of this.
• Tomoya’s classmates occasionally stopped talking and looked over in his direction, possibly worried that he was raving at himself, due to Kato’s inconspicuousness. Remember Tomoya himself didn’t know she was in his class for a year!

Steins Gate – 03

Rintarou: Then is this too, the choice of Steins Gate?
Kurisu: ‘Steins Gate?’
Daru: Something Okarin made up. It doesn’t really mean anything.
Kurisu: I’m sure. He’s mixing up his German and English.
Rintarou: …Take your shoes off!

It’s becoming more and more of a delight just to listen to Rintarou, Mayuri, Daru, and now Kurisu talk, particularly to each other. Just three episodes in and the voice actors are already like a finely-hewed ensemble, never missing a beat. I’m also loving the fact that, at this point, the title of the show is just gibberish Rintarou made up.

Daru: Miss Makise? Miss Makise? Could you say, “Who’d eat a pervert’s banana, anyways?” once more, do you think? If possible, with an upset expression.

They get to play some jazz this time, as Kurisu invites herself in (she says she knocked), and makes a couple of snide remarks about the ‘lab’ and Japanese men. When she concludes she’s dealing with two perverts, they retort that it essentially takes one to know one, something she cannot dispute, flushed as she is.

They eventually come to an agreement in which Kurisu (or “Christina”, or “Zombie”, or “Perverted Girl Genius”) will join the Future Gadget Lab as Member #004 (which really makes Mayushii’s day) and won’t sue the guys for sexual harassment in exchange for access to the phone microwave that’s turning bananas into green gel.

With an accord reached, they get to work testing the microwave, thoughtlessly using Mayuri’s candy as a subject. When she opens the door to it before the experiment is complete (not wanting the food to burn), it causes an electrical surge that cracks the desk clean in two. Rintarou instinctively pulls Mayuri to the floor and shields her.

The equipment is trashed, but with two concrete pieces of evidence—both the banana and his text messages about Kurisu’s stabbing—he’s ready to declare that what they’ve gone and made, quite by accident, is nothing less than a time machine, something that upsets Kurisu to the point she runs out of the lab, never to return to the episode.

Talk turns to SERN and the Large Hadron Collider (it’s very nice how the show draws from real-world science, as Psycho-Pass drew from philosophy), the ominous Organization that John Titor said would ‘dominate the world’ in the 2030s, when he’s from. With their time machine in pieces and more proof needed, Rintarou directs Daru to hack into SERN to see if they can find any dirt.

The seriousness of Okarin’s request is such that Daru is utterly distracted from the fact that Okarin is straight-up walking out on the bill. Let it be known that Rintarou is not utterly without skills; for one thing, he can slink away from financial responsibility like a boss.

Outside the lab, Suzuha is goofing off with her bike, but accidentally overheard Rintarou and Daru’s talk about SERN. She even assumes Rintarou just got a text about ‘someone dying.’ Rather, he’s getting texts almost non-stop from Moeka, eager to get info on the rare PC, the IBN 5100, which Suzuha also knows about because she reads @channel. Suzuha’s timely arrival on Rintarou’s doorstep, along with her rapidly amassed knowledge of the situation, is contributing to her giving be a strange vibe.

As Daru pulls an all-nighter attempting to hack into SERN as ordered, Rintarou hits @Chan, where ‘John Titor’ continues his lectures for anyone who will hear. Rintarou inserts himself in the discussion, and peaks Titor’s interest when he says there was another John Titor who arrived in 2000. World line shifts delete memories, he says, and yet Rintarou retains memories from another world line.

To go off on a brief tangeant, I must say I’ve gotten used to the curious palette of Steins;Gate, in which most colors are extremely understated and low in saturation, while the sky is a deep, blazing cobalt blue quite different from the azure skies of our own world. It’s a small detail, but I felt it worth mentioning, since I’m sure the contrast between the deep dense sky and the comparatively washed-out world below was a very conscious aesthetic choice.

Speaking of weird vibes: I didn’t just get them from Suzuha this week, but from Mayuri as well. She plays dumb all the time, but could that be an act? Did she intentionally sabotage the phone microwave at that crucial time for some reason? Is the staying close to Rintarou for reasons other than love or loyalty to a childhood friend? These are merely rhetorical questions based on random thoughts; no need to answer them.

Vibes aside, Rintarou and Mayuri still have adorable chemistry, best demonstrated by their little hot soup can content exchange negotiations on the roof.

When they return to the lab, Daru has broken into SERN, though not with admin privileges. “Wow. I don’t understand, but wow,” Mayushii pointedly remarks. There, to everyone’s shock, most of all Rintarou’s, they find the ‘smoking gun’ he was hoping for: an email about how generating a miniature black hole with the LHC was successful, contradicting their public position.

When they dig deeper into the “Z-Program Experiment Report 137”,  they find that the result of the experiment was “Error. Human is Dead, mismatch.” Now the Future Gadget Lab is really in the tall grass, where they’ll have to watch out for snakes.