Koufuku Graffiti – 12 (Fin)

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This is it. The Final Battle. Who lives? Who dies? Who ends up in whose bed? Who is able to exact their revenge, and who ends up burning in hellfire for all eternity?

Ehh, this isn’t that kind of show. Nor did it need to be. When I look back on Koufuku Graffiti, I’ll remember a warm, happy, and taste bud-enticing show; the feel-good show of Winter 2015.

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Don’t worry, all of this is in Kirin’s dad’s head.

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Hey, it’s 2016 in this show. We’ve been watching the future.

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Ryou and Kirin pass their exams, so they’ll be going to the same high school as Shiina next year, along with a couple other classmates who are eager to befriend Kirin, who never had a thing to worry about in the friendsmaking department because she’s kind and sweet and makes a cute pok-pok sound when she walks.

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Then, terror strikes in the form of a depraved house invader. Oh wait, it’s just Akira, trying to surprise Ryou and succeeding, but in the wrong way, getting a bonked nose for her trouble.

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Akira actually has a nice gift for Ryou, who’s thinking a lot about her grandmother, who was there for her opening ceremony, which feels like yesterday. The gift is an apron made from her grandma’s apron, so in a way, whenever she wears it, it will be like cooking with her grandma, or as Kirin maturely puts it, she can look forward to making new memories rather than simply dwelling on past ones.

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Ryou decides to christen the apron by preparing the same meal her grandma made to celebrate her entry into middle school three years back. It’s the same meal she made in the first episode, but it tasted bad to her back then because she was alone and still thinks it’s mising something when she tastes it alone.

That changes when Kirin arrives with all her luggage and samples the meal, and deems it one of Ryou’s best yet. Even Ryou notices an improvement in flavor after Kirin arrives, proving that food really does taste better when it’s shared.

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Everything on the shelf above the sink stayed in the exact same position all those years. That’s some precision right there.

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Ryou is in for one last twist when Kirin explains all her luggage and mentions movers are on the way…because she’s moving in with her, something neither Kirin nor Akira ever told Ryou, though they thought they did.

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Ryou seems to have a problem with this, though it’s more about being left out of the decision while everyone else from Shiina to Akira to Kirin’s parents know about it, yet she doesn’t; for all we know even Yuki downstairs knows! But now that Ryou knows too, she’s happy Kirin is moving in, Kirin cries tears of joy and relief, and everyone helps her move in.

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Looks kind of like Laputa, doesn’t it?

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Ryou started out alone, with her important parents far away, her aunt busy at work, and her grandmother dearly departed. But now her home is full of life and love and energy, and even when everyone leaves, Kirin will still be there. Ryou looks like she couldn’t be happier.

As the credits roll, we get an epic supercut of every foodgasm in the show, putting into perspective just how much delicious food was stuffed into the last twelve episodes, and getting me that much more excited for another cooking show, Shokugeki no Souma this Spring. I’ll also have to track down some yellowtail and daikon!

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Koufuku Graffiti – 11

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As exams draw nearer, quick and easy meals are the order of the day. While Ryou would probably prefer to spend all day cooking and eating, she and Kirin need to study.

It’s fortuitous then, that Ryou’s mysterious parents send her her second care package, which is full of packaged ramen in various flavors. There’s nothing like opening a big box full of food!

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The package has Kirin, whom we know has had a tenuous relationship with adults anyway, thinking about Ryou’s parents. What kind of people are they? What do they do? Kirin’s mom doesn’t have straight answers, but Kirin’s imagination runs wild when she hears they wanted to get Ryou a bodyguard. Satou Rina only gets a couple of lines as these alternate, bitchier Ryous, but she makes the most of them.

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Ryou has been a little lonely lately because her mom isn’t around to make late night study snacks for her, so the timing of the package is perfect. Also, Kirin knows how to make tasty ramen, so Ryou has a snack made for her after all, and it’s predictably that much more delicious because it was made with love.

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At the bottom of the ramen box is a secret letter specifically addressed to Kirin from Ryou’s mom; Kirin’s stealth crawl to a private place to read it is pretty dang cute, and the “top secret” label on the envelope, along with Ryou’s mom’s standing offer to provide both girls with bodyguards, helps fuel Kirin’s intense curiosity.

Ryou doesn’t help by calling her parents “two of the most important people in the world.” Still, the fact their true occupations remain secrets is a fun little running gag. At the end of the day, whatever they do, they made a good daughter.

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In part two the exams are even closer, and Ryou and Kiri visit a shrine to pray for good luck and success. Then Shiina drops a bomb: she already got accepted into the same high school they’re trying to get into. On the one hand, both I and they are relieved they’ll remain together. But Kirin in particular feels miffed that Shiina was so secretive about it.

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More to the point, the fact Shiina has already achieved what Ryou and Kirin have yet to gives her an almost godlike status in their eyes, but when she says an exam is a solitary battle, and one has to rely on oneself and not others or gods, the blinding light of her wisdom is powerful to behold…but Kirin isn’t so sure Shiina’s 100% right about that.

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Case in point, when Shiina opens up a huge case of beautiful-looking pork cutlet sandwiches—resembling a suitcase full of money, only tastier—and everyone digs in to the deliciousness, they react in the usual way, but with a cut to Tsuyuko infusing the sandwiches with plenty good luck aura, proving Kirin was correct: Shiina did have help during exams, because every time she took a bite into the sandwiches, she remembered the person who made them, and felt less lonely in her task.

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Shiina decides to pay it forward by learning how to make the good luck sandwiches and providing them to Ryou and Kirin for lunch as they head to their exams, showing that while she can be cold and stoic under certain circumstances, there’s still a sweet, caring person within who asserts herself in the clutch. I’ll admit I missed Uchiki Yuki this week, but in return we got lots of awesome Shiina, so I can’t complain.

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Koufuku Graffiti – 10

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We were a little confused at first by the new face of Uchiki Yuki (Iguchi Yuka; or Index to Ryou’s Railgun), but this was a beautiful episode about anxiety, loneliness, and the power of pizza to tackle both.

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With Winter in its last throes but Spring yet to bloom (much like the weather where I am), Kirin is worried about a lot of things, from getting into high school to making friends there, to the state of the country’s crops and the effect of environmental damage on the earth.

After a horror movie doesn’t help Kirin’s mood, Ryou remembers she left the futons out on the balcony, and that’s when the two of them hear a depressing phone conversation from Ryou’s shy, sad, lonely neighbor directly below them.

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When one of Ryou’s futons slips off the balcony, it takes Kirin with it, which turns out to be a fateful incident. Ryou was ready to stop eavesdropping and go inside, but Kirin’s spill means they have no choice but to interact with Yuki, and vice-versa.

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Because we’re dealing with three uncommonly nice people, the earnest apologies fly where insults might infect the interactions of lesser humans. Ryou and Kirin both notice Yuki gets so stuck in her thoughts she creates and reacts outwardly to entire narratives she cooks up in there.

Kirin sees the same anxiety in Yuki that she herself is feeling, and that anxiety, while negative on its own, becomes a positive because it brings these two together. It also shows Yuki that if someone as bright and spunky as Kirin can feel the same things she can, she suddenly doesn’t feel so alone.

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A ring at the doorbell comes; it’s a pizza delivery girl. And boy, this might just be the tastiest pizza I have ever seen animated. In fact, it is. But while she obviously doesn’t skimp when it comes to quality, there’s still a pointed sadness to Yuki’s practicality: the pizza’s toppings are split four ways so she won’t get sick of it even if she eats it for all three meals—which she’s been doing for three weeks.

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Yuki offers the pizza to Ryou and Kirin for their trouble, but Ryou has a far better idea—an idea borne out of her experience sharing food with others, something she’s still rather new to herself: she invites Yuki upstairs so they can eat the pizza together.

As if the pizza wasn’t tasty-looking enough, Ryou and Kirin sweeten the deal with their usual poetic, over-the-top reactions to enjoying food, a display that Yuki finds both intriguing and uplifting.

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Ryou insists Yuki have a slice herself, assuring her it will taste better if she eats with them. Yuki gives in, and sure enough, she has the same kind of experience we’ve come to expect from Ryou, Kirin, and Shiina. In fact, eating the pizza with them brings out a whole other side of her personality. She doesn’t hold her tongue when it comes to describing the deliciousness.

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The unexpectedly joyful evening, along with Ryou and Kirin’s invitation for home-cooked meal in the future, infuses Yuki with a fresh courage and outlook on her situation, which she uses to bravely face an orientation the next day.

Meanwhile, Ryou learned that a very nice person lives close by whom she should hang out more with, and Kirin learned that as long as she has as a full stomach, she too can face whatever the future brings.

As for me, in all honesty I would have ordered a fancy pizza from a gourmet pizzeria nearby, but it’s St. Patrick’s Day and I’ve corned beef on the stove. Oh well; there’s always tomorrow!

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