Spy x Family – 06 – Smiling Doesn’t Help at All

At the fitting for her new Eden uniform, the seamstress warns both Anya and her parents of all of the pitfalls of student and parent life. There are all of these ongoing overlapping battles—between the richer kids and less rich kids, between children of Eden alumni and non-alumni, between boarders and commuters. Oh, and the kidnappers. Anya isn’t sure she wants to go to school anymore.

But the must, as she’s the lynchpin of Operation Strix. Loid visits a secret installation beneath a photo booth where his Handler gives him the details of Strix Phase Two. Anya simply attending Eden won’t be enough for Loid to get to Desmond, whose son is sure to be an honor student, called an Imperial Scholar. Students must earn eight “Stella” merits to become one. Alternatively, earning eight “Tonitrus Bolts” or demerits will result in immediate expulsion.

With the new information that Anya must not just be an Eden student but an elite one, Loid is no doubt headed to the drugstore to purchase a couple bottles of Mylanta to deal with his stress. Meanwhile while he’s out late for work, Yor takes Anya to get her newly-completed uniform, which she then shows off to everyone in the park.

When they go to the supermarket to buy stuff to cook (Yor wants to give cooking the old Eden college try), some n’er-do-wells attempt to kidnap Anya to extort Yor for cash, thinking she’s the maid. She puts them in her place, ruining the groceries, but Anya pats her head in praise. She likes her cool, strong mama, and asks her to train her so she can be strong and cool to. Despite believing otherwise, Yor is being a good mother to Anya.

Considering the cutthroat atmosphere of Eden College the next day, I would think that basic martial arts training would be a requisite of every new student. Yor also teaches Anya some important social skills, but one kid is so nasty, she eventually cant help but punch him using what she learned from mom.

The kid who gets punched just happens to be Damian, the second son of Donovan Desmond. But if she doesn’t get off on the right foot with befriending him, at least she earns a new best friend in Becky Blackbell.

Post-punch, Henderson has no choice but to give Anya at least one Tonitrus Bolt, though the usual punishment is three. There hasn’t been a single day of actual classes and already Anya is negative-one Stella star from being an Imperial Scholar and has made an enemy of the boy she was supposed to befriend.

It’s here where I must comment that Loid really did take a gamble simply throwing Anya into the fray having nothing but a little basic combat and social training from Yor. Granted he doesn’t know Yor is a socially awkward assassin, but he knows what he is: a master spy, and thus a master of human behavior.

I get he needed that briefing from Handler, but he should have taken the lead with teaching Anya more about how to act arond others and how to properly react to adversity. Her bolt is as much his fault as hers. Still, I’m not as pessimisstic as all three families look in the photo taken at the end of orientation.

For one thing, I suspect being punched by Anya might endear her to Damian, considering she did something no one ever did. For another, Anya’s ability to read the minds of her classmates can be an enormous boon…once she learns how to use use it properly.

Fruits Basket – 14 – A Selfish Wish

On the one-year anniversary of her mother’s death, Tooru announces her plans to visit her grave, but pointedly doesn’t ask anyone to join her, in another demonstration of her fanatical desire never to trouble anyone. Still, Yuki asks if he can come, while Kyon is more tentative…for some reason.

Naturally, Arisa and Saki will also be attending, as Tooru’s friends and effectively, her surrogate parents. Saki notes how Tooru can be so cheerful after losing her dear mother just a year ago, and can only chalk it up to very, very hard work for which Tooru should be praised.

As if Tooru didn’t have enough on her plate, a seemingly innocent question about which one of Momiji’s parents is German turns into a whole thing. Momiji’s mother is German, and he looks just like her, but she doesn’t remember him. When she gave birth to him (two months early, as is typical of zodiac births), both her body and mind rejected him (which can also happen).

The only way to save Momiji’s mother from suicide was to wipe all her memories of Momiji, something his father told him had to happen, and that he’d love him enough for the both of them. Rather than forget himself what happened to his mom, Momiji long ago decided to carry every memory, no matter how heavy. He would have preferred if his mom had “stuck with it” and tried to accept him, just as it seems Tooru had wished to be there when her mom died—but they both consider those “selfish wishes.”

The day of the grave visit arrives, and Uo is resplendent in the “Crimson Butterfly” bike gang coat she inherited from Kyouko. Yuki also learns why Tooru was so upset about him catching cold: Tooru the tragedy magnet’s dad died of complications from a cold. And yet despite losing both parents, rather than radiate despair, she’s always smiling and exuding cheerfulness. He just doesn’t get it, but he’s glad to be close to such a person.

As for Kyon, he acts super-shifty and suspicious throughout the grave visit. When he stalks off, Saki follows him, and he asks her if she can talk to ghosts (she can’t). She proceeds to explain the difference between waves (to which she’s attuned) and spiritual energy (of which she has none), and she can sense from his waves of “chaos” that he feels some kind of regret in this place.

Uo and Saki are glad Tooru is doing so well with Yuki and Kyon, but the two lads’ minds remain “ruled by dark troubled thoughts” which will, for the interim, prevent either of them from romantic thoughts (which is fine with Saki as she’s not yet ready to give Tooru away as a bride).

Kyon’s actions later that day seem to bear that out. As the wind blows the hat either Yuki or Kyon gave to Tooru off its perch, Kyon leans in close to Tooru’s face, not to kiss her, but to tell her he’s “sorry”. About what? Did he, perchance, have a part in Kyouko’s death? Is that why he had waves of regret at the cemetery, and why he feels the need to apologize?

As many mysteries still swirl around Yuki and Kyon’s past, present, and future with Honda Tooru, the one constant is that she’s not going to let anything keep her spirits down. Not losing both parents, and probably not learning someone close might’ve had something to do with one of those losses.

Fruits Basket – 13 – Yuki-kun, Adult Version

I always get antsy whenever Tooru’s hanging with Yuki in his garden, wondering what new devilry will come afoul of them. In this case, it’s a snake, but it’s okay, that snake is Souma Ayame, The Snake of the Zodiac. Being cold-blooded, he doesn’t do well when it’s cold, but you still have to wonder if he just used that as an excuse to hide inside Tooru’s shirt dress.

Ayame, who is actually Yuki’s ten-years-older brother he never once mentioned, is quite forward and ebullient, ordering Tooru to serve him lunch, then taking her out for gyoza when she doesn’t respond (due to Yuki telling him to check his rudeness). Turns out Ayame didn’t come to meet Tooru. He heard that Yuki interacted with Akito at school, and was checking in on him, knowing the terror he feels around Akito is on a whole other level as the other Soumas.

When he talks about how hard it’s been to reconcile his younger self (who was less interested in connecting with his baby bro) with his older self (who wants to repent for that younger Ayame) Tooru naturally parrots her mother’s advice about parents not knowing how to be parents…until they’re parents. But also the importants of remembering what it was like to be a child, such that as an adult one can empathize with the next generation.

Ayame is impressed with Tooru’s wisdom, and while Tooru doesn’t take credit, she definitely deserves it simply for absorbing every last iota of her mother’s wisdom (not something most kids do) and being able to so effortlessly apply it to others in order to sooth their troubles.

But as much as she might want Yuki and Ayame to close the yawning rift between them, it just doesn’t happen this time around. Part of that is Ayame is usually an unapologetic cad, and has been one since school when he was classmates with Shigure and Hatori.

He’s also possessed of a particularly silver tongue; whenever he broke the rules, either by growing his hair out or getting caught in a pleasure district, he could talk his way out of it with colorful oratory that would either inspire or annoy his foes into submission.

As Ayame and Shigure reminisce—and Yuki and Kyou sit there and stew—once gets the sense that all his bravado and good cheer on the surface is hiding that deep-seated regret for not being there when his little bro needed him most. Even if he was beholden to Akito like everyone else in the clan, shouldn’t he have put everything on the line to save Yuki…even exile or worse?

He didn’t, and that, much more than his salacious past and forwardness with Tooru, probably keeps that rift between the brothers as wide as it is. In the end, Shigure was more of a big brother to him than Ayame, since he at least got Yuki out of that hell.

Luckily for Yuki, Haruhatsu learns that Ayame is hanging around Yuki, and he informs the only one who Ayame listens to (since he’s always loved and admired the guy): Hatori, who shows up to collect Ayame, ending his reign of terror at Casa Shigure. Later at school Yuki makes sure to thank Hatsu.

And yet, just because a rift will never close doesn’t mean it can’t narrow a little. Yuki learning about Ayame’s devotion to Hatori does that somewhat, which Tooru takes as a sign they’re not an entirely hopeless cause.

Fruits Basket – 12 – Someone Scary This Way Comes

This episode starts out so harmlessly…and silly. It’s a new term, Tooru, Yuki, Kyou, and the others are all second years, and the new first year girls are extremely aggressive in making their existence known to Yuki. Tooru is targeted as an “easy mark” by first year boys, and Kyou scares them off with a move that hilariously befuddles her. New first years Momiji and Haruhatsu brazenly flout the dress code: Momiji by wearing half of a girls’ uni; Haru with jewelry and white-over-black hair.

They are immediately singled out by StuCo President Takei Makoto, who seems like a character from another show, even if FB is not above slapstick. This bespectacled dingus has a thing for Yuki, and his two nearly identical female lieutenants are soon won over by Momiji’s cuteness, while Haruhatsu proves he didn’t illegally die his hair by showing him his pubes in the men’s room.

Unfortunately for this half the episode Tooru is just kind of off in the background as all these Soumas bicker and test authority. I’m well aware Tooru was not always the focus of the source material and in some cases was totally absent as the cast expanded, but the broad goofy comedy on display here doesn’t really make a strong case for keeping her out of the anime spotlight.

Tooru does not play a small role in the second half, when she’s confronted by none other than Souma family head, Akito (voiced by Sakamoto Maaya in her best honey-poison imperiousness). Tooru is caught totally off guard by the sudden and very casual encounter, and Akito never says a single thing I am inclined to either take at face value or believe.

The one person Yuki doesn’t want near Akito less than himself is Tooru, so he comes to her rescue, only to be utterly neutralized by Akito, who after all threw him in a dark room and psychologically tortured him for years until Shigure finally put a stop to it by letting Yuki live with him.

So it’s up to Space Cadet Tooru to rescue Yuki-hime, demonstrating quicker thinking than would usually be expected of her in explaining an action that could’ve cost someone else their life (shoving Akito away from Yuki). In the moment, she knew Yuki was in pain, and she did what she had to do to stop it.

In his report to Hatori about the car ride home, Shigure says Akito would later call Tooru “ugly” and not a threat to him, assured that one day Yuki would come crawling back, citing his fear of him as proof. But Akito seems like the kind of person whose threat assessments vary from day to day, or mood to mood. In any case, Tooru is far from safe, nor is Yuki.

Still, Tooru tries to refocus a clearly traumatized Yuki by joining a big ol’ badminton game with the gang. She doesn’t want to waste, or let others waste, the precious time they have, and she has no illusions about that time being infinite, or even indefinite. Something cold could come out of the shadows and freeze these poor warm people and warm life in which they’ve never been happier. But not today. Today, for a little while, they’ll forget their fears and have fun volleying a shuttle around.

Citrus – 01 (First Impressions)

The flashy, glamorous Aihara Yuzu tries to make it clear to the outside world that she’s a gal who gets around, but has never actually been in love or even kissed anyone.

This is hardly a new story, but what makes things a little more interesting is that when she transfers to a new, all-girls school where she sticks out like a sore thumb, the hard-nosed student council president Aihara Mei turns out to be her new, slightly younger stepsister.

The knowledge that Mei is betrothed to an “elite teacher” is seemingly confirmed when Yuzu accidentally catches Mei and the teacher making out in a secluded spot; Yuzu is so flustered she flees in a not-so-inconspicuous manner.

In any case, her insistence on dolling herself up and flaunting the school dress code in every way possible brand her as a delinquent in the eyes of the mostly drab, sheltered student body (one exception being Taniguchi Harumi, a “gal in disguise”).

While Yuzu may talk the talk, Mei seems to walk the walk, and Mei essentially sends Yuzu’s perfect maze of deception crashing down around her when Yuzu tries to force Mei into talking to her by bringing up her sucking face with the hot teacher.

Mei reacts by pinning Yuzu down and giving her a long, deep kiss with tongue before leaving the room, telling her “that’s what a kiss is like.” Yuzu’s first kiss is thus not only with a girl, but with someone she just learned is her “little” sister…and someone she butted heads with the moment they met.

Mei has also demonstrated beyond doubt that while Yuzu possesses all the outward trappings of boy-crazy gal, like Jon Snow, she really knows nothing, while Mei has actually experienced a measure of love and desire.

Decent yuri anime are few and far between, but this one at least shows glimmers of promise with its full-length episode format, attractive visuals, and a complex (if somewhat contrived) scenario that should be fraught with similarly complicated emotions on the part of both leads as their relationship evolves beyond the sizing-up stage.

Kuromukuro – 23

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I must say I didn’t expect Yukina, Ken, and Muetta to go to school what with everything that’s going on, but it’s not as if there’s that much more for them to do. The Efidolg are being really really nice in not trying to kill anyone else or attempting to secure either the Kuromukuro or Muetta’s glongur, but the Earthlings don’t really have a plan for how to proceed quite yet. As such, we get a calm-bef0re-the-storm episode, and a fair amount of fanservice, starting with Muetta in Yukina’s spare uni.

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In this calm, both Ken and Muetta try to figure out what they’re going to do with themselves if and when Earth survives the Efidolg onslaught. Again, the timing for a career counseling session seems a bit odd, but I appreciated the practicality of a samurai figuring out something else to do with his life – though I’m pretty sure he could make good money in the modern world demonstrating his fighting skills for education, entertainment, or both.

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As for Muetta, she is even more a fish out of water than Ken, since she’s not sure who or what she is anymore, whereas at least he had his ideals and an object of devotion in Yukihime. Just as the other teacher gives Ken some sage (if somewhat obvious) advice about the future, Marina also flexes her counseling skills by telling Muetta not to despair in her new situation, but to take life by the horns, as all humans do.

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I enjoyed Muetta’s reaction to the deliciousness of omelette rice (and the speed with which she consumed it), her description of the sustenance she’s used to (“square”), and her general bemusement with English loan words and earth technology (like “movies”). Ken is equally amusing as unreliable translator – the blind leading the blind.

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Most importantly, Ken has made peace with the fact that Muetta is not Yukihime, but her own person…and he wants her to fight with them. He expresses this wish during a shoot for a movie, the script for which Carlos has been working on since the attack and by all accounts seems completely absurd and incomprehensible.

I’ve gone on record as not being the biggest fan of Carlos or his desire to be remembered, but the shoot is fine harmless fun, even if it’s mostly a chance to see various characters in different outfits.

This was a quiet, somewhat rambling episode, but it wasn’t entirely pointless, and is likely the last episode of its kind. With only three left, Kuromukuro needs to get down to the business of thwarting the Efidolg threat.

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Sansha Sanyou – 05

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Sonobe adds to her collection of cute high school part-timers as Hayama and Futaba fill in for an exhausted Yoko-sama. In the process, Hayama learns her outwardly sweet personality works wonders for customer service, as does Futaba’s encyclopedic knowledge of pastries.

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When Hayama’s sister stops by wanting to bake sweets with her, she is politely shoo-ed off, but somehow gets one of her home remedies to the back room for Yoko to eat. The next day Yoko is full of energy, but perhaps too full, as she did not sleep last night and is still eerily alert, almost robotic. The mind boggles over what was in that purple sludge!

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The three friends learn they can work together at the cafe just as amicably, but when Kondou twists Nishiyama to come with her to the cafe, the Hayama-Nishiyama feud continues…something Sonobe tries to perpetuate for her own entertainment at every turn, invoking the wrath of Yamagi, who would prefer if she not play games with people’s lives in such a way.

The ensuing duel between Sonobe and Yamagi freaks out Nishiyama, but also creates an opening through which Hayama offers her pink-haired frenemy an olive branch: treats she made for her beloved cat.

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The next day, Nishiyama falls into Sonobe’s web, is put in a frilly pink maid uniform, and made to work a shift for the day; an experiment to see if she really can do everything Hayama can do better. Hayama does not revel in Nishiyama’s embarrassment, but when things get busy, she along with Futaba and Yoko, offer help with customers in their plainclothes.

Nishiyama leaves not quite sur ehow she ended up working at Sonobe’s cafe, but happy she has more treats for her kitty, and a little more money to go towards an SLR camera. As for Sonobe, she was able to collect many a photo of Nishiyama for use in promotional materials…or blackmail!

Another fine, breezy episode with some welcome sharp edges to the soft-focus pastel aesthetic, and a fairly genuine look at how frenemies are made and maintained.

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Sansha Sanyou – 04

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Sansha Sanyou is proving a consistently enjoyable low-effort watch because just when you think it’s getting too cute and soft and fluffy, its sharper, more sardonic or absurd sides spring up.

One such absurdity is the cat photo rivalry between Serina and Teru, which is called off when they both admit their cats are cute. The thing is, both are only imagining the cats are there, so they’re only petting air!

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Another is Yamagi, who could easily turn into a nuisance, but his preternatural stick-fetching skills, combined with the fact you never know from what angle he’ll pop up from, creates an amusing tension between him and the girls, who really don’t like it when he goes all ninja on them.

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For all its cynical or buzz-killing moments, SanSan also has a few tender ones mixed in, like when Hayama and Futaba join Yoko for her first visit to a fast food joint, thus fulfilling one of her dreams, which includes sitting in the McD’s “talking endlessly about vague and silly things!”

The joke is, they end up talking about isn’t vague or silly at all, with Hayama and Futaba learning that Yoko’s mother is deceased and her Dad is out in the world somewhere trying to get back what he lost. They re-double their devotion to her, assuring her they’ll be there should she ever need anything. It’s very sweet and unexpected.

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We return to silliness when Yoko’s young “betrothed” Yu shows up to re-establish his intent to marry Yoko someday, even if there’s no official arrangement between their families and Yoko has moved on.

We also meet Futaba’s cousin Sakura, who is cute…and knows it, not being the slightest bit modest in the fact she’s in the upper percentiles and has planned out her entire life, including her post-idol career and overseas retirement (a dream brilliantly visualized as an isometric RPG, complete with the recently-ruined Yoko in a wasteland far below Sakura).

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Yu seems like a well-cultured, polite, kind young man, but informing Yoko & Co. he’s still loaded was a warning sign of another side to him, which we see when he cruelly mocks Yamagi for “pretending to still be her servant.”

The truth is, Yamagi still is her servant regardless of whether he’s paid. And there’s honor and nobility in that Yu clearly lacks. Which is why I’m glad Sakura gloms onto Yu when the two cross paths. Those two twerps deserve each other!

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Finally, in a segment that wouldn’t be out of place in Koufuku Graffiti, Futaba finally proves to a dubious Teru and an eager Yoko that she has legit cooking chops, and isn’t just an eater. Yoko attempts to cook the splendid Wagyu beef Yu gifted to her, but ends up ruining it.

Enter Futaba, who treats the beef with all due care and respect and flashes her home cooking skills. By the end of it, the previously skeptical Teru is calling her “mom”, and Yoko is over the moon for having had her first meal with friends at her house, which likely feels more like a home now. She also vows to improve her cooking skills, lest future quality ingredients make the ultimate sacrifice.

Lots of variety this week, with diverse sources of laughs, and a good balance between cutesiness, cynicism, and warm sentimentality.

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Sansha Sanyou – 03

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A typhoon descends on the town, and with it comes a Marry Poppins-style maid flying in with a brolly…or is she simply riding the wind? In any case, when Futaba mentions she’s out of spending money and considering a part-time job, Yoko decides she’ll look for one too. Strangely, Yamagi is missing from his usual spot in the bushes.

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That leads girls to a quaint cafe called Secret Garden, where they find what looks at first like a murder scene—if this was Danganronpa, that is. Turns out it’s just a combination of jam and fatigue. The maid is Sonobe, and she used to work in Yoko’s household and is all too happy to give her former master a job.

As for Yamagi, he is not enthralled about the idea of making Yoko-sama work, and ends up fighting Sonobe with baking utensils. Naturally, Futaba and Hayama are frightened by the sheer weirdness of Yoko’s former servants.

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Still, the next day Yoko is working there, and to her friends’ surprise, not dressed as a maid; cosplay is just Sonobe’s hobby (though I was surprised to see the tomboy Futaba wearing a long skirt).

Sonobe shows off this hobby again the next day when she comes to Yoko’s school dressed in their school uniform, which she designed and carefully made the night before from memory.

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Despite her looks, Yoko estimates Sonobe to be in her thirties, so it makes sense for her to want to use her youthful looks to continue being in proximity to girls whose age she resembles, that she might “draw youthful energy” or some such from them.

To that end, she kills three birds with one stone by making sure Yoko’s new friends are taking care of her, delivering some mayo-heavy lunch, and using her disguise-not-disguise to hand out flyers for her cafe to Yoko’s schoolmates.

Sonobe’s definitely an odd duck, and her presence infused a bit of magical realism into these week’s proceedings, but we got a little too much of her this week; I prefer the focus to be on our reliable affable core trio.

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Prison School – 07

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It’s been interesting to watch the deterioration of Kiyoshi and Shingo’s relationship over the last seven weeks, but to Prison School’s credit, Shingo is not always just the bad guy. Or at least, there’s more to him than simply his feud with Kiyoshi, as nicely demonstrated this week when he’s released into the wild by Meiko. He meets the bold, lovely Anzu in an arcade, who says she’ll take him on anytime; in video games, but also, perhaps, more than that.

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Among the inmates who aren’t Kiyoshi, Shingo is definitely the most “normal”, and there’s nothing normal about being in prison school for two months, so it stands to reason he’d do anything even for fleeting instances of freedom and normal life. Meiko knows that, and milks him for all he’s worth. When Shingo presents the missing sword from Gakuto’s figurine (which no one else knows about except Kiyoshi), which he found on the bathroom floor, Meiko does some googling and snooping and not only finds the figuring in the bathroom closet, but deduces it must be Gakuto’s—or “Dirty Four-Eyes.”

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For his quite accidental informing, Shingo gets another few hours on the outside, and his flirtation with Anzu continues, from her playing video games over his shoulder to sharing their ice cream cones to her offering to take him to go see The Grapes of Wrath. The two have nice chemistry, and feel very natural and normal together. While I wouldn’t want this to be the whole show, it is nice to see Prison School successfully playing the romantic slice-of-life straight, without any ecchi mayhem.

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Of course, it almost seems to make up for that normalcy by having Mari and Meiko unveil their suspicions about Gakuto in the strangest, meanest, wrongest way possible, offering one snack kernel for each inmate, but putting the missing sword in Gakuto’s hand and testing his reaction.

When he doesn’t bite (even when she places the figuring in her cleavage),  she mounts the horse it came with, threatening to crush it with her ample frame. Gakuto scoops it from beneath her, but before Mari can finish her judgment, he smashes it against the ground all by himself, declaring he’s not into those kinds of things.

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Just like that, Gakuto’s seven years of life go up in tiny shards of plastic. But he did it so he wouldn’t waste his entire life putting trinkets ahead of his hard-won friendships. He also apologizes for shunning Kiyoshi. I daresay it’s one of the most honorable moments from Gakuto not involving soiling himself.

As for Meiko, her little scheme backfired, and Shingo blurts out where the sword Mari touched came from (the boy’s bathroom), causing Mari to faint from shock, then to shun a Meiko who desperately wants to be whipped, in a very clever ecchi Twister game of tea time.

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Mari’s punishment for Meiko is to wear a skirt and shirt that cover her breasts and panties, but which prove so unbearably restrictive, Meiko almost faints in the hallway. Chiyo is there to help her, and by hanging around the council office, she’s able to learn for the first time about her sister’s DTO operation, which she surely takes exception to, as she’s one, like Anzu, who don’t mind boys at the school.

Mari’s “final phase” of the plan to expel the boys, seems to involve Andre, who they know is a masochist who keeps a “slave diary” (with some very nice illustrations in it, I must add!), but also notable this week is that all the inmates other than Shingo have now forgiven Kiyoshi, and also forgive Gakuto after he smashed his figurine.

Now it’s not Kiyoshi on an island, but Shingo. Would he still be so eager to continue help Meiko if he knew it was in service of getting the boys—including him—expelled? Certainly, being able to hang out with Anzu certainly makes it easier, but if he’s expelled, they won’t go to the same school anymore. Quite the quandary.

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