Frightened of the power she’s unleashing, Izumiko vanishes into the realm of the gods. Masumi leaves Mayura and joins her there, professing his love for her. Miyuki finds Takayanagi, who Izumiko turned into a dog. Without Masumi, he has to summon Wamiya to take them to the realm. They fight waves of ghost soldiers as Masumi sinks Izumiko into the role as Lady Hachioji, with him as her lord. Miyuki manages to summon the power to reach out to Izumiko by cell phone. Wamiya sends Masumi away, and then turns into Miyuki, who tells her to say she needs him, and they return home. The curse is lifted from the academy, the ghost army withdraws, and Takayanagi regains human form. As Izumiko considers Miyuki’s proposition, he falls asleep on her shoulder.
This was a fun finale! Masumi turns into the bad guy and tries to steal Izumiko away, who is so scared of messing up other people’s lives she’s willing to spend the rest of hers isolated in some celestial backwater, with only ghosts as company. Takayanagi finally gets his comeuppance for being such a pompous dick all the time and is turned into a little dog! Better still, he and Miyuki – never exactly friendly – actually team up to save the day. Miyuki has to level up against a zombie army. The conspicuous use of cell phones throughout the series comes to a creative head as Miyuki makes the impossible possible: both he and Izumiko get reception in the godswood!
Throughout RDG’s run we got the feeling that this was consistent, quality work, and all the pieces were there, only they were too seldom taken off the shelf to use. So we were pleasantly surprised when the finale did just that. All the pieces fall into place with style, making for an exciting and often moving completion to a series that could ramble on at times but eventually got to a very satisfying point when it mattered most. RDG ended on a high, rather than a meh, and actually left us hopeful for an eventual continuation of the story. Miyuki and Izumiko still have to ensure Himegami doesn’t destroy the world (again) while at the same time figuring out what they truly mean to one another, beyond divine vessel and bodyguard.
Rating: 9 (Superior)
Houjou Academy commences preparations for the school festival, the main theme for which will be the Sengoku (Warring States) period, including a combat game commemorating the bloody 1590 siege of the nearby Hachiouji Castle. Takayanagi asks Izumiko to side with him rather than Mayura. Izumiko has a strange hallucination and wakes up in the nurse’s office, where Yukimasa warns her of impending trouble.
After learning a simple self-defense spell from Miyuki, Izumiko models for traditional clothing, which requires her braids be undone. However, the Himegami appears after she has re-braided her hair, while Miyuki is scolding Izumiko. Now fully “synchronized” with her body, Himegami can come and go and do as she pleases. Miyuki takes her to Hachiouji Castle’s keep, where he tells her who and what she really is.
Hailing from a country with less than three centuries of history, we are easily intrigued and even astounded by the histories of far older countries like Japan. We are also, sadly, dreadfully ignorant of most of it, despite our interest. This episode was made richer by the historical background, especially when you consider the forces that be may be using the entire festival, and the impending battle, to decide which school faction will advance in the competition for World Heritage. A “not so safe” battle is coming, and Izumiko will have to choose a side.
Even more fascinating is everything we learn about Himegami: how she’s not really a god (though she is god-like), but was once just another human, who lost her body many thousands of generations, and indeed three timelines ago, and fears the fourth, the one in which Izumiko is her vessel, may be her last chance to avoid the annihilation of humanity. This episode has to feed us a lot of new and important info, but it never felt anything like an infodump. The stakes have been raised significantly, making the petty conflict between Souda and Takayanagi seem peripheral, even irrelevant…though it probably isn’t.
Rating: 8 (Great)
- When Izumiko hear’s someone screaming “Milady!” prior to passing out, we can’t help but think she’s inhabiting the memory of the castle’s lady, during the siege in which the lord wasn’t home and thousands of women and children died horribly.
- Dressing Izumiko up in a period costume wasn’t just random, but a potential plot by someone who may have wanted to bring out the Himegami.
- Himegami has some nice fish-out-of-water moments in Izumiko’s body, taking note of her “stifling” braids, her exposed legs, and her unfamiliarity with the legal drinking age
- Himegami can draw Wamiya out of Miyuki to protect Izumiko. That being said, Wamiya doesn’t much like him!
- After spending the better part of a day with Himegami, at its end, all Miyuki wants is for Izumiko to come back. The episode ends without her returning.
Izumiko suggests summoning Himegami so Sagara can ask her to help bring back Manatsu. The summoning fails, and Izumiko stumbles into Masumi’s plane, where she meets him. He agrees to take her to the cave where Manatsu is trapped behind a massive boulder. Izumiko dances to remove it, but Manatsu stops her; he was outside the cave all along, and it is Masumi’s full body as a nine-headed dragon who is stuck in the cave. Mayura and Sagara arrive, but the dragon escapes. Sagara is able to protect Izumiko, and Himegami appears independently to re-seal the dragon in the cave. Izumiko and Sagara return to their plane and Izumiko’s mom is there, detaining Himegami as long as she can. Sagara also tells her he and Wamiya joined forces to protect her.
This was a gorgeous episode surging with an otherworldly mystical atmosphere (and eerily gorgeous moonlight) as Izumiko literally steps into another world. As Masumi notes, hardships make her stronger, and there’s no hardship worse for her now than seeing Mayura cry. As far as Izumiko is concerned, she owes Mayura for all she’s done for her, and in return she’s going to do everything she can to bring Manatsu back. And while all she knows how to do is dance, that’s enough to get the job done. We love her forceful determination: she’s done standing on the sidelines. If there’s even the slightest chance she can help, she’s going to.
Her trip to Manatsu’s plane has, as we said, a spookily beautiful aura to it. On more than one occasion we were reminded of the ancient forest in Princess Mononoke – a place ordinary humans don’t quite belong. Of course, Izumiko, Sagara and Manatsu are not ordinary humans; they have spiritual powers. But we like how it takes collaboration with Wamiya for Sagara to stop the dragon, and even then, he’s not powerful enough to return it to a slumber. That takes Himegami, through Izumiko’s mother. Proof that both Izumiko and Sagara still have much to learn – and they’ll learn together.
Rating: 8 (Great)
- Izumiko handles getting hit on by ghosts quite well.
- She also gets to dance again. Her dances are always lovely and entrancing.
- The back-and-forth banter between Izumiko and Sagara this week was often quite amusing. We particularly enjoyed Izumiko equating Himagmi to a cellular signal, and going into 20 Questions mode as soon as she spots wings on Sagara.
- A tearful but relieved Mayura hugging Manatsu while warning of future repercussions for running off in the first place was a very sweet moment.
- As soon as we saw those black wings, we had a feeling Wamiya was involved.
- Izumiko brought Manatsu back, but he has the same heart condition that took Masumi’s life, so he’s still in danger.
- If there was any doubt before, it’s pretty clear by now that Sagara has a budding romantic interest in Izumiko. Why else would he care what her type is? Ganbatte, Shinkou!
One morning, the shy, passive Suzuhara Izumiko decides to cut her bangs. At school, it gets mixed reviews, and when her class must gather info on the net using computers, she ends up using them as a conduit to video-chat with her father in America, then disables power to the whole school with her mind. A helicopter lands and Izumiko is taken away by Sagara, who turns out to be a mountain monk charged with protecting her. She learns that she is the “Himegami”. Sagara orders “reinforcements” in the person of his son Miyuki, who isn’t keen on hanging out with the dull Izumiko.
This episode starts off establishing the beautiful environs of a village in the Kumano mountains. We found out this was directed by Shinohara Toshiya, who also helmed The Book of Bantorra, but while that series was awesome, it was a bit lacking in production values; not so here. Like Tari Tari and the excellent Another, this series not only looks, but sounds and feels fantastic. Despite all the natural beauty, there’s a deep melancholy about the beautiful but unpopular Izumiko (appropriately voiced by Hayami Saori), which stems partially from her never having made a decision for herself. If her life is like the river in her village, she’s never once paddled against the current…until she decides to cut her hair and makes a stand about where she wants to go to high school.
What’s also engrossing about this series so far is that it doesn’t come out and explain exactly what makes her so special. We see an awesome sequence where she finds herself underwater in the computer lab, and then she knocks out the power in said lab when she snaps out of it, and we hear a lot from Sagara, but not too much. Like Izumiko herself, we’re still mostly in the dark about who the Himegami is and why she must be isolated and protected. But we certainly feel her pain. Sure, she has nice friends who defend her from bullying, but they don’t even have her phone number, and she doesn’t even have a phone. She wants to take control of her life, but isn’t sure how. Her dubious “manservant” Miyuki doesn’t have high hopes for her, but who knows: she may just surprise him, herself, and a lot of others when all’s said and done.
Rating: 8 (Great)