Shu is moments too late to save Inori, and the newly awakened Mana’s dance begins the fourth apocalypse, as countless people around the world become consumed by crystal. Using his friends’ voids, Shu duels with Gai, but is disarmed and struck down. Just when all hope is lost, Inori calls to him from a crystal flower, and he draws her back out. Her song dissolves the crystal all over the world.
As GHQ headquarters collapses around them, Shu stabs Gai, and the two cross over to the Naath Utopia, which lies beyond the apocalypse. Gai tells him the only way for Mana to be put to rest is by letting her finish her role. Shu returns to the real world, where Inori is almost totally encased with crystal, and eventually disintigrates. Together, theyabsorb the last remnants of the apocalypse virus. Years later, the world is back to normal, Shu survived, and he still pines for his lost love.
Well, it was quite a ride, but all things must end, and end Guilty Crown did. It wasn’t the best ending ever but at least we pretty much knew what was going on, and no last-minute twists or contrivances came out of left field. There was naturally the final boss battle, where Gai who claimed Mana while Shu dug down deep and called upon the power of Inori. Gai was redeemed, as he says in the end he did what he did hoping Shu would come stop him, and he did.
We really dug the new music saved for this finale, including a pretty badass remix of the first ending theme. But we do feel ourselves hard-pressed to offer more than faint praise for this last episode. To be perfectly honest, the trio of sci-fi shows that came around in January (Aquarion, Moretsu and Lagrange) have caused our interest in Guilty Crown to wane. In that sense, it’s a good thing the series is over.
UN launches a massive assault on GHQ, but Gai emerges and destroys the force with a single devastating attack. The Undertakers take advantage of the distraction to infiltrate the building, led by Shu using everyone’s voids as he goes. When they reach Central Command they are blocked by Yuu of Naath, who isolates Shu and duels him. Shu wins, but is a moment too late to save Inori, who Gai has had enclosed in crystal to be reborn as Mana, his Eve.
That was a mighty fine penultimate episode. It employed an enthralling “infiltrating the final dungeon” setpiece, complete with a nasty-ass boss in Yuu, who sacrifices minions for void weapons like we usually eat popcorn chicken – rapidly and without mercy. Finally, it just about finished explaining what the heck is going on. Yuu is a member of Naath (he says he is Naath), an organization that apparently chooses the next stage of evolution for humans. Inori is their Eve, it’s clear, but Adam was pretty much a stalemate between Shu and Gai until Yuu asks him a simple question: Will you press the reset button on the world?
Shu is, as Inori observes, “heartbreakingly human”, so much so that heals guys who aren’t even on his side. Eliminating the entire human population, including his friends and family, simply isn’t in his character. Killing Gai to save them all is, though, as he states in perhaps the most touching scene with Ayase yet – part goodbye, part acknowledgement of mutual affection. The stirring score really makes its presence felt and adds gravity to the proceedings. We’re feeling good about a coherent ending taking place, though we can’t speak to how derivative and/or contrived said ending will be.
Shu’s father, Kurosu, as Keido, Gai’s father, reminices about his rivalry with Kurosu. With both Shu’s classmates and Funeral Parlor remnants aboard the Kuhouin yacht, Haruka reminices about meeting Kurosu, after his first wife Saeko died giving birth to Shu. Their first child Mana (Inori) discovered the apocalypse crystals after a meteor hit. Kurosu worked alone in a lab, while Keido ran a ‘nursery’ where children like Gai were experimented on. Gai escaped and ended up meeting Mana and Shu. When Keido finds that Kurosu has solved the mysteries he couldn’t, he kills him out of jealosy. Back in the present, Shu and Funeral Parlor disembark for a face-off with Gai, but not before Shu makes up with Souta.
Lots of past covered this week. Lots and lots of technobabble too, unfortunately. Genome intron resonance blah blah blah it all sounds the same to us. What did manage to rise above all the science speak was finally learning about Kurosu, and how much Shu is like him. But as “Shu” means “group”, Kurosu didn’t intend for his son to walk through life alone. Shu’s friends refuse to take their voids back from him, even if his losing to Gai means their deaths along with his. Their fates are tied together, and he won’t have to fight this battle alone.
As for Keido, well, we only learn that he’s a despicable monster who ran human experiments on children. The episode really underplays his evil though, as even his sister Haruka doesn’t stop associating with him and even asks him if it’s okay if she marries Kurosu. Surely she knows what he’s up to, being a budding scientist herself. Finally, we’re meant to believe Mana and either Shu or Gai will comprise the Adam and Eve of the world that will follow the fourth apocalypse. We’re still not crystal clear about the pertinent parties’ motivations for starting the world anew; all we can ask is what will keep them from getting bored with that world as well? How many apocalypses is enough for these freakshows?