Orange – 03

oran31

Mother of God…this show. The emotional hold it has over me was maintained this week; in fact, it only tightened and intensified its formidable grip on my heart. I have to tip my cap to any show that is able to make such an relatively small, personal drama and tragedy feel like a world-reaching epic.

Naho seemed so confident and resolved to change the future, and so convince it was happening, and so happy that her efforts were bearing results.

And then Ueda-senpai happened. I know, right? A “prettier” love interest moving in on the heroine’s man…Naho will surely prevail, because it’s true love between her and Kakeru, right?

This shouldn’t be such a big deal, and yet it is. It’s a huge deal, because Kakeru has no future if he dates Ueda. The two things are firmly intertwined.

oran32

This isn’t just about Naho getting the guy. It’s about saving him from oblivion.

Sure, I care far more for Naho’s happiness than anyone else’s (which is as it should be), but the specter of that increasingly bleak, almost nightmarish future considerably raises the stakes for Naho to win the Kakeru Sweepstakes.

Naho’s fatal flaw now—and in her future self’s original past—was that she cares for others before herself. She questions whether it’s right to trample on Ueda’s feelings to satisfy her own desire. She hesitates, and before she knows it, what had been an iron resolve to save him last week starts to rust and bend.

oran33

What’s so impressive is just how goshdarned fast just a little bit of hesitation can get Naho into such serious trouble. Kakeru asked her flat out if she likes anyone; she couldn’t answer. He asks her “what she wants” before going to get drinks; all she can say is “orange juice.” In both cases, Kakeru is, consciously or not, reaching out to Naho, and it’s either not the appropriate time, or she just can’t muster the words she needs to.

So she ends up behind the curve, and Ueda steals a march on her with the tools Naho desperately needs to develop in a hurry: Directness. Persistence. Initiative Guts. She gets his hidden eraser note too late. She writes her reply to the question of whether it’s okay if he dates Ueda (Hell No) and sticks it in his shoe locker, instead of running to Kakeru herself and yelling “NO!” at the top of her lungs in front of him and Ueda.

Instead, Ueda corners Kakeru, and both overwhelmed by Ueda and absent a clear answer from Naho, Kakeru says yes, he’ll date Ueda, and go out during the break. I was so devastated by this development, even though it was sure to come along, I had to pause the TV and pour a glass of water to calm myself. It wrecked me.

oran35

The only, and I mean only faint glimmer of hope comes when Kakeru finds her “No.” But I imagine he’s too nice a guy to dump someone so enthusiastic about dating him so soon after saying yes, so it could well be that Naho’s response was too little, a hair too late.

As expected, Naho is so crestfallen by the events of the day, she can’t eat, let alone pretend to hide her feelings to her mom. She goes up to the bed, pulls out the juice box Kakeru bought her before everything turned to shit, and drinks it as tears fall from her eyes. Sweet, sour, sorrowful…and utterly devoid of solace (Sorry, Suwa…)

oran36

There are a couple of “post-apocalyptic” shows out this Summer, but none of their dystopias have been as and desolate and dismal as Naho’s future in Orange. It’s still, cold, desaturated, and the trees are leafless. Kakeru’s friends find that his note isn’t to himself, but to all of them.

He didn’t write to himself because he knew he didn’t have a future, which obviously insinuates he may have taken similar steps as his mother rather than suffer an accident. At the same time, no one’s dreams for the future came true, even his wish that they were all still close.

Tears well up in everyone. They shed those tears not just for Kakeru, but a bit for themselves, past and present: This isn’t the way it’s supposed to be.

Despite all that went awry for Naho and how steep a hill she must climb, I have to believe things can be made right; that a more hopeful future can be made. I may well end up even more disappointed and disheartened than I am now, but so be it.

16rating_1016rating_whl

Advertisements

Golden Time – 16

gold161

This episode was called “Wake-Up Call.” There really couldn’t have been a more appropriate title. There were many such calls, starting with Banri waking up in time to stop the car before it went off a cliff. The last thing he sees in his dream? Linda visiting him at the hospital, at a time when he didn’t remember who she was. That was a desperately tragic scene, one in which Linda was powerless to set right Banri’s misunderstanding about her feelings, such that even a second-long flash back to it in the episode’s opening moments was devastating, especially under the circumstances.

That was only a taste of the emotional devastation to follow, starting with the mortified look on Koko’s face after the accident, followed by a long period of her being incommunicado, even to Banri, who eventually decides to visit her house, leading to an amazing scene that was simultaneously Banri and Koko’s first real fight (and making-up), and another wake-up call to Banri about the kind of person his girlfriend is.

gold162

First of all, a couple things about how the aftermath was handled. First of all, it infantilized everyone involved, who are, lest we forget, college students; young adults, not children (yes, even the button-cute Chinami). But that’s pretty much what happens when you get in an accident: you feel helpless and humiliated…you know, like kids. Not that we can excuse Koko’s father’s frankly over-the-top slap to Koko’s face. Forget child abuse, that was battery, and we’re not sure we’d have stood by if we were one of the friends present.

To do such a cold, horrible thing to your child when you knew full well her fragile emotional state smacks of sadism. After that slap we kinda washed our hands of her dad, even when he makes nice with Banri and is followed by that damn cat (What, cat’s can’t be bad judges of character?) But then Koko works herself up into a post-fight frenzy when her dad walks in on her and Banri (they were just hugging), and he calmly tells Banri to make him ramen. Banri returns to see the dad (and cat) sitting there seeing Koko off to sleep, looking very fatherly. It doesn’t forgive that awful slap, but it would appear he does love his daughter.

gold163

We won’t deny the fact that Koko has exhibited a short fuse, and when she melts down she melts down. Still, the self-hating things she spouts under her sheets are heartbreaking, and we’re right there with Banri in not quite knowing how best to resolve the matter with words. Suddenly Banri and the others’ talk about it being everyone’s fault—which made perfect sense at the time, but Koko thinks it’s laughably ridiculous. We noted how  many times both of them asked what the other was talking about: sometimes it seems like different languages are being spoken.

Afraid that if he doesn’t handle this talk right, he may never see Koko again (a very real possibility, considering this show), he tries everything he can to stay in the room and try to talk Koko down, even bringing up reset buttons, which leaves him wide open for Koko’s Pillows of Truth: He’s allowed to reset his life and abandon everyone from the old one, but no one else is? It’s a fair question, and Banri doesn’t help matters by bringing up the fact Koko insisted he give up on his past, no sir!

gold164

She thought she had to do that, so that she wouldn’t lose him. She’s feared all along and her new dreams confirm it: that he’ll leave her someday; cut her out like he cut out Linda-senpai. Perhaps we read Koko’s look at Banri in the car all wrong. Maybe she wasn’t mortified by her stupidity, but dejected that even though Banri said he’d stay by her side and keep her awake, in the end he fell asleep, retreating to his past in his dreams. He left her to drive alone.

We’re probably reading too much into that particular scene, but it makes sense that Koko would read too much into everything Banri says and does, knowing his past. An accident changed him forever, and while the car was a close call, she fears the next accident will take him away from her. But she can’t think that way. Even if her fears are as clear and official-looking as the road signs telling her to get out of the car, she should listen to the voice of the one she loves telling her to stay in the car and hang in there, because that’s what he’s going to do no matter what.

9_superiorRating: 9 (Superior)

Stray Observations:

  • Linda and Past Banri sit out this episode. We knew we’d be getting less Linda once Banri cut her off, but we hope to see her again soon. As for Past Banri, well, we were kinda glad he didn’t show his face after all the trouble he caused. That’s right: this was really all his fault. Damn ghost!
  • Our hears sank when Chinami revealed she was bleeding; we assumed the worst and thought she bit her tongue off. Luckily it was just a busted lip.
  • Nana whacks Banri in the head with a baguette and tells him to get the fuck over whatever it is he’s pissed about, because she’s sick of dealing with his drama. Nana is the best.
  • Another lesson Banri (and we) learn: no matter how crazy he (or we) think Koko is, she’s crazier, but so is Banri. Both are wounded souls, but we think they can find comfort and happiness in each other.
  • Banri calling to Koko to resolve her bad dream was a beautiful little closing moment, and sleeping Koko’s little “mm-hmm” was damned adorable.