Nagato Yuki-chan no Shoushitsu – 09

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Even though it starts with an innocuous late night game of cards, it feels like a lot more happens in this episode than last week’s, thanks both to Ryouko’s vivid imagination and Tsuruya’s stargazing suggestion. It’s also a better episode...IF we forgive its deeply disconcerting final moments.

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At first Yuki loses, and as a penalty she has to get food and drinks for eveyrone. Naturally, Kyon comes along, for chivalrous purposes (it’s dark out and Yuki’s a klutz). Indeed. she trips and ends up in Kyon’s arms, and from Ryouko (and everyone else’s) POV they seem to even lean in to kiss.

But then, quite unexpectedly, it all turns out to have been a fantasy Ryouko made up in her head. In fact, the lovebirds never went out; she’s the one who ends up with the Old Maid.

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Thankfully, Yuki and Kyon do go out together when Ryouko and Haruhi conk out and Tsuruya suggests they go to a perfect spot for stargazing, which is quite a hike away. Kyon offers to hold Yuki’s hand, but she can’t quite do it, settling for his sleeve. They end up in a whimsical park full of huge dinosaur models.

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Turns out they’re being tailed by Ryouko and Haruhi here as well, and it’s here where Ryouko confesses to Haruhi she’s not worried about Yuki and Kyon alone together, she’s jealous, and lonely. But the ever-chipper Haruhi assures Ryouko her relationship with Yuki won’t change for fall by the wayside, whatever happens between Yuki and Kyon. They’re words Ryouko needed to hear and wants to believe.

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Everyone ends up reuniting at the stargazing spot, which is as awesome as advertised. When Yuki ends up off on her own, reaching out to starts that look close enough for her to touch, but can’t be, it’s Kyon who touches her hand, and takes it into his.

As their love theme—Debussy’s Clair de Lune—plays, Kyon leads Yuki back to the others, hand-in-hand. Yuki, who had been momentarily preoccupied by her insignificance in the vast universe above, is brought back down to earth, a place where she’s valued and loved not just by Kyon, but Ryouko as well.

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They get to sit next to each other on the train ride home, and just like that, the long, sprawling, eventful “training camp” is over, and Yuki is a little closer to reaching her goal. Cut to the rains that precede Summer, a time when Ryouko remarks Yuki will have to come up with excuses to see Kyon, and after they part ways, Yuki walks out into the street with the Walk sign, and it sure looks like she gets hit by a fucking car.

This…was upsetting. Not because I think it will be the death of Yuki—she appears alive and well in the preview—but because it’s so damned random. So far all of her nice romantic moments with Kyon have just kind of worked out, and now it’s as if the show wants Yuki to pay the piper or something for all of the good luck she’s had. It’s cruel.

Then again, the universe only needs one fraction of a second to everything away from you, and Yuki isn’t immune to that possibility. Also, disappearance is part of the title; I just sorely hope it isn’t her memory and love of Kyon that disappears. That would suck, frankly. I just want Yuki to be happy in her spin-off. Is that so much to ask?

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Nagato Yuki-chan no Shoushitsu – 08

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Nagato Yuki-chan took it easy this week. Like, really easy. Like, it just hung out in an onsen as the lit club simply relaxed. This was a very relaxed episode. Whether it was relaxing depends on your patience. I suppose it makes sense, though, as this rest marks the halfway point of the show’s rather unusual 16-episode run.

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One of the curiosities of this particular onsen is that its open-air bath is an omiai or matchmaking bath, with a small door that offers views between the men’s and women’s sides of the bath—that only the women can open (which is the way it should be!) This is different from the usual “guys try to sneak a look at the girls” angle.

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That being said, if you were itching to see Haruhi, Yuki, Asahina, Tsuruya and Mikuru in various states of tastefully covered-up nudity, you were in luck this week. From the tight closeups of the girls disrobing to Haruhi’s general (and very true-to-character) lack of modesty, the onsen fanservice was present and accounted for.

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Post-bath, pre-dinner activites? It had those too, from a table tennis tournament totally rigged by Haruhi, to a karaoke tournament she flakes out of when she suddenly gets bored, which happens the moment Kyon is about to sing. What’s mildly funny is that he’s so into it he doesn’t notice his friends have left him and he’s singing to some random woman cleaning the bath.

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Like previous episodes, this one was also not afraid to take long pauses of calm silence. Kyon successfully repels Haruhi and Koizumi and enjoys a good twenty seconds before deciding to go back to the baths, at the exact same time Yuki decides to do the same thing. Then Yuki opens the matchmaking window on a whim to find Kyon right there on the other side, perfectly framed in the heart-shaped hole in the frosted glass.

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She apologizes, he tells her she doesn’t have to, and invites her to open it again—it’s for conversation, not peeping, after all—but the sound of the others spooks her. Nevertheless, the two have a good relaxed laugh on their respective sides, and the requisite Yuki x Kyon Moment is achieved, though Yuki once again fails to confess her feelings.

If nothing else, this episode made me want to take a long, hot, possibly herb-infused bath, followed by a brief spell in the sauna, a cold fruit milk, and a multi-course Japanese meal. Sounds heavenly.

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Nagato Yuki-chan no Shoushitsu – 07

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The Disappearance of Nagato Yuki? More like the Disappearance of Plot, best demonstrated in the first minute or so of the episode, carried out in silence but for the sounds of Kyon playing Othello with Koizumi, Yuki tapping away on her PSP, and Haruhi writing noisily on the whiteboard. Kudos to the foley artists who provided the sounds that really brought this slice of the lit club’s life…to life.

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As for the plot, it’s not all that important: Haruhi has organized a Hot Springs trip for the club, under the guise of a “training camp”, for which she has forged detailed trip journals legitimizing what will be far more of a freestyle vacation where the only goal is to have fun. Leave it to Haruhi to put so much effort and energy into something that is by design meant to be unproductive.

It also means Opportunity #468 for Yuki-chan to get closer to Kyon and vice-versa, and while I can certainly see some of the situations Asahina imagines Kyon and Yuki getting into, I can safely say the trip will not consist of the two “crossing any lines,” such is the product of Asahina’s overactive imagination.

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Instead, despite not drawing lots to sit right next to each other on the train, the two end up on either side of the aisle, which is almost as good in terms of snack-sharing. It’s a fine example of things maybe not going perfectly according to plan yet still working out just fine. And I’m sure, to Asahina’s relief, Kyon doesn’t try feeding Yuki again.

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The quiet first scene in the club room set the tone for the episode and the club trip in taking its time and enjoying the moment and the journey more than the destination. The character interactions, both as a whole group of seven or in pairs or trios, keep the episode going, as they kill time waiting for their courtesy van by sightseeing and eating…a lot.

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One such welcome pairing is Koizumi with Haruhi, who are always a reliable duo for comedy simply because as far as Koizumi is concerned, Haruhi is never wrong and he’ll never refuse her whims, no matter how unreasonable or odd. The spinoff even makes another callback to its predecessor when Haruhi mentions “power spots” at the temple that can bestow supernatural powers.

But we know by now it’s just teasing and winking, not really seriously suggesting the show will take any supernatural turns…because it won’t. And that’s fine by me, especially if I can still be subjected to silences as long and awkward as Haruhi and Koizumi’s in response to Kyon’s attempt at “vital point” humor.

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Also, it’s good to see that romance and Kyon aren’t the only things on Yuki’s mind—she’s also very enthusiastic about sampling the local food of the region!—She’s also just basking in the glow of her new circle of friends, including Asahina, and this lovely trip they’re on, making fond memories out of soba and smoke.

Lest we forget she was once the only member of the lit club, about to be shut down, but with its infusion of members and semi-members from within and without her school, the club has never been more vibrant. The wish she writes on her matchmaking amulet is directed at the whole group, but we’ll see next week if her attention turns to a more specific subject at the hot spring…and if any of Asahina’s rom-com scenarios come to pass.

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Nagato Yuki-chan no Shoushitsu – 06

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This week’s Yuki-chan was a bit of a “sampler” with a lot of different loosely-connected stories taking place within the episode. Because Yuki is trying to be bolder, so she speaks up when the opportunity arises to hear the story of Kyon and Mikuru’s “horrendous encounter” from Tsuruya—after Tsuruya launches Mikuru at Kyon, causing a boob-face collision.

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In a classic example of the listener being at the mercy of the narrator’s own biases and motives, Tsuruya recounts a story of Kyon shamelessly setting up a situation in which he bumps into Mikuru and takes her by the hand. In reality, both events were pure accidents, which, is actually why Kyon and Mikuru are able to converse normally: what happened wasn’t that horrendous to them at all.

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The theme of misunderstanding and withheld facts continues in the second segment, in which Kyon, who won’t admit he’s not doing so great with his studies, asks Asakura if she’ll help tutor him. She gives him a high-and-mighty lecture, whereupon he decides to ask someone else, like Nagato.

At the mention of Yuki, Asakura grabs his hand and the two exchange what I’ll call “smiles of understanding.” But because of those smiles and the fact they’re holding hands, Yuki’s skewed, hyperrealistic manga/video game vision presents a much more intimate scene unfolding before her.

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This misunderstanding is cleared up, but when Asakura and Kyon hit the books, Haruhi and Koizumi burst in, with their prep school education that’s a full year ahead of the two. I love the shot of Kyon’s POV when Haruhi sticks her head into the frame. Kyon and Asakura mistake Haruhi’s factual statements as an attempt to mock their “lesser” school and by extension themselves, so Asakura challenges a “math-off”, only to get in over her head and start crying.

Asakura had warned Kyon not to involve Yuki in anything related to schoolwork, but has little choice, and wins the challenge with Yuki’s superior academic prowess. Hey, she lacks confidence…no one said she was a dummy! In another nice nod to the show in which she’s an alien, Yuki is so bad at explaining how she arrives at answers so quickly it sounds like she’s speaking an indecipherable alien language at seemingly superhuman speed.

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The last segment involves both misunderstandings and Yuki being bold. Kyon decides to eat lunch in the clubroom and finds Yuki there tapping away at her video game (which looks like a dating sim). He decides to tease her by snatching the game and making her jump up high to grab it, resulting in the two accidentally embracing. Asakura enters just in time to witness this embrace, and quickly withdraws with her apologies.

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She bursts in again to find Kyon feeding Yuki, and again apologizes and withdraws. Kyon worries she misunderstood everything…but did she? The hug may have been accidental, but both of them held that hug an awful long time…almost as if they enjoyed it. Also, it makes no sense why splitting Kyon’s lunch would be easier if he fed her. That’s just Yuki seeing if Kyon would actually feed her…and he does! Nice moments for this couple; I just wish they wouldn’t always dismiss them as misunderstandings.

The final scene has Haruhi, Koizumi, Tsuruya and Mikuru at the club’s door in preparation for Haruhi’s “Training Camp”, which she’s sure she told Yuki about, just as she told Yuki she got a faculty pass to come to their school for club. In both cases, Yuki forgot being told these things because she was so engrossed in her video games. But approving Haruhi’s requests has increased Kyon’s exposure to Haruhi, making Yuki’s job to woo him that much harder. So Yuki: When Haruhi’s around, put the game down and concentrate!

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Nagato Yuki-chan no Shoushitsu – 05

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Last week was a compelling turning point in the show, when the streak of everything going Nagato Yuki’s way ends with a bang, with that bang being her homemade chocolates hitting the ground. This week, Nagato Yuki disappears, and it’s up to Ryouko to pick up the pieces.

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To her surprise, Haruhi joins the search. Haruhi claims it was just a misunderstanding; that she was giving Kyon courtesy chocolate just like she gave to Koizumi. It isn’t her fault Yuki overreacted, or takes the ritual so seriously.

Ryouko is angry, first at Haruhi, then at herself for blaming others for what she deems her own failure. This is the angriest and most emotional we’ve seen Ryouko yet, and it’s the culmination of putting “Miss Nagato’s” hopes and dreams on her shoulders, while also possibly forcing ideals on the lilac-haired waif.

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When the two finally locate that waif, sulking on a stair, they learn they misunderstood her running away, as did we. Yuki wasn’t devastated by the sight of Haruhi and Kyon, nor is she giving up; she merely felt like she shouldn’t be there while someone else is giving chocolate to someone, because she wouldn’t want anyone watching while she was doing it. Yuki puts herself in the shoes of others, and treats them the way she’d want to be treated. She really is a good girl.

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But will she have the fortitude to hang in a fight with Haruhi for Kyon’s heart? Haruhi makes it clear she “doesn’t dislike” Kyon (i.e. she likes him) when Yuki asks her point blank (and good for her for doing so!) so it’s no longer a one-horse race. But Yuki is game for now, and Haruhi wishes her rival luck.

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Yuki finally, finally delivers the chocolates to Kyon, with trembling hands and a face so red he really should know how much this means to her. He opens them eats them, praises their taste and Yuki and thanks her. He does everything he should do considering what he was presented with, but it isn’t enough. Someone like Kyon needs a clear-as-crystal confession or it’s going to sail over him.

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With nothing else to do but watch from a secluded spot, Ryouko decries the fact it doesn’t seem to be going so smoothly, while Haruhi, nervously playing with her shoe thinks she understands at least part of how Yuki feels, and how giving something to someone, as a courtesy or not, is still an achievement to be proud of.

Haruhi looks particularly weary when Yuki seems to be going in for the confession, but a terribly-timed tackle by Tsuruya causes Yuki to fall to the ground and Kyon to land on her chest, ruining her chance once more. Haruhi seems more than a little relieved by the Tsuruya ex machina.

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While this week did resort to some standard rom-com stall tactics, I appreciated how it kept things tough for Yuki, and more importantly, brought Ryouko’s formerly flawless facilitating powers down to earth. In one of her better lines, told in her temporary rage, Ryouko tells Haruhi “you’re the kind of person who can act to make what you want happen”—referencing Haruhi’s supernatural powers in the original series—compared to Yuki, who has trouble making anything at all happen.

But after this week, Ryouko and Haruhi seem like something resembling friends, their bond forged in large part because of Yuki: Ryouko’s devotion to her, and Haruhi’s competition with her. And I think Haruhi understands Yuki all too well in one notable regard: for both of them, getting Kyon to properly notice their feelings looks to be a Herculean challenge.

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Nagato Yuki-chan no Shoushitsu – 04

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Oh dear…I realize I may have been hasty about choosing Nagato Yuki-san as the Spring’s “feel good” anime. Her inflexible reliance on conventional courtship rituals like Christmas and Valentines left her vulnerable the battle for Kyon’s heart Four weeks in, he has no idea how deeply she feels for him.

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Haruhi arrived on the field of battle late, and even provided moral support for Yuki to advance at a quicker pace, which lessoned the threat she posed. At the same time, her strict non-adherence to societal norms, striking looks, and impish aggressiveness made for a formidable arsenal, with which she’s able to steal a march on Yuki.

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The most heartbreaking part (if you’re a Yuki shipper)? By going home to make chocolate rather than stay at the club to hang with Kyon, Yuki gave Haruhi the only opening she’d need. Mind you, Haruhi doesn’t have anything against Yuki, and she’s not some villainess hell bent on making her life miserable. On the contrary, I doubt she was planning to make the connection she made with Kyon, or vice versa. It was almost as if destiny itself was against Yuki.

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All Haruhi sees is a lonely Kyon waiting for her by the school gate, a potential free coffee, and later, an open ear to her philosophy of “good things will come to those who seek them,” not those who wait. Even when she tests him by asking if he thinks water imps exist, he doesn’t bore her with a scientific explanation for why they don’t. Instead, he ponders whether they do…and who can blame him, with Haruhi fording the February river in her bare feet at sundown; the very picture of impish beauty?

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Yuki means well, but her omission absence, and hesitation are no match for Haruhi. Yet she doesn’t even consider Haruhi to be a threat when she tries and fails to sleep that night, then goes to school with a lump in her throat. Her challenge, as she sees it, is to get that chocolate into Kyon’s hands. As long as she does that, everything will be fine. But putting so much importance into the ritual also means she’ll be that much more devastated if things don’t go as planned.

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Mikiru, Tsuruya and Asahina’s collective “attagirl” encouragement and Asahina’s plan in which she comes to Kyon rather than wait for him, are all designed to make the exchange as painless and idiotproof as possible. But at this point, I’m pretty certain she’s walking into an ambush. There will be no feel-good ending in that room.

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The scene she walks in on couldn’t have been worse if they were in flagrante delicto on the tabletop, because frankly, Yuki’s threshold for romantic defeat is about as low as humanly possible. There’s Kyon, to whom she was about to present the chocolates she put her goddamn heart into, his hand connected via the conduit of a store-bought chocolate bar—”Showa”, a play on Meiji—to Haruhi, the usurper Yuki herself allowed into the club. It’s a regular imperial coup.

The one slight glimmer of hope? The box Yuki drops on the floor doesn’t bust open and scatter the pieces all over the floor, so maybe that’s not quite the state of her heart. But this is going to sting, and her skight step back indicates she intends to retreat.

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Nagato Yuki-chan no Shoushitsu – 03

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By formally introducing the main character of the Haruhi franchise in just the third episode of a spin-off starring a meek bookworm, Nagato Yuki-kun seems to be issuing a challenge—to itself—can Yuki hold her ground when a charm factory like Hirano Aya’s Haruhi crashes her show, or will she disappear, as the title suggests?

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I would imagine most of the audience turned off by all the show’s changes have already checked out (unless they’re hate-watching). Now it’s up to the show to deliver for the cautiously optimistic viewers who stuck around to see where they’re going with this.

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In terms of Yuki being replaced as the protagonist, that isn’t going to happen, nor would I want it to: Haruhi is a supporting character who just happens to steal every scene she’s in with her charisma, and instant chemistry with Kyon. Their half-hostile, half-flirtatious sparring on display here is nothing new for veterans of the franchise. And listening to two true pros at work in Hirano and Sugita is always a pleasure in and of itself.

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As it has every episode thus far, the show doesn’t forget to give Yuki and Kyon a romantic moment or two to keep their romantic potential active. Here, Yuki gives Kyon an extra-formal thank you for helping her this year, and then prays at the shrine for the courage to tell him her feelings—her real feelings, not the word salad she dropped on Haruhi and Kyon in that cafe.

That being said, I loved how her melon soda refilled when she realized she could call Kyon a friend without anyone thinking it’s weird.

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The new year brings with it more Haruhi, and when she infiltrates North High with her transfer student pet Koizumi Itsuki (who doesn’t appear to be an esper) and moves right in, getting Yuki to agree to make them members and make her Executive President. In an odd moment, it seems like Haruhi heard Kyon’s inner monologue. Was that just an easter egg, or a sign things could get more supernatural?

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That’s going to be another big question: assuming Nagato will still have the greater share of screen time as the official protagonist, how much will the people Haruhi has amassed change? Does she have the same godlike power to make her delusions reality she possessed in the original series? Did the show start out like a conventional, non-supernatural rom-com as a feint?

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I’m skeptical of that. I see this Haruhi as no more a god here than Yuki is an alien or Asahina a future-girl. I’m not saying there’s no way they’ll become those things under extended exposure to Haruhi, but I doubt it. The challenge remains, the lit club is now much louder and livelier (the whole cast does a great job creating the aural chaos of such a club), and Yuki must become louder and more aggressive in order not to be left in the dust.

The good news is, Nagato doesn’t need to grow her hair long enough to put it in a ponytail…though if she really wants to, Kyon won’t stop her.

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Nagato Yuki-chan no Shoushitsu – 02

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Despite the rather disquieting presence of the word “disappearance” (or “vanishing”) in the title, and barring any crazy plot twists, this second episode all but cemented Nagato Yuki-chan’s place as my Official Feel-Good Anime of the season, a position that Koufuku Graffiti occupied this past Winter. Both shows are warm, sweet, and pleasant, if a little lightweight compared to the original series it’s based upon.

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Kyon’s a lucky guy…but we knew this

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Like Ryou in Graffiti, Yuki starts out lonely and depressed, as we see in the flashbacks that break up the Christmas party preparations, which are proceeding apace. Not too long ago, the school threatened to shut the lit club down if Yuki didn’t find more members.

Asakura promises to support her as a friend should, but first Yuki needs to crawl out from under that kotatsu and take action to save the club. In other words, she has to take the lead in taking a stand…and Asakura will follow. She won’t fight her battles for her, but beside her.

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While Yuki is out one night rustling up some grub, a strange girl with yellow ribbons in her long brown hair beckons to Yuki, asking for assistance writing a large rehearsal message for Santa in the park, hoping to “nab” him and “string him up”. This girl’s goal may be unusual and somewhat absurd, but there’s no denying her commitment and dedication to making it happen, going so far as asking a stranger for help…a stranger who forgot her glasses, no less!

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The bizarre encounter inspires Yuki, who is pounding the school pavement the next day, trying to convince strangers to join her club after formally asking Asakura, who gladly joins. She gets turned down by everyone except Kyon. Why does Kyon agree to join? I dunno…maybe he didn’t have anything else going on. Maybe he just thinks Yuki is cute…which she is, especially when working hard for a cause she believes in.

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…And the rest is history…or should I say histurkey? 

I’ll show myself out.

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The party goes off without a hitch. As was the case with Saekano’s Megumi Kato, Yuki is in danger of being edged out by louder (Tsuruya) bolder (Asakura) and bustier (Asahina) personalities, but ends up in the right place at the right time in the end. While she didn’t out-and-out plan to meet Kyon outside (she only wanted to see how the clubroom looked), she realizes it’s the perfect opportunity to confess to Kyon, especially when it starts to yuki. Alas, a Asakura accidentally sabotages the moment, something for which she’s legitimately sorry.

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BAAAAAAAW

 

Fortunately, that isn’t that, as Kyon mistakes a flustered Yuki for a cold one and places his coat on her. This makes him cold, so Yuki switches from words to actions, offering to share the coat with Kyon. The snuggle session that ensues is the totes adorbs highlight of the episode, and another sign that one day at a time, Yuki is drawing closer to world domination living a happy, confident life, achieving what she wants to rather than just worrying about it.

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Which brings us to post-credits. While on their way to the after-party clean-up the next day, Yuki realizes she never got to take that wierdo up on her offer to visit the park to see Santa. That’s when the girl leaps out of the bushes and collapses in the snow. The appearance of Migi Suzumiya Haruhi presents a fresh challenge to Yuki, as she’ll have to work that much harder to defend her position as the protagonist of this show.

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Nagato Yuki-chan no Shoushitsu – 01 (First Impressions)

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For many, this new Suzumiya Haruhi property has huge shoes to fill. It picks up in a place where the Disappearance film (one of the longest, but best, anime films ever made, IMO) briefly spent time, namely the alternate universe where Haruhi never assembled the SOS brigade and where Nagato Yuki wasn’t a stoic alien but a shy bookish human girl.

Therefore, technically a spin-off.  This Nagato Yuki doesn’t share much beyond her looks with the Nagato Yuki of the original series(s). This isn’t even a KyoAni production, but rather the work of Satelight. It’s also more of a conventional romantic comedy, nearly devoid of metaphysical, supernatural elements, and the focus will be not on what’s going on with this universe, but what’s going on inside Yuki’s human heart.

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As a moderate-core fan of the Haruhi franchise, I viewed this opening salvo of Yuki-chan not as a safe or cynical dilution of a storied brand, but as another demonstration by that brand’s creators that Haruhi herself and the supernatural trappings weren’t all that endeared us to the series. Placing its solid characters in a less magical setting, while leaving the former main heroine out, gives them a new place to shine, and shine they do!

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That being said, Yuki-chan still has moments of playfulness, with Asakura still exhibiting qualities that could be described, but perhaps she’s really only very athletic and multi-talented. Comparisons to Haruhi’s de facto KyoAni rom-com successor, Chu2Koi, are inevitable, and like that solid franchise, Yuki-chan doesn’t forget to show off now and again, whether it’s a bold punctuating gesture or more subtle, intricate details in the presentation.

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One other advantage Yuki-chan has out of the gate is its built-in lived-in world. Sure, it’s not the exact world we know and love, and in fact, it was specifically portrayed as the wrong world in the film, but the same gang is on hand (save Haruhi) and the same locales as well, with all the differences you’d expect considering the changes to the universe. Asakura is a mom-like protector/mentor figure for Yuki, rather than her hard-headed back-up and rival.

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And in a world without Haruhi, Yuki is free to explore her feelings for Kyon and the best way to express them…and vice-versa. Kyon can sometimes miss the point of things like keeping the lit club going, or the significance of having a Christmas party in said clubroom, but his value to bringing Yuki out of her shell can’t be overstated.

Overall, Kyon comes of as his usual kind, perceptive self, always willingly to call out the quirkiness of his peers (mostly in his head), but also devoted to Yuki and willing to go at her pace, which much like Rikka and Yuuta, isn’t that different from his pace. In this way, after mishaps like Kyon seeing Yuki’s belly, things can be patched up between the two while waiting for the dryer.

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With it firmly established the Lit Club consists only of Yuki, Kyon, and Asakura, the introduction of Asahina and Tsuruya is a little…clunky. The conceit that Tsuruya has the Christmas turkey Yuki is hell-bent on serving for the party, and that she must duel Asahina in various random challenges for said turkey, is a bit random.

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The randomness continues when Asakura and Tsuruya hijack the duel and the episode with an increasingly elaborate, over-the-top antics, which end in stalemate and the two becoming friends. Then again, the fact they shoved Yuki out of the frame so easily speaks to work that lies ahead for Yuki to more strongly assert herself in the show that bears her name, both for Kyon, and for the audience.

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I’m guessing some among that audience are understandably dubious, but I’m not among them. Unless there’s going to be some twist in which this universe suddenly changes, or everyone’s superpowers manifest, it’s probably appropriate to proclaim “Nagato Yuki is dead; Long Live Nagato Yuki-chan.” I’ve definitely room this Spring for a pleasant conventional shy girl rom-com with KyoAni (er, Satelight) flair. Your mileage may vary.

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Stray Obervations:

  • nagatoicI liked that little Iron Chef moment, where Kyon chose to bite the pepper not like the Chairman, but like…Kyon.
  • Let’s just sit back and admire the fact that Asakura managed to get through this entire episode without stabbing Kyon! She deserves a mincemeat croquette.
  • There’s also something very amusing about the way Asakura snatches up Yuki as if she were a ragdoll.
  • I also liked the fact that Yuki wanted snow in the classroom for the party, but Kyon insists she settle for the fact that her name means snow. A technicality, but a good one!
  • She also seems to have a very nuptual aesthetic in mind, what with the five-layer cake and white dress. Perhaps Kyon should just give in and get her a ring for Christmas?