Daikichi’s 79-year-old grandfather has died, leaving behind Rin, his six-year-old illegitimate daughter. One life ends, another hangs in the balance. While gramps was survived by many, they all come up with excuses. They question paternity, they proclaim they’ve already made enough sacrifices, they don’t like how stoic she is (They say all this while she’s in earshot). But despite only exchanging a few looks with her, Daikichi feels compelled to step up. No one else does.
He’s the only one in his family to do the right and decent thing. Why should she be stuffed in some ‘facility’? Why do they think she ‘misbehaves’ when Dai’s niece is a bratty little terror? I dunno; because they’re self-involved assholes, maybe. But there’s no question in Dai’s mind whose daughter Rin is. Throughout the episode, Rin occupies just a tiny portion of the screen. She’s an annoying eyesore to everyone. But Daikichi sees a child in need of love, not ‘dealing with’.
Does this make him a saint overnight? No, but it doesn’t hurt. He didn’t expect to leave his grandfather’s funeral as guardian of his aunt. He has a lot to learn about taking care of a kid. Hell, Rin may have a lot to learn about being a kid. But he had a dream in which he essentially saw his gramps with Rin; this could simply be fate. In any case, I look forward to seeing how their relationship progresses, and whether and how he’ll pursue Rin’s mother, Masako Yoshii.
Any series that isn’t a high school magic triangle comedy is a nice change of pace, and this is already the fourth summer series to fit that bill. It’s also among the most gorgeous, with its airy, watercolored look and breezy score. Both Daikichi and Rin’s performances were subtle and calm. As for the childlike opening and ending, I imagine that’s what’s going on inside Rin’s head. Rating: 3.5