Cross Ange: Tenshi to Ryuu no Rondo – 05

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Oh god! WHAT?

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What?! No! Stop it Ange!! STOP!

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Last week, Hannah gave a convincing argument on how and why Ange waking up naked in a bed next to some guy from the opening credits could work — could shake her out of the routine she was finally able to build — and that she such an event would let her reassess what’s going on in her world.

Instead, Cross Ange: Tenshi to Ryuu no Rondo episode 5 takes Tusk, a new male character with a mysterious past, and forces his mouth into Ange’s crotch as many times as it can… for laughs!

ange5_9Thank goodness he’s a mechanic that can get her off this island!

In previous weeks, Hannah and I have defended Cross Ange’s use of sexual violence and exploitation as a bold (if not brazen) statement about oppression, racism, and keeping a people down through self hatred.

This week is indefensible.

The constant, absurd put-Tusk’s-mouth-on-or-near-Ange’s-crotch scenes, followed by a MONTAGE depicting how they slowly became friends, is mind-blowing.

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The only reason I’m giving this a 2 ( instead of the 1 I gave Vanadis’ boob-sucking episode) is because none of the girls are asserting their relative social status and value as people through comparing breast sizes.

Even then, I’m very tempted to give it a 1 anyway.

Episode 5 is a true, complete failure of story telling and the choice to MONTAGE together random events to show Ange’s growing feelings for Tusk is as cowardly as it is lazy.

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We even get to see Ange is a terrible cook in the most cliché, pot-exploding way, which facilitates yet another crotch-mouth for Tusk. Ha’yuk!

The total irony here is that Hannah and I were talking just yesterday about what it would take for Ange to ruin the goodwill it has built and I foolishly said, it’s built enough goodwill that I’ll give it a full review even if it fizzes out over the season.

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Who knew the character around the corner was a ‘klutz’ who would fall on Ange’s crotch accidentally more than once, that Ange would be bitten near her crotch by a snake and he’d need to suck out the venom, and that everything would be better and happy with no actual scenes or dialogue spent to actually make it so?

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Who thought it wouldn’t be creepy as hell that Tusk can leave the island at any time during this episode’s development?

Who thought it would be okay to have Ange whimper in an orgasmic way as Tusk “eats out” her poison??

What madness led the writers to have Ange fall for Tusk, her captor and possible sexual predator, by the end?

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Oh my god WHAAAAAATTTTT?!?!?!?????

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Cross Ange: Tenshi to Ryuu no Rondo – 04

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Jill repeats my assertion at the end of last week’s review: these girls are in Hell. But like anywhere else, Hell has a pecking order and an agree-upon way of doing things. Ange is struggling to fit in and, worse, is not even trying. As far as she’s concerned, she’s already a corpse on borrowed time that’s only going to be spent killing Dragons. No time for possessions or friends or enemies. No time for drama!

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Of course, her enemies and would-be have something to say about that. Just as Salia took up a leadership position that she’s not ready or equipped for as Zola was, this week Hilda takes over as the Zola of the bedroom, the one who fills the void her death left in Rosalie and Chris’ lives. There’s always someone to step forward and assume a vacated role. But like Salia, Hilda is no Zola. We know she couldn’t even satisfy Zola on the eve of her last battle, leading Zola to prey on Ange.

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I’m not saying Zola was a saint — she did try to f-ing rape Ange — but she was a vital, competent authority figure that kept her troops’ clashing personalities in check at HQ, kept them alive out in the field, and tended to their emotional and physical needs in the boudoir. No one can dispute that she owned herself. That woman has been replaced by two girls who are clearly out of their depth, but still try to cultivate the fiction that they aren’t, because at the end of the day, they can’t afford to be. They’re it.

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What’s so great about the new character dynamics is it isn’t the Hilda faction vs. the Salia faction, or Hilda vs. Ange, or Ange vs. Everyone. It’s all of the above. Salia has to protect Ange from hazing because it’s her job as the captain, but there is no “Ange Faction” as long as Ange refuses to accept the help or kindness of others, or refuses to help herself. And while Ange seems to have found her new self, she remains a pretty crap person, as evidenced by her cold treatment of Vivian. Yes, Vivian can be a pain, but I felt bad for her here!

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It’s not just Hilda, Roselie and Chris who are loathing the princess, either, but a large chunk of the nameless general population as well. The way she’s acting right now, Ange deserves some of that scorn. But she doesn’t seem to care either way. In an escalating battle of wills, somethings gotta give, and it does when Hilda goes too far and sabotages Villkiss.

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This leads to another great aerial (and partially naval!) battle in which Ange falls from the sky and sinks, followed by a twist ending where she wakes up nude in bed with a guy (who isn’t nude, just shirtless) on some tropical island. Is this…a bit goofy? Sure, but the set-up of the scene is thankfully quite straightforward: this lad saved Ange, got her out of her wet clothes, and is letting her use his bed. He has her tied up just in case she’s trouble, which we know she is! Any kinkier interpretation is just in Ange’s (or our) own head/s. Yes, a gentleman would sleep on the floor, but maybe he’s not a gentleman!

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It’s par for the course in terms of Ange continually finding herself strange, unexpected, and/or unprecedented situations. It’s also pretty standard in these kinds of stories for the protagonist to at some point end up exiled or isolated and in a situation where there’s time to analyze and re-examine, and emerge changed. I’m looking forward to seeing Ange suddenly outside of the regimented, lethal existence she’s only just gotten used to.

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