We’re only hearing about this now, but apparently all of Japan is locked in a brutal civil war between Tokyo and the rest of the country, and Tokyo is winning. Only the district of West Udogawa has remained neutral, but the threat of Zvezda is used as an excuse to invade. This week Zvezda’s HQ is destroyed and its members apprehended one by one.
The show attempts to preserve its laid-back, tongue-in-cheek, optimistic tone throughout, but there’s still a pall of despair and desperation over everything. Without their lair or transforming powers, Zvezda is just a bunch of wide-eyed dreamers in ridiculous garb hiding in a playground, but Governor Asuta (on his own conquest kick) has decided now is the time to snuff them out once and for all.
To that end, White Light is absorbed by the Tokyo Special Forces, with Falcon becoming a city hall stooge, Egret installed as new commander of the puppet force, and Robin given the task of helping round up what’s left of Zvezda, knowing Asuta’s among them. It’s here where her fierce personal justice—for which she was originally recruited by Falcon—tells her she’s on the wrong side.
As if to clear her vision of the artificial justice the powers that be purport to uphold, Renge sheds her mask, stands between Zvezda and the guns. Asuta decides to surrender to his father, but as far as his father’s concerned, he’s a casualty of conflict. Renge whisks him away just in time, but as the curtain falls on the episode, they, like Zvezda, are still on the run with very little in the way of power. We’ll be watching with great interest to see if and how their justice serves them in the closing acts.
Rating: 8 (Great)
Apparently it was onsen week, as Samurai Flamenco, Nisekoi, and now Zvezda all featured hot springs. Of the three, we’d have to say Zvezda’s offering was the most creative and impactful. Having both White Light and Zvezda hold their company retreats at the same hot spring, and not knowing the either would be there, is both silly and brilliant—as is having the elderly innkeepers be on opposite sides.
When White Robin bumps into Dva, one would think Robin would immediately engage in combat, but it doesn’t go that way; Dva buys her a soda and they simply relax in this neutral place. After all, both “companies” are there to relax; maintaining a truce with the enemy keeps things from getting unrelaxed. But thanks to White Egret, a battle breaks out anyway.
While not happy with Miki picking a fight with Dva, Falcon decides to launch an all-out assault. Watching different halves of the assembled “employees” pull off their robes to unveil their true colors was a great bit of stagecraft, and the innkeepers duelling as Kate dozes below them is both thrilling and hilarious (Kate shows a lot of her kid-side this week by being immodest in the bath, conquering milk, and getting drowsy when its her bedtime). What was really cool was how casually Renge learned that Egret and Dva were Miki and Asuta all along.
Asuta still doesn’t know Renge is Robin, but we thought it was significant that Robin saved Dva before she knew who he was—not because she was betraying White Light, but because she didn’t see him as a threat. Now she knows, and her immediate reaction is tentative. As the war between White Light and Zvezda escalates (it sure looks like Yase betrayed Zvezda and their HQ has been blown up), there will probably be more instances when Renge will have to choose what matters more: duty or love.
Rating: 8 (Great)
Zvezda has been very zany, witty, whimsical and fun over its first seven outings, but it’s not what you’d call sophisticated drama. This episode aims to change that, as Zvezda’s secret base is infiltrated deeper than ever before, while the history of Zvezda’s dependable rock General Pepel AKA Shikabane Gorou is explored deeper than before. The show decides not to immediately jump into the confrontation between Asuta and his dad, instead revealing the mysterious commander of White Light, who harbors a personal grudge against Zvezda and its chief, Gorou.
Things start off innocently enough, as Gorou is checking out pastry exhibition, which is hilariously random but also disarming, since maybe the old man’s just there for the sweets. After their big battle last week, Asuta, Kate, and Robo are simply kicking back, and the lead voice actress in Kate’s favorite anime turns out to be White Light’s commander, White Falcon. Things take a turn for the worse when she bombards Kate, Asuta, Robo, and Tasha with puppeteer waves and invites herself to their base, where she deploys a large White Light contingent.
It’s a very nice dastardly plot because it comes out of nowhere, as does Falcon herself. Even so, she makes a lot of progress because she identified and isolated Zvezda’s most conventionally powerful (i.e., non-magical) member at the moment. The connections come fast and furious: the pastry chef Pierre was thrown out of the gang by Gorou’s wife(?), Tsubaki; White Falcon is really Tsubaki’s sister (possibly making her Gorou’s sister-in-law); Itsuka is Tsubaki’s daughter. All these ties both enrich and explain the underlying conflict between Zvezda and White Light; now it more closely resembles a family feud.
This episode also bucked the trend of focusing on Asuta (the ostensible protagonist) or Kate (the ostensible leader of Zvezda), and focused on the underutilized but incredibly Badass Old Dude; his Old Dude friend who’s really good at baking (and stopping steamrollers); and his Old Dude past, which shaped the Old Dude he is today. After being disguised as a stationary bronze bust for the last two weeks, he gets his time in the spotlight, brings a welcome dose of seriousness and gravitas, and shows Kaori that he won’t allow himself or Zvezda and the ideal of world conquest to be defeated as neatly as she’d planned.
Rating: 8 (Great)