The aquatope on white sand – 12 – Everything becomes the ocean

It’s the last day of Gama Gama, and admission is free. The place is packed with people, which has Kukuru asking why they didn’t come earlier. But even so, she understands that Gama Gama has gotten too old to properly care for its sea life. The logic doesn’t make the last day any less melancholy, but there’s a hint of hope, as Kukuru is offered a job at Tingaara when she’s done school.

Once the last visitors head home and the doors close for the last time, the staff plus Karin and Udon-chan have a little party celebrating 48 glorious years. When everyone learns Kukuru has a job at Tingaara if she wants it, and that Umi-yan and Kuuya are also taking jobs there, a tipsy Karin urges Kukuru to go for it. But Kukuru just isn’t sure, and that’s understandable: the offer came on the day she believes her dream to have ended.

Gramps makes a very awesome and tearjerking speech, and then Kukuru and Fuuka spend some time on the moonlit beach. After the emotional roller coaster of the typhoon, they’ve fully made up. In fact, Kukuru believes it’s now her turn to support Fuuka’s dream, by urging her to take the lead actress job in Tokyo. Fuuka books a flight there for tomorrow.

The next day, Gama Gama is “hollowed out”, as all of the sea creatures are placed in portable tanks bound for either Tingaara or other aquariums that requested them. Kukuru is shook by just how lonely it is with the lights on and the tanks empty…until she goes into the room where all the visitors left notes on the wall.

It’s a room full of warm gratitude, and Kukuru can’t help but smile and feel grateful for everyone who came to Gama Gama and were changed forever. Then, while walking past one of the empty tanks, Kukuru experiences another illusion, once again involving someone who looks like her sister, who gives her a loving pat on the head as if to say “you’ll be alright.”

Back home, during Kukuru and Fuuka’s last meal together for some time, Kukuru mentions the illusion she experienced, believing she’d met her “doppelganger”. This is when Gran finally decides to tell Kukuru something they were going to tell her when she grew up.

As she’s already been an aquarium director for a summer and then lost that aquarium, Gran decides she’s grown up enough. Kukuru had a twin sister…but only Kukuru was born.

I understand Gran not wanting to keep Kukuru in the dark any longer, but the timing couldn’t be worse when it comes to Kukuru and Fuuka having to say goodbye so soon. At the airport, Kukuru tries to put on a brave face, as she feels she owes it to Fuuka, who supported her dream for so long.

Airport goodbyes always get me, and Aquatope really nails it, from the awkwardly formal handshake to watching from Kukuru’s POV until Fuuka disappears into the terminal.

But that is not goodbye, because before she boards her plane, Fuuka thinks about how she only cried when she was alone after her dream ended. She thinks about how Kukuru must be crying alone right then, and decides she can’t board the plane; not now. She runs dramatically through the airport, calls Kukuru and asks where she is, and meets her out on a patio where she is, indeed crying alone.

The bottom line is, making sure Kukuru didn’t have to cry alone was far more important to Fuuka than a movie role in Tokyo. She had to be in the position where she had to choose to learn that the job wasn’t really a new dream. You could say she’s torpedoing her career simply because Kukuru’s gran got talkative about things past at the worst possible time.

Still, Fuuka simply couldn’t let the person who helped her find strength and happiness after losing everything cry by herself. After sharing some big ol’ sobby hugs like two close friends should (seriously, WTF was with that handshake earlier guys!) Kukuru decides she’ll work at Tingaara after all.

The aquarium and its fragile micro-ecosystems taught Kukuru over the years that life can be difficult, and being alive isn’t a given. It was basically a coin toss that Kukuru got to live and her sister didn’t, so she now feels doubly motivated to make those who love her proud; that includes Fuuka.

Fuuka ends up on a plane back home to Iwate as planned, but as she settles into the cozy night flight she reads the poem Gramps read during his farewell speech, about how everything eventually becomes the ocean, which is probably why whenever someone peers into “the ocean within”, they find peace. Kukuru joins in, and they finish the poem in one voice, telling each other see you tomorrow.

It’s a bold and gorgeous way to end the first half of Aquatope, and I couldn’t be more excited to see what new innovative ways the show will cause me to bawl my eyes out when the second half comes around.

Vivy: Fluorite Eye’s Song – 04 – Be Our Guest

In a cryptic and haunting Blade Runner-esque cold open, Estella holds a bird in her hand beside a second caged bird, and when she smiles, another AI lying on a medical bed smiles as well. Researchers’ voices report they’ve “failed”.

The second AI ends up in a junkyard, surrounded by other discarded AIs in various states of disrepair. A light shines on her once-beautiful, now-ruined face: four armed men have come for her, to give her a new mission.

Vivy decides to lie to Yuzuka about knowing her sister, insisting she’s mistaken. Before Yuzuka can argue, the entire ship shakes. Estella informs all hands that a malfunction of unknown origin has occurred, and all guests are to head to the main hall as a staging area for evacuation.

The crash of the Sunrise is beginning, but Matsumoto is confused; it’s far too early. Events have diverged too far from history. Then Vivy and Yuzuka meet Estella in a corridor, and immediately after Vivy notices she’s not wearing a staff bracelet, Estella attacks her.

After doing some digging, Matsumoto discovers the culprits behind “Estella’s” manipulation and the impending crash of the Sunrise: the anti-AI terrorist group Toak, led by an operative from fifteen years ago.

Vivy and Yuzuka escape the evil “Estella” double and soon find the beheaded LeClerc. Vivy removes her ruined arm and attaches LeClerc’s functioning one, then asks Matsumoto to prepare the anti-personnel combat program he tried to forcefully upload before. Yuzuka on the verge of wigging out, so Vivy gently presses their foreheads together and calmly promises her she’ll get her safely back to Earth without fail.

Upon receiving the combat program, Vivy’s entire aura shifts. She’s still Vivy, just considerably more badass. Ditching her glasses and putting her jacket back on, she heads out into a corridor and the Toak agents are absolutely no match for her superior speed and strength as she dodges bullets and delivers vicious blows.

Vivy revives the real Estella in her office, and when Vivy says the terrorists have control of the Sunrise and are bringing her down, Estella realizes only one person besides herself could make that possible: her younger twin sister, Elizabeth. They were created to determine if copying over one AI’s accumulated experience data to another AI would produce a perfect clone of the original. This puts the cold open into context.

Meanwhile in the control room, Elizabeth sets the drop trajectory to crash the Sunrise, just as her Toak “master” recognizes Vivy on a security monitor; turns out he’s Kakitani, the operative whose life she saved fifteen years ago. As Matsumoto would probably put it, her “unnecessary calculation” resulted in Kakitani coming up with this new scheme.

But Beth has some unnecessary calculations of her own, sedating Kakitani and warning the other Toak agents to take him and hurry to the evacuation ship. She wasn’t prepared to let her master sacrifice himself.

She leaves them, ditches her blonde wig, and changes into more comfortable threads for her confrontation with Estella and Vivy. Beth cops to convincing LeClerc that Estella killed the previous owner, giving her all the systems access she needed. Vivy uses her combat skills to protect Estella, and Matsumoto infects Beth with a reformatting virus that affects her motor skills.

Unlike Estella, the free bird who had a mission, Beth had nothing until Kakitani brought her in. She considers herself Master’s “lifekeeper”, defining him as the only member of “humankind” it became her mission to protect. There’s no doubt she got the short shrift, but Vivy and Matsumoto simply don’t have time for the sisters to hash it out, so Vivy headbutts Beth, knocking her out.

In the control room, Estella discovers that the die is cast: Sunrise’s mass won’t allow it to pull out of its descent. Even worse, it’s headed not for the ocean, but a coastal city. To fulfill her lifekeeper mission, Estella decides to systematically separate the Sunrise into its constituent modules, so the smaller pieces will burn up in the atmosphere.

It’s an operation that can only be performed by her, in the control room, so she’ll be going down with the ship. When Vivy tells her they’re sisters too, Estella reminds her, they’re AIs. They live for their missions, not one another.

With another gentle meeting of foreheads—possibly exchanging data—Estella urges Vivy to board one of the departing evac ships. Shortly after, Beth joins her in the control room, her Toak conditioning purged, and the sisters meet in person for the first time.

Vivy reunites with Yuzuka aboard an evac ship, and Estella’s warm and calming voice comes over the PA, apologizing to the guests for all of the inconvenience they’ve suffered, but assuring them that they’ll be alright. She then opens the ships’ observation windows and directs their attention to the sun rising over the Earth.

As Beth begins to sing a sad and beautiful song about the stars with her sister by her side, the evac ships are on course for the airports on the surface, and the human guests aren’t just remaining calm, they’re smiling as they behold Earth’s majesty—and smiling guests was always Estella’s greatest wish.

As the several dozen decoupled components Space Hotel Sunrise burn up in the atmosphere shortly after the song concludes, Matsumoto declares their Singularity Project mission accomplished, and shuts down until their next mission in the future.

Vivy confesses to Yuzuka, that she was lying before about not being Diva; not she did know Momoka, she was her only human friend, who gave her her name and the bear. Vivy gives Yuzuka the bear for safekeeping, and the two await their return to humankind’s proper place: Dear Old Earth. So ends another fine chapter in Vivy’s epic time-traversing odyssey to save humankind.