Flying Witch – 08

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Makoto Chinatsu and Kei just be chillin’ like vanilla villains playing violins in a villa. Put less poetically, they spend the entire episode hanging out in the cafe, meeting its owner (mistaking her for her nearly identical daughter at first), are formally introduced to Hina the ghost, and also meet some of the cafe’s regulars.

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Yet no matter how insectoid (the thistle-eating ladybugs), vulpine (the cherry-loving fox), or intimidating (the Veil of Darkness and Bringer of the Night, everyone they meet is nice, welcoming, and friendly, even if Chinatsu is being a bit nosy or intrusive.

The overall feeling is that this definitely a cafe where I’d like to spend some time, sip some tea, and munch on some pastries. Anzu’s mom’s comment about Kei not having to worry about being “normal” (because he hangs out with witches) was pretty funny, too.

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While the others are at the cafe, Akane is hard at work on a potion, but for what we don’t learn until after the credits roll, Marvel-style. She teleports with Kenny all the way to otherworldly, picturesque Ha Long Bay in Vietnam, where she accidentally turns the entire landscape monochrome.

It’s temporary, though, so rather than panic, Akane teleports back to Aomori, grabs a half-asleep Makoto, and has her snap a photo of her and Kenny…which Akane later remembers as a strange dream. But that’s life as a witch: sometimes things get a little surreal and dream-like, and ya just gotta roll with it.

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GATE – 06

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Pina Co Lada’s forces are being massacred by the more numerous and experience (and bloodthirsty) brigands, and all the death is arousing Rory, until she can’t take it anymore and rushes towards the east gate. We see just how much you don’t want to mess with her when her blood’s up.

Rory as a concept remains a bit silly in an otherwise straightforward low fantasy setting, but not nearly as silly as what GATE pulls when it’s time to call in the SDF cavalry…or to be more precise, the air cav.

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I’ve always had conflicted feelings about the “Ride of the Valkyries” Helicopter Attack scene in Apocalypse Now, which I think is the point. On the one hand…America, Fuck Yeah! On the other hand…Why the fuck are we in Vietnam indiscriminately slaughtering random villages? 

There’s a different kind of conflict in GATE’s homage to that scene because it so thoroughly, accurately lifts entire shots, music, and dialogue from that scene, it’s really less of an homage and more of, well, a knockoff. Which, I’ll be honest, was a little lame.

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The situations in both works are the same: a overwhelmingly superior force eviscerates a pitifully under-equipped enemy. But Apocalypse Now did it first, did it better, and did it in a way that I really didn’t need to see so shamelessly copied.

Mind you, for the elements of the audience who’ve never seen the film, this probably came across as pretty snazzy war porn. But it’s pretty clear the creators expected viewers to catch the references. If they didn’t, then it would be as if they were trying to pawn off an iconic scene from another work as their own.

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In any case, the battle itself, and the parts that aren’t ripped from AN, work well enough. Watching Kurebayashi pair up with Rory and go Medieval on some folks was pretty fun to watch too, even if I’m a bit dubious about the efficacy of rushing in and fighting at close range when there’s plenty of long-range weaponry to defeat the enemy from a safe distance.

Then there’s Itami taking all female prisoners (coincidence, eh?), and when Pina’s comrades in the Rose Knight Order intercept his convoy, he sends his team back to base, making himself the prisoner of two very tough, very beautiful “chicks.” These get Itami back to his roots as an otaku looking to meet all the exotic characters he can…but you’d think all the vicious slaughter they just carried out would be a little more sobering.

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