Sore ga Seiyuu! – 04

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SgS keeps pace with Dandelion this week, as we come to love the characters in both shows the more time we spend with them. It has occured to me that Sore is very much a love letter to the seiyu industry and the people in it, almost playing like a documentary of these girls’ lives, yet avoids being over-indulgent or extra-congratulatory.

With the highs come the lows, and the lows suck when you’re in them, regardless of vocation. That’s what this episode captures best: Futaba at first believing she’s all alone in her doubt and despair, when in fact, everyone goes those emotions. That knowledge brings comfort and motivation to strive harder.

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With Bodhisattvon wraping and all three girls failing to pass auditions for the next show (doubly upsetting since we saw Futaba part with most of her petty cash to buy the manga), they’re feeling uneasy about the future. Futaba in particular is sure she’ll get more work before the Bodhi recording and radio show both wrap, but she’s incorrect on both counts.

All it takes to clear Futaba’s clouds of despair and worry is to bump into a legend like Ginga Banjou, who has died many more times than she on screen. Because of that, he can lend her valuable words of supportive advice that apply not only to dealing with the deaths of one’s characters, but in dealing with the serial rejection all seiyus (and indeed, artists) must endure. Futaba is not alone.

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When their radio show ends, it looks like Futaba is about to stare down the long, dusty road of non-employment in her chosen field (though she still has the part-time job), but their boss springs another surprise on them: not only has their radio show been extended, but he’s putting them in a unit, to record the theme song to the show and perhaps eventually become a full-on idol group.

This is a lot for Futaba and even Rin to take in, though it’s exactly what Ichigo has been dreaming of. I like how they all react by paying more attention to themselves, whether it’s Futaba being broken out of her daydream by her jiggly arm, Rin training herself to wear miniskirts, or Ichigo’s overdone yet somehow appropriate ringlets.

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Really, I should have seen this development coming: Futaba, Rin and Ichigo already had the built-in look of characters who wouldn’t look out of place in a sci-fi magical girl or music anime. Now, they could be on the road to just those kinds of roles, if it all pans out. Everyone’s nervous, like they were when the radio show first started. But with time, they got better at that, and they’ll eventually get better at all this unit stuff, too.

ED request: The theme to Sailor Moon Crystal.

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Sore ga Seiyuu! – 03

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Before they begin their own web radio show, they go on Futaba’s senpai Shidome’s bigger radio show to promote it. Flanked by the venerable Tamura Yukari, the trio are literally petrified in front of the mics, as any newbies would be under the circumstances. Despite this, Tamura-san thinks they’re funny, and wishes them good luck.

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When the day of their first recording arrives, the three gather at a much smaller studio with a much smaller staff of one, and a script of only a few pages, with the particularly scary “free talk” mixed in. There’s no rehearsals or practices; they’re thrust right into the studio and onto a live show where every moment of hesitation is a moment of dead air.

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The pressure under the girls is palpable, and things start out pretty rough, but while they show is “all over the place”, they do get into a nice rhythm towards the end, and their boss says they have potential. All they need to do is gather the confidence to converse the way they normally do in front of the mics, and they’ll be golden.

By the same measure, when the three girls watch (and listen) to the anime they had roles in, they’re all a little disappointed in themselves, but that just inspires them to keep working harder to become great. It doesn’t happen overnight.

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Sore ga Seiyuu! – 02

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I was going to try to choose between Seiyu’s Life! and Dandelion in order to pare down my workload as we all must do around this time in the season, but after two episodes, I’m no closer to making that choice; both have their charms.

The second outing of SGS shows us more of Futaba’s not-so-glamorous life as a struggling seiyu: part-time work at Lawson (Ichigo works at an even more clinical box lunch processing plant), walking into the office to find a tiny slip of a script next to a tower of scripts for Kamiya Hiroshi (that’s right, The Kamiya Hiroshi, in the flesh!) with a backdrop of rookie seiyus with no work at all simply standing there hoping they’ll be remembered, a sign that things could be worse.

But things get a little better for Futaba when she gets an audition for a new adaptation of a manga with “Titan” in the name. Even better, the two friends she made at her recording session, Rin and Ichigo, are also in the audition, and they’re not competing for the same role.

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Things look bright for Futaba, but once she enters that oddly-empty and silent studio, I think she tenses up a bit. She’s able to visualize the character she’s voicing (as herself!) and all her personality traits and moods, but it comes off as a bit mechanical and even forced. At the same time, I think she puts too much stock in the producers’ seemingly apathetic reaction to her performance; it could just be they’re yawning because it’s a long day…right?

Ichigo’s sexy voice gets laughs, and she’s asked to voice a different character, after which the producers react by staring at their phones, so not promising. As for Rin, she does just fine. After the stressful audition, the three go to a cafe for coffee and cake and just shoot the breeze; Futaba even comes up with the nickname “Evil Ichigo.”

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The next day it’s back to work on the Evangelion clone, where Futaba learns Pipo blows up and doesn’t come back. This setback, just when she’s told the others that if she’s still not showing promise in a year, she’ll share poor Pipo’s fate and be culled by her company (it’s a cutthroat industry, eh?).

But outside the studio, a suspicious looking mustachioed man confronts the trio of girls. He’s been watching them interact, you see, and apparently sees something in them, because he wants them to do a web radio show…which explains what the ED is all about!

Like last week, as the credits roll, the girls switch between singing the ending theme, doing commentary on the episode that just aired, and singing a request (this week, appropriately due to the Kamiya Hiroshi cameo, it’s a song from Zetsubou-sensei.) It’s a great ED format, but it also previews what should be an interesting and promising new opportunity for Futaba & Co.

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Sore ga Seiyuu! – 01 (First Impressions)

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The Rundown: GONZO, a studio I haven’t seen or heard a lot from in a while, tells the tale of Ichinose Futaba, a newcomer seiyu braving the harrowing rapids of anime voice recording, as her plushie “advisor” Korori explains the procedures, intricacies, and foibles of such a life. In the process of recording for an Eva-style mecha series, Futaba meets the talented Kohana Rin and the energetic and equally new Moesaki Ichigo.

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Pros: There are many, as this was a lot better than I expected. Futaba is a great protagonist to follow, as she’s determined to work hard at her craft but is clearly new to the industry and thus prone to errors, freeze-ups, and over-thinking. This is a show that gives you the gist of what’s going on, then lets you get lost at times along with Futaba, along with sweating all the little enlightening details about the business, from greeting everyone personally (which you’d think would overtax one’s voice), to where you sit and which mic you’ll walk to.

I’d also be remiss if I didn’t bestow praise on, well, the seiyus, in particular Takanashi Rie, who actually had more roles to play than just Futaba and Korori. She and the other two seiyus are unfamiliar to me because like their characters, they’re all pretty new, but they handled themselves well in a fast-paced, dense, procedural first episode. The OP and ED (the latter of which featured a brief bit of the EVA theme) were also nicely done.

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Cons: They are few. I think this show could have benefited from characters that look less like, well, anime characters, or who at least had ordinary hair color; all the skittles hair kinda detracts from the reality. I was particularly distracted by how much Futaba resembles Nagato Yuki, in build, hair color and style, and glasses. The constant cuts to Korori (Futaba’s plushie) explaining things were certainly informative, but disrupted the already fine rhythm of Futaba’s busy day.

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Verdict: Like Dandelion, and Working!!!, SgS is a fun, lightweight slice-of-life that requires minimal psychological investment. In other words, it’s easy to watch. And I’ll confess, I once enrolled in a voice-acting class at my local learning tree, so it’s definitely a world I’ve considered entering (even if it’s likely quite different in America).

But seiyu-ing aside, the show does a great job putting us in the shoes of someone who has just entered a very specialized, exacting industry, and while she hasn’t quite found her footing, she’s not alone, and she eventually will.

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Hitsugi no Chaika: Avenging Battle – 01

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I believe this is the first time we see Gaz clearly.

Ah, it’s good to be easing back into the warm, tingly bath that is Hitsugi no Chaika: Avenging Battle. The show picks up pretty much where it left off, with the hunt for Gaz’s remains continuing. The heroes they’ve had to face have varied wildly on the moral spectrum, but their latest opponent, Lady Claudia, is possibly the nicest out of all of them, and is willing to give Chaika Gaz’s heart as long as she’s just giving him a funeral—but only if they can defeat her.

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Chaika has always been a show about finding a purpose. Chaika’s purpose is to bury her father. Tooru and Akari’s are to help her. After executing Gaz and paving the way for the Six Nations and peace, Lady Claudia became a different kind of hero: a Lady Eboshi-type of entrepreneurial woman who provides good jobs to veterans with nothing else to do. Her bucolic vineyard and winery is a kind of microcosm of the ideal world that was meant to be after Gaz was dealt with, and even if it isn’t quite that, it’s at least far better than the bloodshed and chaos that went on for three hundred years.

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Speaking of purpose, that of the Gilette Corps endures, even after its namesake has been slain. Even if our Chaika doesn’t intend to build a weapon that will end the peace and restore Gaz to power, we’re still not exactly sure that’s not exactly what she’s unwittingly doing, and in any case there are many other Chaikas out there who want to. It’s up to Gillette and its new Captain Nikolai to see to it that doesn’t happen.

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Which is why it’s so tricky that Vivi is, without a shadow of doubt, one of said Chaikas. Even if she denies is, the fact of the matter is, if that spectral dandy Guy pays you a visit, you’re a Chaika, The End. He’s there to make sure Chaikas carry out Gaz’s directives. Still, Vivi is still shaken to the core by the death of her love, and it doesn’t look like she’ll so easily be able to return to the live she lived before Alberic was killed.

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But back to the winery: when their first attempt to fight Claudia ends in a draw, she offers them the swanky hospitality of her establishment, plus a second chance, on the condition the three of them are able to score a victory between tomorrow’s breakfast and tea. Like Chaika, she’s a Gundo wizard, but far more skilled and experienced. Six months of hiatus have not dulled Akari’s extra-dry wit a bit, but even an all-nighter can’t improve Chaik’s incantation speed.

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I really enjoyed the decency and chivalry of Lady Claudia; it’s not every day you get such an understanding and accommodating adversary. When the hour of battle is upon them, they march out to some more awesome Final Fantasy boss music; the show’s soundtrack remains a delight in general. Tooru assures Chaika if they can’t beat her they’ll just steal it, but Chaika isn’t a saboteur, or a thief. She wants to honor Claudia’s terms if she can. Judging from the start of the battle, I wonder if the Acuras would even be able to take the heart without Claudia’s leave; she’s quite formidable.

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