Humans, particularly while young and coming into their own, need bonds, if for no other reason than to define their place in the world, and make them aware they’re not the only person who matters. Adolescence by and large, makes kids extremely arrogant, and that arrogance is manifested seven different ways among the Kiznaivers.
Let’s go ahead and add Sonozaki to the mix as an eighth teenager who internalizes the universe. The latest trial the actual adults have for the adults-in-training (which include Sonozaki) throws her for a loop. She isn’t at the mountain inn retreat out of duty, she’s there because Kacchon invited her.
With another test looming in the background, the retreat still begins with a pleasant casualness and subtle excitement of the eight kids simulating a household for the first time. Divi-ing up the chores, getting to know more about each other bit by bit; Tenga’s scheme to help the “emotionally heavy” Chidori; Maki and Yuta’s intriguing dance; Nico’s sidelong glances…the bonds are being enriched without the aid of shared mortal danger. It’s all very absorbing.
In fact, the first shared zap of physical pain doesn’t come until Sonozaki smacks Kacchon in the cheek while the two are keeping each other company alone in the dark. She’s not reubking him, just killing a mosquito, but Chidori sees what she wants to see (already suspecting Sonozaki is an interloper) and races off into the night in tears.
I knew informal assigning of individual original deadly sins to the Kiznaivers was a risky (and not entirely necessary move), but it’s interesting to see the very complex emotions on display between Maki (AKA “firewood”) and Yuta as they share a scene in the kitchen.
Yuta is surprised Maki makes good omelette rice for him, as if feeling sorry that he’s hungry (his dietary restrictions kept him from having dinner with the others). He sparks a conversation about how he got fat, then invites her to share something about herself.
Maki, who I labeled as “pride”, seems reluctant, committed, even, to avoiding showing her true self to anyone. Yuta has seen reason to doubt her stuck-up facade (like the fact she made him dinner), and takes the bait when she asks him if he likes her chest.
“Chest”, though, is only her metaphor for the thing no one normally sees, and if it was seen, could change one’s feelings about the person completely. Maki is haunted and tormented by a ghost from the past in her private moments. That’s what she’s still trying to hide, but now that she’s a Kiznaiver, that may no longer be feasible.
It’s not the first think Maki and Yuta say to each other that means more than one thing. Maki takes things in a more explicitly amorous direction, saying things like “not caring if she breaks”, using the term from the ghost’s voice. Yuta thinks she’s only talking about masochism and sex, but after she jumps him (and inadvertently makes him admit he’s still a virgin), their liaison is interrupted by Yamada, their teacher.
Yamada and Urushibara arrive (not informing the Kiznaivers that they brought Kacchon’s Kizuna’d bullies with them) and another high-stress test begins: a purported Test of Bravery so common to these kinds of inn/camping retreat episodes. One bully bashes in the room with a chainsaw, the other weild an axe and corners Chidori in a cabin.
Fueled by fear and adrenaline, the six Kizzys other than Chidori rush out into the night and find their own graves, but when Nico hits a Gomorin and it goes down easily, they calm down a little, confident they can do this.
I loved Hisomu’s contrasting looks throughout this ordeal; delighted rather than terrified by the sight of the graves and wielding a bucket and ladle instead of weapons. Maki’s outrage at Yuta talking big while cowering behind her was also a nice touch. This couple’s been through a lot tonight.
But the central figures of this test, not surprisingly, are Chidori and Kacchon. When Bully #1 is zapped by Nico’s blow, Bully #2 (#1’s childhood friend) is unmasked as well before Chidori, and collapses in a pile of woe-is-me, why-must-I-be-the-only-one-suffering tirade that hits very close to home for Chidori.
Hearing her own problems expressed almost verbatim from another has an immensely powerful effect. Chidori takes after the bully and lays it all bare: if the bully wants to die, he’d better give Kacchon his money back first.
For the first time, Kacchon realizes the emotional pain of the all the bullying he endured expanded to Chidori. He only now knows the pain he endured and pretended didn’t exist at all was also hurting her because now their emotional pain is being shared as well. Not just between these two, but all seven Kizzys.
Now that he knows the error of his selfish ways, when Kacchon finds Chidori (in the middle of her tirade when she brings up how Sonozaki is also adding to her pain with her interloping), he demands the money back. He takes the stand Chidori always wanted him to take on his own. Now Kacchon gets her a little more.
What’s interesting is how connected Chidori and Kacchon truly have been for so long, not to mention Maki and Yuta (through their secrets); the Kizuna System is merely a catalyst to help them break through their inner shells and come to terms with the fact that everyone has their problems, everyone suffers, and knowing of each others’ pain and sharing in it, and being able to move past it (or make use of it) is a crucial element of life.
Those worried about a Tenga-Chidori thing can probably breathe easy for now, if Kacchon and Chidori’s closing scene together is any indication. And now it’s clear getting through the summer is another metaphor; for getting through adolescence.