Classroom of the Elite – 08

This week begins with a production of Icarus in an unfamiliar venue—did the school have such a sumptuous theater?—and an ultimatum from Chabashira-sensei to Ayanokouji: try, actually make an effort to get into Class A…or be expelled. Someone outside the school wants him gone, but Chabashira is willing to let Ayano stay around—but only if he plays ball and makes it worth her while.

We then learn the entire school is not at school at all, but aboard a gargantuan luxury cruise ship. The luxury part comes naturally to the higher-ranked classes, but Sudo and his crew stick out like sore thumbs, while still others (Ichinose and Hoshinomiya-sensei) avail themselves of the fanservice spa facilities.

The only two people neither having a good time nor trying to have a good time are—you guessed it—Ayano and Horikita. They’re weary. This whole cruise has been free and there’s been no explanation for its existence…so what’s the catch?

While the two are sitting at a bar alone together, pondering that question, Ryuuen shows up and calls Horikita out for the camera prank that saved Sudo. Ryuuen is overly familiar and grabby, and returns Horikita’s disgust with a promise she’ll be seeing a lot of him.

They are interrupted by a very ill-tempered classmate of Ryuuen’s who is apparently sick and tire of “how he does things.” She’s flung aside by Ryuuen’s bodyguard Albert, but doesn’t give Ayanokouji anything when he asks what’s up, so all he and Horikita know is that there is tension within Class C.

Some use the cruise as an excuse to try to nab a romantic partner: Ike with Kushida (he chokes and settles for first-name terms), Sudo with Horikita (never gonna happen), and Sakura with Ayanokouji (she hesitates and is interrupted by Kushida).

Because Sakura can sense Kushida is hiding something behind her public image, she skitters off, and before long, Ayano also tires of her friendly girl act and starts to take his leave.

Kushida then changes tone for the first time since the first time, but doesn’t threaten Ayano, just gets him to acknowledge he’s weary around her, while she’s…well, she just doesn’t like being left alone so soon after showing up.

The episode’s title, “Abandon all hope, ye who enter here” from Dante’s Inferno, provides some early insight into what we and the students are in for. Those are the words inscribed on the gates of Hell, and Hell, albeit in the form of a gorgeous island, seems to be their destination (though none of these kids are anywhere near the middle of their lives).

Once they spot that island, the faculty announces a week-long survival test will take place on the island. I imagine then, that we’re in for some Lord of the Flies kid self-rule adventures next week, with all of the different character and class dynamics touched on this week and in weeks prior will come into play in an all-new, less academic setting. I look forward to it.

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Kakegurui – 08

When the cat (Momobari) is away, the mice (the student council second-years) will play. The latest member to set her sights on Yumeko is Yumemite Yumemi, who despite having a tongue-twister of a name is the school’s unofficial idol, already viral on YourTube and with a loyal army of fans.

Meanwhile, the rumors flying of Yumeko retaining her livestock status so she can challenge the presdient, Sumeragi approaches her, and after pretending to play innocent, she later fesses up to wanting a position in the council back, once Yumeko takes over.

We also quickly learn Yumemi is another two-face; with probably the greatest difference between her public and private personas. While she’s open and hands on with her sweaty fans, she secretly despises them, flashing horrific faces twisted in disgust. But she accepts the discomfort as the price of attaining her goals.

When Yumeko and Yumemi finally meet, they don’t play nice for long, as Yumeko is pretty aware of Yumemi’s disdain for her fans. The facade drops, and Yumeko manages to provoke Yumemi into an anti-fan tirade that she secretly records on a device she hid in Yumemi’s assistant.

The gamble in question seems to be a battle of idols, with Yumeko having to join Yumemi’s idol group and live the life of an idol if she loses, while Yumemi, confident Yumeko is underestimating her, agrees that if she loses the incriminating audio will be distributed and ruin her idol career in its infancy.

The details on how this particular idol-themed gamble will be laid out and scored remains a mystery, but there’s not doubt that whatever happens, Yumeko’s star will only rise with this new, very public opportunity. We also learn Ryouta is a big fan of Yumemi’s, but I assume he’ll be rooting for Yumeko as the two square off.

Tanaka-kun wa Itsumo Kedaruge – 04

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Tanaka-kun has done a wonderful job establishing its cast so far, starting out with just Tanaka and Ohta and a bento box of small skits that gradually, hilariously paint the picture of what makes ’em tick.

Then it’s branched out with more in-depth, emotionally satisfying stories, introducing one new character at a time, until eventually the full group we see in the OP and ED will be fully assembled. It’s something Marvel does well with its movies.

This week Miyano and Echizen take the week off so that the show can focus methodically on someone new, namely the class rep Shiraishi. She truly takes center stage, as the episode shifts to her perspective the more we learn about her.

It’s icing on the cake that the official start of the development of her friendship with the boys starts out with two classic anime images: running to class (or in Tanaka’s case being carried by Ohta) with toast in the mouth, and (almost) bumping into the pretty girl. And because it’s been well-established Tanaka and Ohta are nice guys, they help her out with replacing the printouts they accidentally ruined.

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Everyone knows Shiraishi; she’s damn near perfect, and every guy wants a wife like her someday. Smart, kind, beautiful, she inspires jocks depicted as bears to protect her every move. She literally sparkles, and yet has such an easy, down-to-earth manner with everyone, no one envies or resents that perfection, they simply bask in it.

But as the episode title indicates, Shiraishi has a secret: that secret is that the idol-like school princess she portrays at school is naught but a carefully-wrought fiction; a mirage; a skin she puts on and maintains with great difficulty. When the day is done and she sends Tanaka and Ohta off, it’s not just because she’s being nice: her contacts hurt, her skirt’s too short, and her hair isn’t comfortable.

She’s cultivated her Matrix-like reverse-“residual self-image” so long, when her “resting-dweeb-mode” is finally found out—by Ohta and Tanaka, who forgot his bag—she panics, because she believes her idol skin is the only thing allowing her to have a beautiful high school life.

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Of course she’s wrong. Not just wrong about needing to doll herself up so obsessively, but wrong to stress out and stalk the boys to make sure they don’t spread the word of her secret. In fact, Ohta and Tanaka have nothing but nice things to say about her, even behind her back, and Ohta mistook her dweeb mode for another girl altogether, so her secret is safe.

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A wave of relief washes over her, and that relief makes her bold and ‘reckless’ enough to try to walk around school looking like herself. Most everyone doesn’t take notice of her non-sparkly self, until she passes Tanaka, who recognizes her—of all things—due to her bust size (something Ohta hilariously warns him never to tell her).

She’s initially devastated and ready to be mocked and laughed at, but of course Tanaka and Ohta don’t think that way at all. In fact, knowing Shiraishi has flaws is a relief to Tanaka, who wasn’t sure how such a perfect person could exist, and admires the effort to change herself; an effort he’d never bother with.

Tanaka doesn’t get away with calling himself worthless scum, however. Neither Ohta or Shiraishi (or even Echizen) genuinely believe that, because through all his unapologetic listlessness, he’s a kind, perceptive, supportive friend to them all.

The next day, Shiraishi wears her glasses to school, eschewing painful contacts, and to her surprise her friends don’t abandon her. She’s learned a valuable lesson about what it is to be loved and admired and be a friend to others, and it’s about far more than just surface. The real sparkling comes from within.

Shiraishi is a wonderful addition to the circle of friends, and I look forward both to her interactions with the others, and the addition of yet more members of that circle.

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