The Quintessential Quintuplets – 17 – Working Five to Five

The New Year is here, and Fuutarou and Raiha spot the Quints at the local shrine positively resplendent in their kimonos. I don’t often comment on the wardrobe of the sisters, but it is never not 100% on point, whether it’s modern or traditional garb. From there, Raiha invites herself to their new place, which means Fuutarou comes too.

The Quints’ new apartment is far more modest and normal than their previous spacious penthouse, and while, say, even Nino is fine with sharing the warmth of the kotatsu, the sisters simply aren’t used to the close quarters (Itsuki excepted, as she lived with the Uesugis for a while).

Newly reunited and empowered, the sisters are on a blessedly united front on the subject of Uesugi continuing to tutor them…they just don’t know how to pay him back! Ichika is the only one working, and is falling asleep during their first study session of the year, which isn’t a good sign! Because they’re watching a romantic TV show, there’s talk of a “peck on the cheek”, which is carried out by Yotsuba when she nonchalantly eats cream off his face.

Realizing having only Ichika pay their way isn’t tenable, the other sisters consider other jobs, which is really an excuse for the show to have sumptuous pans of them in various career outfits: Ichika as a tutor, Yotsuba as a grocery clerk, Miku as a café maid, and Nino as a dominatrix!

Speaking of cafés, Fuutarou is trying to advance at the one he works at, but while the apple pie he bakes looks identical, it is underdone. His boss then tells him they’re closing at noon to allow a film crew to shoot there, and who should Fuu encounter but Ichika—in full horror movie ditzy high school girl costume.

“Tamako-chan” wall-slams Fuu in a very romantically lit back room scene, voicing her embarassment with him watching her perform such a silly role. She feels she has no choice but to take any and all acting work she can, since rent, food, and utilities are proving more expensive than she thought. Nevertheless, the eldest sister will be strong for the other girls, and won’t let Fuu try to convince her otherwise.

To her surprise Fuu doesn’t scold her; in fact, he’s proud of how hard she’s working and grateful she’s making it possible for him to keep tutoring them. Once her scenes are filmed, Fuu catches her studying on her own, only to nod off from fatigue. Fuu provides a shoulder for her to nap upon and he says “good work”. Little does Fuu know she’s only pretending to sleep…she can’t let him see her blushing face!

While on a shopping trip in which she and Fuu are being used as Nino’s pack mules, Nino almost drops a bag of rice Yotsuba gives her to tie her shoe, but Fuu catches her, causing her to blush and her heart to beat faster. Having just gotten over his blonde alter ego, Nino simply isn’t ready to accept that Fuu is her “prince.”

While heading home, Yotsuba spots Ichika at a Starbucks with their dad. Believing her to be the most “amenable” (read: malleable) daughter, he insists that she and the other sisters return home immediately. When Ichika mentions Fuu, her dad says he’ll be welcomed back too…but as an aide to a professional tutor of his choosing.

When Ichika bristles at that, he asks her if she really believes Yotsuba can earn a passing grade with Fuu’s continued tutoring. Fuu, Nino, and Yotsuba are listening in from the bar, and Fuu cannot stand to hear the sisters run down by their own father, but Nino takes his hand and asks him to hold off.

Instead, Yotsuba approaches the table and tells their dad they’ll be continuing with Fuu and Fuu alone. Her Dad’s fine with that, but on the condition that this is collectively their last chance to pass. If they fail again under Fuu’s tutoring, he’ll transfer them to a different school for their third year—one that will accept them regardless of their scores.

Papa Nakano is an odd duck. One can’t overlook his resemblance to Fuutarou, nor his cold manner to match his wan complexion. He loves his daughters in his own way, but like most dads with daughters their age, he’s loath to let any man have them. He comes right out and tells Itsuki he “hates” Fuu. Part of that could be that Fuu chewed him out when he resigned, telling him to be more of an active father and calling him an asshole.

But another part of him could simply be envious that Fuu is able to spend so much time with them. Like Ichika, her dad works alone to pay the bills that come with raising five girls at once. I wonder if he regrets the sacrifice he made so they could live in luxury, seeing as how the result of never being around was that they moved out.

In any case, the Quints have really put themselves and Fuutarou on the spot. If Dad is to be believed, this is their last shot. They’ll have to improve their scores considerably, or they’ll end up at different schools next year. I wish that felt more threatening, but they spend so little time actually in school—it’s more that Fuutarou truly does want to help them. If they fail again, he’s failed again That can’t happen.

Rating: 4/5 Stars

Episode Five Quintuplet Ranking:

  1. Ichika: Between being surprised by almost bumping into Fuu in the new place (so he can examine her mouth) to the whole Tamako-chan performance and their quality time “backstage”, Ichika takes her first win of the season. It was only a matter of time! Total Points: 13 (3rd)
  2. Yotsuba: The other girls are all talk and blushing, but only she actually puts her mouth on Fuu’s face, so she wins on that front. Combine that with the fact she carries a bag of rice for Fuu and stands up to their dad with conviction, and #4 had her best episode yet. Total Points: 12 (4th)
  3. Nino: For once Nino wasn’t in the spotlight, but her feelings for Fuu continue to simmer at key points this week. Her inviting him to sit under the kotatsu and taking his hand at the café were both nice moments.  Total Points: 22 (1st)
  4. Itsuki: I’m not saying she would have folded without backup, but I’m glad Yotsuba was there to back her up against their manipulative papa. Total Points: 18 (2nd)
  5. Miku: That Miku has yet to even slightly improve her culinary skills stretches credulity at this point—the joke is officially stale. There’s no doubt that she’d be a popular café maid, though. Total Points: 10 (5th)

The Quintessential Quintuplets – 14 – Scattered to the Five Winds

While his family sleeps, Fuutarou is hard at work hand-writing comprehensive problem sets to ensure the quints pass the exam coming up in seven days. As usual, his burning of the candle at all five ends results in him collapsing into a “death-like” sleep before he can reach the door of their apartment.

Itsuki, frustrated that he’s late, finds him out in the hall, and her annoyance immediately shifts to genuine concern, then genuine gratitude to see how hard he worked for her and everyone’s sakes. It’s no surprise she’d react this way, considering she was the first to originally seek Fuu’s help…but it’s still lovely to see her smile behind his back.

Fuutarou is happy that all five sisters are present for the session, but things go off the rails shockingly fast due to the persistently butting of heads of Nino and Miku. First, it’s little things like Miku borrowing Nino’s eraser or Nino drinking out of Miku’s can (though joke’s on her, it’s matcha soda!) Fuu’s attempts to get them to get along fail miserably.

Then Nino, regarded as the most sensitive (as well as prickliest!) sister, gets fed up and heads to her room to study alone. When Fuu tries to stop her, she tells him to butt out of family business. When Miku hands her her copy of the problem set, she slaps it out of her hand. Then Itsuki gets involved, slapping Nino and ordering her to apologize, showing Nino how Fuu handwrote all those papers.

Nino is clearly contrite, but also doesn’t want to lose face (as she sees it). Above all else, she’s hurt, angry and disgusted that her four sisters have turned against her and fallen for all of Fuutarou’s “slick talk”. She then decides to double down on her stubbornness and move out.

When she accuses Itsuki of being a “domestic violence meat monster”, Itsuki decides to move out too. It’s a disaster! The next day (with only six days before the exam) Miku joins Fuutarou to search for her missing sisters; Ichika and Yotsuba are apparently busy with other stuff.

Then Miku asks a crowd if anyone’s seen someone who “looks like this” (referring to herself, not a photo), and they locate Nino at a luxury hotel, to which Miku is able to gain access by simply pretending to be Nino. Fuutarou pleads with Nino through the door to remember how she’s always been the one who cared the most about her sisters and their home, but that doesn’t work.

Any time Fuu, an “outsider” to Nino, tries to act like he knows them, it only makes her more resentful. However, she does notice the bracelet Fuu was wearing when she mistook him for “Rintarou” (and basically fell for him), and takes it off his wrist before slamming the door. As for Itsuki, well…as soon as Miku mentioned she ran out without her purse, I had a pretty good idea where she ended up: Fuutarou’s place!

She’s already having a second helping of Raiha’s curry when Fuu comes home, seems to borrow Fuu’s gym clothes to sleep in, and along with Fuu make an adorable Raiha futon sandwich at night. Basically every second of Itsuki at Fuu’s place is a gift, with her seiyu Minase Inori delivering a wonderfully warm and subtle performance. While on a moonlit walk, Fuu protests Itsuki continuing to crash at his place, saying a “well-off girl” won’t be able to survive.

Itsuki corrects him: only a few years ago (and likely around the time Fuu met Mystery Quint(s) in Kyoto), she and her sisters lived in poverty, due to her mother having to raise five kids all at once. When mom fell ill and passed, Itsuki took it upon herself to “guide the others” in her stead, which for Fuu explains why she slapped Nino. But Itsuki laments that she seems to have failed.

The next day, Fuu conronts Yotsuba, who has apparently joined the track team. She apparently couldn’t say no to the captain, and he’s unable to get her to quit. He tries to reason with Nino, but can’t get past hotel security. With all the quints separated, his prospects of helping them pass the next exam are in dire straits—especially with Nino saying she doesn’t care whether she passes.

With only four days until those exams, Fuutarou considers trying to drown himself in the river, thinking it might unite the girls, before immediately checking his suddenly dangerous thoughts. He then comes around to thinking Nino was right; he should have never come into his lives, which seemingly caused all this discord.

Of course, they came into each others‘ lives years ago, as the arrival of a grown-up version of the Mystery Quint appears before him, leading him to jump into the river after all. What the hell was that? A hallucination? Our boy’s been pretty sleep-deprived. Ichika in a wig, dressed for an acting gig? A sixth sister? (No, probably not that.) Who knows, but she’s gone when Fuu climbs out of the drink. I would think if she were actually there, she’d have expressed concern about him falling in!

That said, Yotsuba runs past the soaked Fuu but doesn’t stop, as she’s practicing for track (I alsonoted that her shoes match the one that snapped a twig while Fuu and Itsuki were on their walk. Not sure what to make of that except…is Yotsuba doing track to stay out of the way vis-a-vis Fuu and the other sisters? At any rate, dunking himself apparently washed away his discouragement, and he heads back to Nino’s hotel, where again he’s stopped by guards.

But when Nino spots him, part of her admires his dogged perseverance, part of her feels bad for how wet he is, and part of her doesn’t want the other hotel guests to be subjected to him, so she invites him up to her place. Maybe she’s cooled down enough to hear him out…or maybe she just wants to ask how he came to possess Rintarou’s bracelet!

Rating: 4/5 Stars

Episode Two Quintuplet Ranking:

  1. Itsuki: The classic and presumptive Best Quint on most lists, here she really earns that top spot with the lion’s share of screen time. She showed all the sides: the eager student, the strict mom, the freeloader, the clear-eyed reminiscer, the moonlit walk companion…just a very strong overall showing. Total Points: 8 (2nd)
  2. Nino: Yes, she’s a huge pain in the ass, but also yes I love her very much and just want her to go home! Getting that super-expensive hotel suite is so Nino, who’d never. She’s also wonderfully dense about the Fuutarou-Rintarou connection. Total Points: 9 (1st)
  3. Miku: Good to see her standing up to the seemingly stronger-willed yet also more sensitive Nino, and defending Fuu’s hard work beside Itsuki. Total Points: 5 (Tied for 3rd)
  4. Yotsuba: Second straight ep where there’s just not much of her, to the point I’m wondering if she’s avoiding Fuu on purpose. Total Points: 3 (5th)
  5. Ichika: Ichiwho? A near no-show this week, though like Yotsuba there may be a reason: despite being the eldest, Ichika tends to fade into the background when sister conflicts rage. Total Points: 5 (Tied for 3rd)

The Quintessential Quintuplets – 09 – All To Themselves

Pictured: Not Ichika

Yotsuba approaches Fuutarou in the hall with Miku, excited about the upcoming School Camp and the campfire legend, but when it comes time for a study group, Yotsuba runs away and Ichika has a shoot, but not before giving Miku a wig so she can pose as Ichika at her class meeting. However, it turns out a guy in Ichika’s class lied about that meeting so he could ask her to dance with him at the campfire. “Michika” wasn’t ready for this level of acting!

Thankfully Fuutarou was listening in and intervenes when the guy suspects she’s not really Ichika. Miku then offers the excuse that she’s already dancing with Fuutarou at the campfire, and clings to him in order to convince the guy that they’re a couple. Miku even has the gall to ask the guy why one confesses. His answer is because you want that person “all to yourself.” But how does that work if you’re one of “five fifths together as one”?

With that matter settled, the quints (minus Ichika) surprise Fuutarou by taking him out shopping for school camp clothes, all their treat in exchange for serving as their model for their ideal guy getup. Their choices say a lot about their personalities, as Miku chooses traditional garb, Yotsuba chooses loud and gaudy, Itsuki chooses…her idea of tough and manly. Only Nino, who has pretty consistently good fashion sense, seems to take things seriously, choosing a stylish yet understated look.

But when Fuutarou checks his phone, he learns that his beloved Raiha is in bed with a fever. He stays by her side all night and into the morning. He misses the bus for camp, but he says it doesn’t matter. The heavily worn camp leaflet suggests otherwise, and both his dad and Raiha know it. Raiha contacts Itsuki, who comes to fetch Fuutarou.

To his surprise, the four other quints are with her; the six of them will head to camp by car (specifically the family’s custom six-door E-Class Benz). He reveals once they’re on the road (but stuck in traffic) that other than their place, he hasn’t spent a night away from home since elementary school, and all that pent up excitement seems to have bestowed him with a “traveler’s high,” combined with the scant amount of sleep he got due to watching over Raiha. That doesn’t save him from a savage backdoor flip-off from Nino!

They’re not able to make it to camp due to a winter storm, so Fuutarou and the quints shack up at a fancy hot springs inn. Nino warns her sisters how men can transform into wolves under such conditions, but since this is a harem rom-com there isn’t any other choice: the six of them have to share a single room intended for only four.

Before a sumptuous feast that will put tomorrow’s curry to shame, Miku informs Ichika of what she did to preserve her cover, namely say Ichika was going to dance with Fuutarou. Ichika, harboring her own feelings for the guy, is fine with the arrangement, especially if it’s okay with Miku, while Miku is fine with it because it was the result of her lie, and because she doesn’t consider Ichika a romantic rival. And considering how little she understands love and dating, it’s no wonder!

After dinner the sisters make avail themselves of the outdoor hot baths. Nino again implores everyone to remain vigilant, as Fuutarou’s traveler’s high makes him that much more of an unpredictable threat. In order to mitigate that threat, she gets them to all part their hair the same way so he won’t know who he’s sleeping beside. All this caution and planning are moot, as Fuutarou is totally passed out when they return to the room.

The next morning, which is bathed in heavenly light, Ichika finds herself dangerously close to a still-sleeping Fuutarou, having drifted there in her sleep. She’s happy to get another look at him asleep and draws even closer , admitting to herself that if this makes her lose her Ichika cool, she can’t exactly refer to him as “just a friend.”

When Itsuki pops in to announce breakfast, she catches a glimpse of Ichika looming over Fuutarou, though it’s such a short look before she retreats she’s not 100% sure which sister it was, only that it was one of them and she has no idea what to make of that!

Fuutarou’s Wardrobe by Nino

To summarize, Ichika’s becoming more honest with herself about Fuutarou and Miku may have just gifted her a crucial leg-up in that pursuit. Yotsuba is throwing out all kinds of hints, Itsuki wants to determine if Fuutarou is an “apt tutor” by maintaining proper distance, and Nino longs for Fuutarou’s bad boy “relative”, genuinely unaware the photo is of Fuutarou himself.

Finally, Ichika’s career is taking off, which means she may soon have to change schools to make it work. With all these emotions and developments swirling around the quints, this could prove to be a school camp for the ages: marking an end to some things and the beginning of others. In other words, buckle up!

The Quintessential Quintuplets – 05 – Flying Colors

As Ichika hides her face by locking herself in a warm embrace with Fuutarou, we learn that the mustache guy is not her date, but her co-worker on a film crew. But even that is a fabrication on Ichika’s part, desperate as she is to keep her secrets as long as she can.

She manages to deflect by asking Fuutarou why exactly he’s so invested in her and her sisters. When Ichika comments how it’s weird for them to be hugging so intimately despite just being friends, Fuutarou mentions how he’s not sure it’s right to call themselves friends, to which she responds he’s being way too picky about semantics!

Also, Ichika says she’s a little hurt by the notion he never considered them friends, and that gets Fuutarou thinking about his recent interactions with both Miku, who also looked hurt by the same assertion, and Itsuki, who said it’s so obvious what they are to each other it doesn’t actually have to be said!

Yet apparently it does! Especially when Ichika’s co-worker spots Miku—who is sporting a new hairstyle so Fuutarou will compliment her— and mistakes her for Ichika. Fuutarou and Ichika track the two down, and Fuutarou declares once and for all: he’s their partner. That’s when mustache guy blurts out that Ichika is actually an actress who has to get to her audition.

While that’s not the most surprising twist, it’s still a hella good one, which subverts Ichika’s previous reputation as cool, relaxed and lazy. It’s not that she can’t be all three of those things at times, but that’s not all she is. She’s held back, both from her sisters and Fuutarou, in case this audition thing goes south. But judging from Fuutarou’s reaction to their little line-reading session, it won’t!

When she turns to leave, Fuutarou takes her face in his hands and stretches it out, telling her to quit it with the fake smiles that hide her true emotions. He’s observed it what sets Ichika apart from the others, and it was confirmed when he felt her trembling while hugging him in the alley. Ichika is putting on an act with those false smiles, but Fuutarou isn’t convinced. He proceeds to come clean about their partnership, and that at the core of things he wants to “work for what he earns.”

Ichika is impressed he was able to discern such a subtle change in her behavior. Acting is her dream; her way to finally stand tall as the eldest sister. If she has to ditch the fireworks for a shot at her first big break—leaving the ensemble to explore a solo leading role—she’ll do that, apologize to the others later, and hopefully it will work out.

Ichika is super-late to the audition, but gets her shot, and doesn’t miss. From the first lines she utters, the casting crew stands up straight, like some rare bird had suddenly entered the room. There’s suddenly more conviction and resonance to her lines than when she said them to Fuutarou. Now I know why they cast Hana-Kana for Ichika—it’s such a powerful yet subtle performance, but she makes it look easy.

Later, Mustache Guy (who scouted her) presumes Fuutarou must’ve helped Ichika pull out a role-winning performance. Her role thus secure, Fuutarou escorts her to her sisters, who are waiting in the part with…Chekhov’s Fireworks Kit! Yotsuba bought the kit for Raiha, but there’s no doubt the wise-beyond-her-years imouto would have no problem donating it to a good cause.

Ichika bows and apologizes, but the others apologize right back, since all five played a role in the confusion that separated them. Where one sister messes up, the five of them overcome it together. Nino gets in Fuutarou’s face, but to his shoc k it’s to thank him for getting the job done—albeit in the most unconvincing tone imaginable! He then sits back and admires his work, shaking off the urge to go home and study.

When there are only five fireworks left, the sisters do a countdown before grabbing their preference…and Ichika and Miku pick the same thing. Ichika lets Miku have it, saying Miku “can’t let go of that one.” It couldn’t be any clearer that the “less flashy” firework represents Fuutarou, and despite Ichika’s generosity in this one instance a love triangle is officially up and running.

To confirm that, one need not look further than when Ichika approaches Fuutarou to tell him that as partners, she’ll be working hard to repay him for his support, but warns him not to think he’ll have an easy time with her. Alas, he’s asleep with his eyes open, so she gently rests his head in her lap.

This episode felt like a turning point when the dynamic of Fuutarou and the quints finally shifted from one primarily composed of hostility and discord to one of more cooperation and harmony. Sure, it may now only be something like 51-48 in cooperation’s favor, as there are surely many more conflicts to come, but it’s a long way from the utter chaos of the first episodes. Enough good faith and good deeds have been exchanged and motivations revealed that more progress can be made.

It’s been said in the comments, but it bears repeating after watching this episode: a harem rom-com about quintuplets has absolutely no business being this damn good. It’s as if creator Hariba Negi came up with a premise he knew sounded like tacky schlock, but said “Just watch—Imma elevate the FUCK outta this schlock!” And he did. I don’t often regret a decision to skip a show, but in the case of QQ I clearly missed out on a gem.

The Quintessential Quintuplets – 04 – Fireworks Factory

When Itsuki shows up to the Uesagi household, it’s on official business on behalf of her dad. She’s come to deliver Fuutarou’s payment so far: ¥50,000 ($469) for two days of work. Only Fuu doesn’t want to accept it at first, since very little in the way of tutoring has happened in those two days.

Still, Itsuki doesn’t agree that he’s done nothing, mentioning how his mere presence is starting to “change something” in the five of them. So the cash is his. Fuutarou decides to spend it on Raiha, and because no one can refuse Raiha’s shimmering Bambi eyes, Itsuki tags along on what turns out to be a fun trip to the arcade. I was impressed that the episode managed to pack an entire dating sim event’s worth of material in the first five minutes!

What was to be Fuutarou’s Sunday free of quints turns into half a day with one, followed by an evening with all five. No matter; he was thinking of them even when he was studying alone, indicating the “change” Itsuka spoke of goes both ways. They somehow(!) agree to finish all their homework before going out for the fireworks festival.

As if the quints weren’t resplendent enough in their school uniforms or casual clothes, they all show up in full yukata regalia. Itsuka even changes her hairstyle, leading Fuutarou to initially not know who he’s talking to when she approaches him. Yotsuba seems the most smitten with Raiha, to the point she jokingly considers marrying Fuutarou just so they can be legal sisters.

Meanwhile, Nino sees Raiha with a firm grasp on her big brother’s sleeve so as not to get lost in the crowd, and if anything seems jealous of Raiha. Miku explains to Fuutarou that fireworks were a big part of their shared memories of their departed mother (something they share with the Uesugis).

That also explains why Nino is so intent on keeping the tradition alive, this time in the role of the caretaker in her mother’s stead. She even rents out an entire rooftop so they don’t miss a thing, but it’s she who gets lost in the crowd, until she’s “rescued” by Fuutarou, and proceeds to grasp his sleeve as they ply through the crush, and head for the rooftop.

Unfortunately, Nino messed up: none of her sisters know the rooftop’s address. Fuutarou volunteers to head out and locate the others, starting with Ichika, whom they spot from the roof. However, once he approaches her, he’s stopped by an older man in a mustache from whom she’d gotten a call earlier that night. While Fuutarou is trying to determine the best way to describe his relationship with Ichika to the man the two vanish.

Apparently when life takes away an Ichika, it provides a Miku in return, and since Miku got her foot stepped on, Fuutarou lets her ride piggyback…for all of five minutes, until he declares her too heavy to get anywhere fast. He bandages her foot and she gives him a sarcastic thanks (what’s he doing bringing up a lady’s weight?). Regarding Ichika, Miku has seen her getting out of a mustachioed man’s car in the past, so whatever’s going on with them, it’s not the first time.

By episode’s end, only 24 minutes (equal to one more episode) of the fireworks remain, meaning there’s still time to wrangle the quints so they can share in the special tradition Nino so desperately wants to preserve. One could call Fuutarou’s mission akin to scooping five goldfish with the same net, with the prize of gaining at least some points with Nino.

The only problem is, the pool in which those five fish reside is a big one, time is wasting, and one of those fish, Ichika, has already escaped, making it plain she won’t be joining the others. Whether this is her own choice (part of a larger effort to become an independent adult), that guy’s choice (is this an escort date, a legit relationship, or something else?) we don’t really know. Ichika’s face at the end is a veritable enigma.

Still, one thing is clear: something is definitely troubling the cool, carefree Ichika, and Fuutarou can tell. And that’s what’s so engaging about the quints: just when you think you have one figured out based on their outward traits, something happens that reveals a whole new side of them, and you can’t help but want to learn more.

The Quintessential Quintuplets – 01 (First Impressions) – Five Times the Tutoring Trouble

Uesugi Fuutarou is a studious loner from a poor family trying to have his frugal lunch when an unfamiliar redhead in the uniform of another school tries to take a seat at the same spot with a 1000-yen megafeast. When he starts rudely studying in front of her, she spots the 100-scored exam he blatantly left out in the open, and she gets an idea: this guy could help her study! Instead, he storms off, telling her she’ll gain weight if she keeps over-ordering lunch. Wrong answer, pal!

Fuutarou later realizes the error of his ways, especially when his sister Raiha informs him that a lucrative tutoring job is available, and the redhead is the client. It turns out this girl, one Nakano Itsuki, is one of five quintuplets who have transferred to the school, all of them in need of tutoring. His other initial interactions include the flirty, teasing Ichika and the friendly Yotsuba. The quiet Miku and hostile Nino round out the quintet.

When Fuutarou arrives at the sisters’ opulent penthouse apartment, he’s met with resistance at nearly every turn, with the exception of the kind Yotsuba, who tries to help him wrangle her skeptical sisters in a harrowing room-by-room gauntlet. Even when they’re drawn together at the coffee table, it’s only because of the promise of cookies—no one ends up doing any actual studying during his first tutoring session.

Nino even manages to get Fuutarou out of the house by drugging his water, but Itsuki accompanies him on a taxi ride home. That’s when Fuutarou’s secret weapon imouto Raiha comes into play, using her cuteness to get Itsuki to join them for dinner. That’s when Itsuki learns that Fuutarou’s family is depending on the five-fold tutoring fee he stands to gain to pay off debts.

In light of the fact she’d be hurting more than him if she refused, Itsuki agrees to let him continue his tutoring sessions, with the caveat that she won’t accept “tutelage” from him, but will seek to improve her scores without his help. That’s good enough for Fuutarou, but he has yet to realize the gravity of the task before him: all five of the quintuplets are failing, which is why all five transferred to his less prestigious school.

The Quintessential Quintuplets (lets call it QQ) aired back in Winter 2019, but I neither watched nor reviewed, and it seems I missed out. I figured “5/5” would be the appropriate time to correct that error, but unfortunately I’m a couple days off. No matter: QQ is a ton of fun right off the bat. The premise couldn’t be simpler or more obvious and familiar, but the execution is solid.

Production values are high, the character designs and personalities are distinct, diverse, and well-balanced, and the all-star voice cast is pitch-perfect. Everyone comes off as likable despite their flaws, and the comedy works more often than not.

Sometimes you just need a good high school harem rom-com (this episode is intriguingly book-ended by marriage scenes), and there’s no harm in looking back to the recent past for a shining example, which is what we seem to have here.