Slime 300 – 05 – Who Ya Gonna Call?

Azusa and the others get the wrong idea that Halkara is preparing to move out, so they arrange a surprise party, only to learn she was only looking for a new location for her energy drink factory. The fact remains, she’s working long nights and Azusa is concerned. Turns out the reason is that there’s a ghost at the new factory that has scared away all of Halkara’s local employees.

In order for Halkara to start coming home at a reasonable time, the “bound spirit” must be dealt with. Azusa summons Beelzebub for this purpose, though because her incantation is a little off, Beelz ends up in the bathtub full of cold water (for the crops…it’s eco-friendly!) As Azusa and Halkara cower and tremble behind her, Beelz quickly finds the ghost and makes her visible.

Her name is Rosalie (voiced by Sugiyama Riho, Minare from Wave, Listen to Me!), and she’s the ghost of a girl who took her own life centuries ago after her parents were preparing to sell her off for “chump change”. In the ensuing years, she “went bad”, which explains her rudeness (and makes Sugiyama a great choice).

Rosalie has wanted to leave the factory for a while, but without success. After her offer to erase her without a trace is shot down, Beelzebub suggests that if she possess one of them, she’ll be able to relocate. Halkara seem the most suitable vessel as she has the most “weak points.” The possession is successful, and Rosalie!Halkara strikes a samurai pose as she accepts Azusa’s kind offer to live in her house.

A problem arises when Rosalie arrives at Azusa’s to find she isn’t able to separate from Halkara’s body; apparently they were ridiculously compatible! After a number of attempts to shake, shock, and spook Rosalie out of Halkara’s body, Azusa gets the idea to make her drunk (easily done with Halkara’s tolerance). When Rosalie passes out, Halkara’s personality surfaces.

That just leaves the matter of how to exorcise the dormant ghost from her body. Beelzebub has a solution: toss her into that eco-friendly cold bath water. Rosalie pops right out from the shock, and is now successfully separated from the location of her death.

With that, Azusa arranges for Rosalie to meet the townsfolk to prove she’s a friendly ghost, and she’s happy to use her ghostly telekinesis to do chores for people to build goodwill. Rosalie announces she’s Halkara’s newest employee at the factory, and nobody needs to fear her. And that’s how Azusa’s family grows by one once more.

Cardcaptor Sakura – 45 – Here Comes the Judge

In a further departure from the usual formula, there’s no set up this week, we jump right back into the action. It figures that the last Clow Card to be captured is the most ornery: Earthy. Huge fissures and massive stone towers threaten to destroy the city, and it’s all Sakura can do to weave and dodge.

After an unsuccessful use of Watery, Kero gives her the hint that offensive magic won’t work. Then Sakura notices that while lots of roads and buildings are being ruined, the trees aren’t being touched. So she summons Wood to hold the Leviathan-like Earthy’s main body in place.

Sakura seals the card, and the biggest, most pulse-poundingly impressive battle yet comes to close. To Sakura’s shock, the receipt of the final card has another effect: it restores Kerberos’ true form. Sakura doesn’t recognize him at first until he responds with his trademark dialect, only in a lower register, and she can’t help but remark that he’s looking “rather cool.” He certainly is!

To celebrate the capturing of all the Clow Cards, Tomoyo summons her costume van and dresses Sakura up, and even gets Syaoran into his ceremonial robes. Sakura’s costume is notably the one in her dreams. Then Sakura learns from Syaoran that Yue is one of the two guardians along with Kero who Clow Reed created to protect the cards. And just when it seemed Mizuki would transform into Yue…Yukito does instead!

While I knew Yukito was Yue’s vessel from the much later Clear Card, Mizuki had been so effective a red herring I came to wonder whether she’d be revealed as Yue’s vessel prior to Yukito. Instead she’s just a particularly powerful moon-oriented magic user, which combined with Yue concealing his magic within Yukito meant he was right under their noses the whole time.

While Kero serves as the selector of the one to command the cards, Yue is the final arbiter of the Cardcaptor’s worthiness. The trial is simple: use the Clow Cards to defeat him. Since Syaoran captured a handful of cards, he is the first to undergo “final judgment”—and Yue proceeds to mop the floor with him.

He’s sent back to the others dazed but more or less fine, and Sakura is transported to that now iconic spot of her dreams, with Tokyo Tower looming in the near distance and Yue standing on its red steel beams. Sakura realizes this is exactly like the dream, that it was a prophetic dream, and that THIS IS IT.

Either Sakura can defeat Yue with the Clow Cards she’s collected—Yue confiscated all of Syaoran’s—or the “Catastrophe” Kero warned about will occur. Even if I didn’t know everything would work out, all my money would be on Sakura. Poised on the biggest, highest-pressure stage in her eleven years life, she won’t shrink from the task before her.

The Misfit of Demon King Academy – 04 – Live Like There’s a Tomorrow

Anos deduces that Misha and Sasha are actually the same person, since Sasha was able to break a Zacht unilaterally. Ivis Necron utilized “Division Fusion Resurrection Magic” Dino Jixes two create a more powerful race when the two beings fused into one on their fifteenth birthday. But Anos isn’t going to let that happen.

He’s going to make sure Misha lives on. He just needs her to believe there’ll be a tomorrow for her…because he said so. When they catch up to Sasha, she’s still pretending like she hates Misha, when in reality, she sets up two massive magical circles, one of which will be used to transform Misha into the original, instead of Sasha.

Sasha had been trying for years to get Misha to hate her so she’d reject her and welcome the transformation, but Misha never could. Anos proposes he send the two of them back in time fifteen years, which would cause two “new” sources to appear for a total of four, which would fuse into two separate beings: the two sisters.

That’s when Ivis shows up and stabs Anos through the heart in order to prevent him from disrupting his plan to create a vessel for the founding ancestor via Dino Jixes. Of course, Anos is the founding ancestor, so not only does Ivis’ attempt on his life fail, but he’s able to toss Ivis across the room with little effort.

Anos begins the Rivide spell that sends the sisters back in time, but his actions attract the attention of Eugo La Raviaz, the Guardian God of Time, who doesn’t take kindly to people messing with his domain. He lends his godly powers to Ivis, who stops time both the sisters and Anos’ initial attacks.

Even with Eugo’s power, Ivis again fails to do away with Anos, who stubbornly remains alive…because he’s the Demon King. He restarts time for the sisters, and urges them to declare their belief in him as the Demon King, which they do wholeheartedly.

Since this is all taking place within Anos’ castle, he’s able to summon the Magic Sword of Destruction Venuzdnor, which he not only uses to shatter Ivis’ time prison, but to purge Ivis of Eugo’s godly power. Anos is also able to remove the influence of the impostor and restore some of Ivis’ memories. He tasks him with investigating that impostor while letting him believe he’s still under his control.

With the sisters now secure as two separate entities and any threat of Ivis eliminated, Anos leads Misha and Sasha to the castle entrance to collect their perfect score, something that for all his power he’s never actually attained.

It’s all part in parcel of becoming weary of war and being glad to be resurrected in a world of peace, even there are only two people willing to acknowledge him. He gives Misha the magic ice ring for her birthday, while Sasha gets to keep her magic coat. All’s well that ends well, but damn did this episode throw a lot of jargon out there—Demons, gods, spells, weapons, and concepts, oh my! 

My head was spinning for a while, until I decided to let much of it flow over my head and simply enjoy the brass tacks, once the elaborate details are stripped away: Reality isn’t what others tell Anos it can or can’t be—it is what he makes of it, simply by being the most powerful individual in the world. In this case, that meant eliminating the need to sacrifice one sister to save the other.

Fate/Grand Order: Absolute Demonic Front – Babylonia – 09 – Buying Off a Goddess

Upon returning to Gilgamesh with news of their great losses, he concedes that sacrifices are necessary in any war. Losing Ushiwaka and Leonidas wasn’t in vain: Uruk still stands, and they now know that Gorgon is a seething mass of anti-humanity rage can not be bargained with. They also learn that the only thing she fears is the other two goddesses, and Gilgamesh recognizes that as their path to victory.

With Gorgon out and too little known of the Jungle Goddess, that leaves Ishtar, the pseudo-servant who uses a human girl as a vessel. Gilgamesh is amused by the prospect of the alliance crumbling from within, and Ishtar is by far the easiest to turn to their side, because she can be bought off with physical riches. Gilgamesh does not want for those, and is prepared to offer up to 30% of Babylon’s treasury to Isthar in exchange for fighting for them.

When Ritsuka & Co. reach her ostentatious palace atop Mount Ebih, Ishtar rejects the idea of further “collusion” with humans, lest it damage her dignity. But in the middle of battling Mash and Ana (whom it’s strongly implied could be Medusa, the youngest of the Gorgon sisters), Ritsuka tosses a cloud of gems up in the air, dazzling Ishtar, then lays out the arrangement they seek with her.

Unable to resist the lure of the pretty gems, and having never received such a large offering from humans before, Isthar folds, agreeing to join them. After assuaging Dr. Romani’s ethical concerns about who and what she is (essentially, the human girl she was became Ishtar, rather than became possessed by her, and they are now one) her 70-30 personality split is tested when she gets some time alone with Ritsuka just before dawn.

Ishtar presents a much friendlier, more human side with Ritsuka than all their previous interactions, to go along with her already established tsundere nature. At first she asks if it was “love at first sight”, but when Ritsuka doesn’t understand she drops the matter. Simply being with humans has shown her that not all of them hate her, but she’s still skeptical of a world ruled by humans and not gods.

That’s not because it means her power as a goddess will diminish, but because she simply believes humans will have, at the end of the day, easier, less painful lives, compared with a human future of knowing all the answers. It’s not that different from wanting humanity never to leave the Garden of Eden: more knowledge, more problems, more despair…but more freedom and opportunity too.

Boogiepop wa Warawanai – 01 (First Impressions) – Gather Ye Rosebuds While Ye May

The first Winter 2019 anime to pop onto my screen promptly impressed with its atmosphere, economy, and a nervy Ushio Kensuke synth score that quite simply OWNS. Those elements working in concert make even the most innocuous scenario—a guy in the city apparently being stood up—feel significant.

And oh yeah, the girl who stood him up? She shows up in a witch-like getup, helps a suffering homeless man, chides the bystanders for ignoring said man, and flipping a cop for good measure.

But while the witch-looking figure may have had Miyashita Touka’s body, it wasn’t Miyashita. As Takeda (the not-stood-up-after-all lad) learns when he encounters her atop a school roof, Miyashita’s body is being used as a vessel for an entity calling itself Boogiepop. If it helps Takeda, she likens it to split personalities, and Miyashita lacks any memories of when she’s “inhabited” by Boogiepop.

Both Miyashita and Boogiepop are voiced by the wonderful Yuuki Aoi, and she voices them very differently. Boogiepop speaks more slowly, at least an octave lower, and in a tone that’s an interesting combo of aloof, playful, menacing, and slightly bored. Miyashita sounds, well, more human.

Boogiepop explains to Takeda that she automatically appears whenever a threat to the school (or humanity) arises; in this case, a monster that may be inhabiting one of his classmates. Takeda reads up on split personalities and seems to enjoy his rooftop chats.

But one day Boogiepop appears before him dressed normally, as Miyashita, and tells him their time together is at an end: the monster has already been defeated by someone other than her. Takeda protests this sudden goodbye, but the next time he sees Miyashita, she’s back to being her usual herself, and Takeda almost seems…disappointed.

Peripheral to Takeda and Boogiepop’s interactions are swirling rumors about Boogiepop (some girls think she spirits them away at the peak of their beauty so they’ll die before becoming ugly) and a delinquent among them named Kirima Nagi whom some believe is murdering the girls officially reported as runaways.

So it’s a little unsettling when Kirima pops up out of nowhere to introduce herself to Miyashita and shake her hand. The timing seems too weird considering Boogiepop just “left”…not to mention one of the creepy quick cuts of carnage that dot the episode might just confirm Kirima is indeed what some of the girls suspect:

I guess we’ll find out. I’m certainly looking forward to watching how things unfurl, and to the inevitable return of Boogiepop once things inevitably go south for Takeda and Miyashita. Until then, this was a wonderfully calm, patient, moody start. Like gradually immersing your foot into the pool rather than raucously cannonballing in, I feel successfully acclimated.

My Hero Academia – 07

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We get it: Deku isn’t trying to “trick” or “underestimate” Kacchan. He simply has to believe he can surpass someone as amazing as Kacchan if he’s ever going to develop into reliable hero. So while the trial is supposed to be about heroes and villains, Kacchan makes it into a duel of nemeses, and Deku has to choice but to play along, while trusting Ochako to handle the bomb retrieval.

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Deku’s notebook knowledge serves him well against an unfocused and increasingly angry Kacchan, but as he gets worn down from all the dodging, and Kacchan gets angrier stalking through the halls, remembering all the times Deku proved himself useless when they were little kids, Kacchan devises more and more subtle yet devastating attacks.

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Mind you, that’s after he blasts a hole in his own “villain stronghold”, leading All Might to warn him if he causes that much destruction again, he’ll forfeit the match.

But he and Deku both know Kacchan doesn’t give a shit about the outcome of the match. He wants Deku to know his place. And All Might knows Deku won’t make any progress getting through to Kacchan if he suspends the match.

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The duel culminates in the two driving their fists at each other, Kacchan with his explosive power and Deku with All For One—but Deku isn’t going for Kacchan, he’s going for the ceiling.

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By blasting numerous holes in the building, he creates a diversion, as well as ammo, for Ochako to wield her antigrav powers and make contact with the bomb, flummoxing Iida, who had tried so hard to play the role of mustache-twirling villain.

As time runs out and the Hero team wins, Kacchan is still playing the same refrain: “Don’t underestimate me. I’m better than you.” 

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Well, talent and strength, especially in the quantities he possesses, certainly are great to have. But that alone doesn’t make a hero. Kacchan seemed constantly driven by hatred for that which he always thought was weaker than him, but day by day is being proven wrong, making him question his own worth deep inside.

Add to that nitroglycerin palm sweat (how the hell did he not accidentally burn his house down nine thousand times as a kid?), and you have a volatile combination. But when Deku tells Kacchan can’t use his quirk lest it destroy his body, and  Kacchan sees the damage to prove it, his scowl of contempt softens into something resembling pity, maybe even understanding and regret for what he’s put Deku through.

Because I feel like a lot of his anger has to do with the fact that Deku never once deserved the shitty treatment Kacchan dumped on him. Quite the opposite, whenever Kacchan even looked like he was in trouble, Deku and only Deku rushed out to help him. Just as Deku needs to strengthen his body and master his quirk to have a future as a hero, Kacchan will have to resolve his various emotional issues.

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My Hero Academia – 06

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Plus Ultra to you on this fine Mother’s Day (USA)! I shall be covering Hero this week in Hannah’s place. Yoroshiku onegaishimasu! After Midoriya successfully gets a hero-like number on the ball throw, a furious Kacchan rushes him before being stopped by Aizawa-sensei.

Kacchan of all people simply can’t understand how his childhood friend could have a quirk all of a sudden, and the ‘my own effort’ explanation he gets from Iida second-hand isn’t satisfactory. Deku is pissing all over his moment, and he doesn’t like it! Boo-hoo.

Despite placing last in total test points, Midoriya moves on, because as Aizawa says to All Might, his potential is “not zero”. Midoriya settles into a cozy group of budding friends in the earnest-to-a-fault Iida and the adorable, friendly Ochako, who re-purposes the insulting nickname “Deku-kun” to something cool, because it reminds her of “Ganbatte”.

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Once the class starts hero training with their new teacher All Might (whom almost everyone is in awe of), he unveils that the superhero costumes they requested are ready. Due to various clerical hiccups, Midoriya gets his by another channel – his adorable mom saw the design in his notebook and had it made in secret, as an apology for giving up on him when he never did.

The new costumes really give a sense of pomp and occasion to this upcoming test that the PE uniforms lacked. It also makes everyone far more distinctive and reveals some things about their tastes and personalities. Class ace Yaoyorozu, for instance, isn’t afraid to show a little sideboob, while Ochako didn’t put in any preference and ended up in a tasteful skintight jumpsuit that, if anything, only amplifies her cuteness.

(Speaking of big groups of superheroes taking the stage: I’d just caught Captain America: Civil War Friday night, one of the climactic scenes of which was also bursting with cool costumes.)

As for “Deku’s” suit, it borrows a few details from All Might but has a totally different vibe to it; more Sonic the Hedgehog than Superman; I like it. I’m not as big a fan as Iida’s rather boring suit of armor or Kacchan’s tacky suit that makes him look like a fireworks point-of-purchase. Still, it’s clear from many outfits that they started out as crude pencil sketches.

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The next exercise involves two pairs of students facing off as heroes and villains, with the former having to either capture the latter or the latter keeping their nuke out of the former’s hands. Deku and Ochako are paired up again, to Ochako’s delight.

In the dark, close confines of the test building, Kacchan again breaks the rules to take it to Deku by staging a surprise attack…only to find Deku a far more challenging opponent than he expected, and not because of Deku’s strength, either.

The hero notebook Deku meticulously prepared included notes on his childhood friend, so Deku knows how he fights and how to fight back. This fight should be interesting, assuming Deku doesn’t slip up and get char-broiled before Ochako can step in with her zero-grav assistance.

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My Hero Academia – 05

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There’s an exciting auspicious energy to the dawn before Midoriya’s first day at UA High (bolstered by the show’s sick epic hero rock soundtrack), and All Might reassures him that in time he’ll be able to control One for All, even thought it may not happen overnight.

He gets more emotional support from his proud-as-punch mom (who is the cutest mom), from Iida, a former naysayer he won over in the exam, and “nice girl” Ochako, who is also glad to be in class with the “plain-looking” Midoriya.

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But as is usually the case for Midoriya and shounen like him throughout anime history, what awaits him once he’s finally over the mountain…is another mountain. His homeroom teacher is Aizawa Shouta, a listless but no-nonsense hero who works in the shadows; pretty much the anti-All Might. He believes his students have no time for opening ceremonies or afterschool trips to McDonalds.

They’re here to be heroes, and that means finding their maximum as soon as possible so that they can determine what they can and can’t do. Midoriya is in the unenviable position of having just received his quirk, and so far only used it at either 0% or 100%. He has to get through eight physical tests (the same ones all Japanese students take, only use of quirks is permitted) and not end up last, lest he get expelled on the first day.

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Aizawa’s perspective is no harsher or unfairer than reality, in which a villain or disaster can strike at any time, and won’t wait for you to master your quirk. You’ve gotta be ready yesterday for what could happen today. Fortunately, being pushed into a corner, Midoriya remembers all the supportive words of his allies, and manages to get through the tests by minimizing the damage done by One For All, localizing its power in his finger while throwing a ball.

With that throw, which leaves Midoriya down a finger but otherwise in fine shape, he proves to Aizawa that he does have potential; and that UA High is the perfect venue to cultivate and realize that potential. We also learned that Bakugo still things something underhanded happened to get Deku enrolled, while we were introduced to the powers of some of Midoriya’s many classmates. All in all, a serviceable, if somewhat sparse, introduction to his hero academia.

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My Hero Academia – 04

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When the mock battle begins, an overwhelmed Izuku falls far behind immediately, covering ground already covered by other potential heroes, and getting even more discouraged when they hear them pop off their point totals. The one time he comes across a functioning one-point villain, another examinee takes it out and thanks him for being a diversion.

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But then the “true test” begins when the zero-point obstacle appears: a colossal robot that everyone starts to run away from except Izuku. He stays put, eyes full of tears, with almost no time left to score any points, and spots the nice girl who stopped him from falling, trapped under wreckage directly in the advancing zero-point’s path.

Izuku runs towards the danger and puts his life and limbs on the line to stop the juggernaut—and he does, when his All Might powers finally surface and he delivers a SMASH punch that not only cripples it, but three of his four limbs as well. Watching them flop about in the wind, I knew something wasn’t right.

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Izuku’s saved form falling to his death by the girl, who uses her antigrav abilities again to save him, but she can’t save him from the fact he has zero vilain points in the mock battle, which means failure…IF villain points were the only points being awarded. They are not.

Izuku ended up scoring sixty “rescue points”, because after all, being a hero is about more than just defeating villains. Izuku demonstrated the heroic instinct of self-sacrifice, and also inspired others to act in kind. In fact, the girl, one Uraraka Ochako, tried to transfer some of her points to Izuku for saving her, but such a transfer wasn’t necessary because Izuku already had more than enough points to pass.

So it wasn’t just a test of speed and strength, but of all the intangible qualities that make a hero a hero. The other things will come in time for Izuku (I like his symbol of a glass just barely containing its contents due to surface tension crackin under the stress). Izuku’s body may have bent, but it did not break. And now he has a genuine friend-int-the-making in Ochako.

His hero academia is off to an auspicious start, and as tough practical exam episodes go, this one felt nimble, quick, and satisfying, especially at the end when Izuku’s mom reacts to his grin of elation with the same soppy tears we usually see on his face, showing us where he got that tendency from.

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Fate / stay night: Unlimited Blade Works – 23

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The calm is over, bring on the storm. And my oh my, is that storm ever gross. Let it be said: shutting down the Holy Grail is a task akin to wading through refuse in the bowels of the Death Star; at least that’s the vibe I got. This is mana given physical form, but that form is nasty. It seems too crude weapon for a King of Heroes would use to “cull the mongrels” as he so eloquently puts it. Then again, I imagine it’s the only weapon he has to get the job done.

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Shirou, Rin and Saber’s plan falls apart almost immediately, as Gil confronts the former two while the latter is tied up for the entire episode by Assassin, who has not vanished yet, due to…good fortune? Don’t you mean ‘plot convenience,’ show? Regardless, I’m glad the show didn’t forget about Assassin, and even though he’s fading away, he puts up his usual tough fight at the temple gate, complete with his original brand of stoic banter.

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As for Gil, the glimpse of yore is striking, but his grandeur is let down by his unceasing monologues, which make him sound like a garden-variety villain, contemptuous of humanity, seeking to reshape the world to the way it was, when everyone’s life had purpose. I don’t remember the Gilgamesh of the eponymous epic to be such a dick towards humanity.

Then again, I haven’t read it in a while. He also seems to take his sweet old time killing Shirou, even saying out loud he’s going easy on him, since he’d consider taking the “Faker” seriously a defeat in and of itself. Look, I don’t need all villains to have a sympathetic side, but Gil is essentially nothing but a harbinger of death. He’s barely even a character, and for all his talk of originality, he’s always felt like the thinnest, least developed Servant in UBW. 

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His bluster about not going all out is also an opening to his defeat, as arrogant villains like him are often their own worst enemies. His complete lack of understanding of humanity’s complexity is also demonstrated as Rin casually wades through the goo, climbs the grail, and pulls its vessel Shinji out, disrupting Gil’s plans. Rin isn’t doing it for her would-be sexual predator, but for his sister, someone the show has totally forgotten about but we know to be a good person.

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Gil think’s Rin’s actions are part and parcel of what’s wrong with humanity, but hey, the grail ain’t got a vessel any more, and it forms a giant arm to reach out to him when Shinji is gone, interrupting a fight that Shirou is hanging in fairly well, now that he’s copying all of the weapons Gil sends at him.

In one of Gil’s cooler moments, his mouth is actually mostly shut. Instead, he summons a strange lock-like mechanism which he then unlocks, summoning a bizarre-looking sword Shirou neither recognizes or nor can scan. Gil calls it Ea—no doubt named after the Sumerian deity also known as Enki—and dispatches the grail arm with ease, also destroying the temple he’s standing on and knocking Shirou out.

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Meanwhile, as their battle rages on, Assassin reveals nothing he’s ever done has had any meaning, since he was always a false, fictional servant. Sasaki Kojirou was never his name; he has no name, and only exists to replicate the skills of the real Sasaki.

Yet despite all that untold time as nothing, doing nothing of consequence, he considers the final moments he spends locked in battle with Saber to finally provide him with purpose. Saber manages to cut him through with her Holy Sword, and he lets her pass, making me wonder if she’ll now disappear because she used it…

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So that leaves us with a Rin with an out-cold, messed-up Shinji in her arms, a grail seeking a new vessel and being rebuked by Gilgamesh, a Shirou who is severely winded and lying in a pile of rubble, and a Saber whose time on this earth may or may not have just become severely curtailed a result of using her trump.

Of these people, Gilgamesh certainly seems to be standing on the firmest ground, but with his grail sabotage Saber sure to bear down on him momentarily, he may want to start thinking about a Plan B. I’m certain he’s going down—he’s the bad guy and this is that kind of show—it’s a matter of how fantastically he’s brought down, and what it will cost our heroes.

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Fate / stay night: Unlimited Blade Works – 22

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After a tense multi-episode battle with Archer, Shirou, Saber and Rin get a much-deserved respite back home, which almost seems like a preview of sorts for the “household of three” domestic arrangement that represents the ideal ending for these three once the war is over.

But it’s far from a sure thing, as there’s still Gilgamesh/Archer and his Shinji Grail to deal with. Rin determines that it’s all going down at Ryuudou Temple, so after a meal (gotta feed the brain), they determine the best course of action.

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There’s an interesting dance between the three in Shirou’s sprawling manse, as he happens to not be around while Rin is conferring with her servant, while Saber happens to not be around when Shirou goes to Rin’s room, where she tells him how they’re going to get over his lack of mana (and thus inability to maintain a reality bubble like Archer): she’s going to transfer her magic crest to him, giving him all the mana he’ll need to face Gilgy.

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This is treated as very intimate act, but not too intimate. While it’s certainly the hottest thing these two have done together (on this particular show, that is), things stay tasteful…if a bit dull and underwhelming.

Considering the affection these two have for each other, everything they’ve been through, and the fact they may not come back from their next fight, part of me wanted a little more amorousness.

Yet their contact never comes close to veering into the territory of sex, with Rin only removing her iconic turtleneck and Shirou taking off his shirt, with the understanding that more efficient “exchange of body heat” helps the process. Whatever you say, show.

While the transfer takes place, Shirou has some trippy dreams about being amongst jellyfish-style marine animals in the sea, to a scene of a kid practicing the high jump over and over as a young Rin watches.

I gathered that the jumping kid was him, and this was an actual memory Rin cherishes, and bristles when Shirou brings it up, because she doesn’t have an intimate memory of his to lord over him.

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When they’re all done, Shirou goes out to see Saber, who was thankfully not peeking through the window to see what was going on or anything silly like that. Shirou is resolved to take care of Gilgamesh and come back home safe and sound, but Saber seems more tentative about that last part.

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So this was the calm before the storm—which is brewing menacingly on the other side of town—but a warm and enjoyable one. Again, I don’t particularly care about Gilgamesh’s ideals or anything; he’s just an arrogant Bad Guy who needs to be put in his place. Here’s hoping our Power Triangle can make it happen.

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Fate / stay night: Unlimited Blade Works – 21

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Yes. The long, long battle between Shirou and his alternate future self continues this week, though thankfully comes to an end around the halfway point. I say thankfully, because as cool as the animation is and as beautiful a setting their fighting in and as poignant the points both combatants are making are, I’ve kinda seen and heard enough, and I was really ready to move on.

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While standing around bearing witness to the Shirous, Saber sees a little of herself in the duality, remembering her days as a farm girl before she drew the Excalibur from the stone. “Even if nothing but regrets remained, if I was able to achieve many of my ideals in the process, then…” Saber trails off, but I believe she means to say it was worth making the choice she made, though both possibilities were correct.

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Shirou, too, doesn’t care about the regrets that have burden Archer and brought on his suicidal rage. His dream to help others so they can be happy is beautiful, and he won’t abandon it. His dream isn’t wrong. The universe around him would tend to agree, because no matter what Archer throws at him, he’s able to slash it away. He’s got almost no mana left, but his spirit is unbreakable.

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The Unlimited Blade Works setting suddenly vanishes, and we’re back in the mansion, with Shirou scoring a fatal blow to Archer. And all because the split second before Shirou stabs him, Archer recalls the memory of sitting on the porch, taking Kuritsugu to step back and let him carry on that wish.

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Oddly enough, it’s Shirou, the victor, who collapses in a pile, as Archer stands his ground, defeated but dignified. He accepts defeat and seems ready to depart, but then he’s stabbed by swords from Gilgamesh.

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Gil, the “genuine article”, means to destroy both of the “fakes” that stand before him, ruining his day, but in his last moment of life, Archer plays the hero once more, shoving Shirou aside and taking the full attack head on, vaporizing him. Rin, abandoning all common sense, shoots a little magic bolt at Gil, shifting his gaze to her, but fortunately, Saber is there to protect her.

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Gil, who was Archer in the previous war, delays killing everyone in order to initiate a enlightenment/gloating session, in which he tells Saber, Rin, and Shirou that the Holy Grail itself is a weapon; a gateway to Hell itself, capable of killing billions of humans. His goal is to do just that, and anyone who survives what pours forth from the grail will be “worthy of his rule.”

Then pieces around the mansion start to fall, and he halts his attack once more, worried about getting soot on him. This was an odd choice, because you’d think if he could effortlessly do so, he’d eliminate anyone who was even the slightest bit of a threat against his plans. Instead, he’s almost challenging them to foil those plans, despite saying their lives are worth less than soot to him.

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So Gil just struts off, finding the wounded Shinji in the forest, and decides to turn him into the vessel for the grail, and Shinji undergoes an Akira-style transformation that is none too pleasant. Then again, this show has been extremely clear about how huge of a piece of crap Shinji is, so this kind of an improvement.

This episode was an improvement over last week’s more open-ended affair, but still suffered a bit from repeating itself too often. There’s also the problem that Gilgamesh is a two-dimensional demigod with lofty but obvious goals of world destruction and domination. In other words, he’s not as interesting a foe as Archer was; not yet, anyway. Prove me wrong, F/sn.

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RDG: Red Data Girl – 02

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Izumiko gets a new cell phone from her mother Yukariko in the mail and with it, an invitation to meet up in Tokyo. Izumiko and Miyuki use their school’s class trip to Tokyo to do so, but everywhere Izumiko looks, she sees dark, shadowy, threatening figures. Sagara surprises them by appearing, and telling them they won’t be meeting Yukariko after all. Crashing in an apartment for the night, Izumiko is possessed by some kind of divine being, and tells Sagara that Izumiko will probably be her last vessel.

As the OP helpfully points out, “Red Data” is a reference to The International Union for Conservation of Nature, or IUCN’s Red List of Threatened Species, or Red Data Books. Obviously, this suggests that Suzuhara Izumiko is a rare girl whose preservation is Sagara’s priority. Last week we saw a lot of what makes her different from ordinary humans, but that was just scratching the surface. As it turns out, she’s never been able to use cell phones or computers. This essentially makes her a culture of one: stuck several decades in the past and unable to avail herself of the technology that the rest of modern society takes for granted. A girl like this needs to be protected, and while Miyuki will follow Dad’s orders and stay by her side, it doesn’t mean he isn’t going to complain or question the efficacy of the task.

This week we fly to Tokyo (a very accurate Shinjuku, to be exact) with them, in hopes of meeting with her very busy mother (who works at the “public safety something”). But this meetup never happens. It’s almost as if Izumiko’s trip was a test to see what threats show themselves. In the end, Miyuki finds out what makes her so special, besides the technophobia and ability to sense creepy figures mixed in among the masses: this girl is a vessel; for whom exactly we don’t know. Moreover, the entity who inhabits Izumiko (imbuing her with an ethereal aura and gorgeous yukata) states Izumiko may be her last such vessel…endangered species indeed. While the nature and mission of this entity and her specific powers remain a mystery, there are parties out there who want that power, and Sagara fears his son alone is not sufficient protection against what’s coming.


Rating: 7 (Very Good)

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