Aho Girl – 09

When Yoshiko volunteers to chair the cultural festival, A-kun is ready to let her fail so she can “get a sense of her own idiocy”, which he believes is more productive than letting Eimura (the gal) live out her pure festival dream of “coming together as one, doing all sorts of stuff, make it all awesome, and have a party after”. A-kun and Eimura verbally spar, with A-kun accidentally making Eimura cry…but everything she wanted to happen ends up coming to pass this week.

…Just not in the way she expected. Yoshiko convinces Eimura and her two gal friends to spend the night at school, but while they intend to work on the maid cafe prep, Yoshiko wants to explore the school (like the boy’s room urinals) and play video games until dawn, which is what happens. But rather than protest, Eimura is on board with all of it, and while they don’t get a lot of work done (or sleep), she does have a ton of fun.

The day of the cultural festival, Yoshiko spots Fuuki rejecting a boy, and immediately becomes his advocate. When she tells Fuuki to imagine how she’d feel if A-kun rejected her (a hilariously-portrayed what-if), Fuuki admits she’d at least want a parting kiss as a memory.

Yoshiko tells her girls want kisses but guys want a boob grab to “break the chain of sorrow”…and Fuuki almost allows it, not wanting karma to bite her back. Fortunately, A-kun walks by and the boob grab is thwarted, but the rejected guy does end up with Fuuki’s upskirt in his face…when she delivers a devastating surprise attack in her panic.

The festival wraps off-camera (good!) and we go straight to the party Eimura foresaw. It’s meant to be a peace summit organized by Sayaka so A-kun and Eimura can bury the hatchet, but they end up lobbing insults across the table.

Suddenly Sayaka slams her hand on the table and yells, seemingly having lost her temper…but it’s revealed their order got messed up and she inhaled beer fumes, making her an unreasonable, quick-to-tears drunk who nonetheless has a good point about A-kun and Eimura needing to knock it off.

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Owarimonogatari – 04

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Having thoroughly explored his past with Oikura in Sodachi Riddle, Sodachi Lost begins with Araragi describing Oshino Ougi as “Oshino Ougi.” She is she, and cannot be expressed by nothing else. In other words, the detective is the ultimate mystery, at least to Araragi: he’s learning more about himself, and she’s learning beside him…but he continues to know nothing about Ougi, other than she’s Ougi…and has the guts to lock horns with Hanekawa Tsubasa.

Tsubasa plays a much larger role this week, as she, not Ougi, accompanies Araragi to Oikura’s present home. As we learn about the origin of such an arrangement, it becomes clear Tsubasa is concerned about Ougi’s influence on Araragi these last three days. And whenever Tsubasa is concerned, I’m concerned. She’s with Araragi far more out of a desire to isolate him from Ougi and take the measure of him than she is to make Oikura more comfortable with the visit.

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It’s chilling how close she comes to losing Araragi to a day of non-revolving celebratory sushi with Ougi. From the way Tsubasa is acting, I couldn’t help but dread a scenario in which Araragi went with Ougi. This is partly because I know, like and trust Tsubasa a lot more than Ougi, and partly because I knew from the present events at the episode’s beginning that Tsubasa won this fight, which felt like a victory.

There’s also the fact that Tsubasa and I both see now that Ougi is influencing him in some way, and there’s a possessive predatory aura to her presence, like she’s the very “possessing spirit” she herself says she’ll be if she went to Oikura’s with him. When Tsubasa and Ougi face off, it’s like fire vs. water; warm vs. cool. And the close-ups are, as always, stupendous.

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Ougi isn’t letting anything Tsubasa says get to her, and it seems effortless. Tsubasa receives a surgical salvo of barely-veiled insults from Ougi, and you can see her blood start to boil. When Ougi speaks, the traffic behind her (exclusively Datsun 2000s, naturally) is stopped. When Tsubasa returns fire, the cars flow freely. The refinery belches more and more smoke into the reddening sky as their “coversation” heats up.

Finally, once Tsubasa has offered to go with Araragi, she and Ougi turn to Araragi himself to choose. He’s bombarded with reasonable arguments on both sides, but finally chooses Tsubasa when she offers to let him touch her boobs. Mind you, there’s a few beats when that punchline that ends the battle so decisively simply hangs out there, as if Araragi is really that shallow.

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Then Araragi dutifully clarifies in voiceover that he didn’t choose Tsubasa so he could touch her boobs, but because something was “highly unusual” about a situation in which Tsubasa would make such an offer. That he got that feeling, to me, means he hasn’t been totally “lost” to Ougi, whatever that entails. Though it’s funny that Tsubasa might’ve taken his choice of her as a literal sign he just wants to grope her.

Whatever Araragi’s motive(s) for picking her, I think he made the right choice, and this round goes to Tsubasa, while Ougi stands around alone (which would be sad if I was certain she wasn’t some kind of succubus). Also, Araragi has finally come to the door of the Oikura of today, who hasn’t come to school since their last encounter.

The door is open, only a crack, and within awaits darkness, and a girl who despises him so much she’d rather come to the door in pajamas—or naked—than bother dressing for him. Oh, and she knew about his parents’ job because as it turns out, they’ve known each other since grade school. I suspect this latest encounter is going to be very interesting.

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