When Schwartz summons the sleepy and adorable Goddess of Night (Noto Mamiko), the Lord, Lucius, and the town guard all bow their heads, while the goddess notices Tachibana, shrinks to human size, removes Tachibana’s pink coat, and reveals the tattoo that identifies her as a hero of the Goddess of Love and Beauty.
We not only learn that Jinguuji could be considered Tachibana’s “weapon”, as Gram is (or rather was) to Schwartz. They also learn that Tachibana’s charms affect different people in different ways. The lord hopes to enter into a mutually beneficial political marriage with Tachibana, which she seems to be receptive to owing to the promise of three meals and a nap per day.
Jinguuji proves to be more than just her weapon in this world, but also an important devil’s advocate. Tachibana is only looking at the surface benefits and ignoring the disadvantages of the arrangement with the lord. Chief among them is the fact that she and Jinguuji have been having fun traveling the world rather than staying and working in one place. Rather than let the town become their next office, the two decide to continue their vacation.
While resting in the apartment between towns, Tachibana unearths a composition book from when she and Jinguuji were in elementary school. Tachibana wrote that her dream of the future was “cellophane tape”, which Jinguuji admits made so little sense he was actually afraid. But it’s instructive that in response to the question “if you could only take one thing on an island with you, what would it be?” The young Tachibana wrote “Jinguuji”.
As for Jinguuji’s dreams for the future, he doesn’t let Tachibana read that part, scribbling over it with permanent marker. This results in a spat between the two, with Tachibana huffing as she walks ahead of him and calling him a useless eggplant. It’s this state of rancor in an unfamiliar land that contributes to Jinguuji losing track of Tachibana.
In the process of looking for her, he finds the same cart in which they briefly spotted the captive elf premier. She’s been taken prisoner to be used as a sacrifice to their deity, which demands only the most beautiful people. The vain she-elf tries in vain to use her “allure” to get her captor to free her.
To add insult to injury, the squid vendor shows up with a captured Tachibana, claiming she’ll be an even more beautiful sacrifice. Obviously Jinguuji will show up in time to save both beautiful women, but until then it looks like we’re in store for a lot more chaotic, irreverent comedy. I’m here for it!