Momokuri – 17 + 18

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The rest of Summer Break breezes by without any contact between Momo and Yuki after accidentally ending up so close together. It wasn’t a matter of Yuki not liking it, but liking it too much and not being able to withstand any more. As a result, Momo is a little confused by their distance when the new semester arrives, but a nervous Yuki is later comforted by the fact that Momo not only worries about her, but is willing to call her to make sure everything’s okay.

Norika and Sawaguchi have a nice sidebar wherein the latter notices Yuki’s stalking, but comes to Yuki’s friend instead of Yuki directly, showing a degree of tact and delicacy. Norika is impressed by this, but as easily as Sawaguchi was able to detect Yuki’s bizarre behavior, he has a much tougher time reading Norika, who I feel genuinely believes he is a nice guy, even if her vitriol-spewing gives him cause to doubt it.

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Momo invites Yuki to a date at an amusement park, and the two have a grand old time, eventually ending up at the haunted house (where Yuki wants to hang off of Momo’s arm). A fortuitous power outage gives them both far more than they bargained for when Yuki trips on Momo, falls on him, and her hair gets tangled on his sweater button.

The house had legitimately made Yuki tremble in fear, so Momo’s correct and natural instinct is to hold and comfort her, which is what he does. Momo is surprised she’s more receptive to being held after running off and not being heard from the rest of the Summer, but due to the button entanglement they’re both in a situation of forced intimacy, and neither really has a problem with it.

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After they get entangled and Momo sees Yuki home, he crosses paths with Rio, who we know full well is jealous of Yuki, something she may only just be starting to realize when she gets to sit down, mend Momo’s sweater, and simply comes out and says things one could construe as critical of Momo and Yuki’s relationship.

Specifically, Rio sees Momo keeping a distance from Yuki, putting more value in his absence (and the trinkets he discards, like his button) than his presence, since his presence is often so overwhelming. At the same time, she sees Rio looking at Momo but not really looking.

What she really sees, jealous googles or not, is that Momo and Yuki are still fumbling through the basics of romance. Like Rio herself, neither of them have the slightest clue what they’re doing, and continue to put up walls when things get too intense. But there’s every indication, especially taking into account the progress they’ve made thus far, that they’ll figure it out eventualy.

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Momokuri – 15 + 16

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It’s a pool episode…another opportunity for Yuki and Momo to get a little closer. But after Norika inadvertently makes her feel weird about showing so much skin, Yuki covers up and sits alone. Momo thinks she’s caught his cold, but when she tells him that’s not the case, he starts blowing up a beach ball for them to play with.

This unlocks Yuki’s obsessive side, as she’s so preoccupied with the fact she’s batting a ball of Momo’s exhaled breath that she breaks the cheap ball, treating it with far more reverence than Momo, who’s content to buy another.

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When Momo is directed by his friend to hold Yuki’s hand as he escorts her to the bus stop, Yuki overprepares by dousing her hand in sanitizer spray. There’s no need for her to act so deferential; he wants to hold her hand.

More than that, he doesn’t want their day to end with her maturely saying goodbye as she boards the bus. Instead, he grabs her hand and takes the lead, surprising even Yuki.

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Momo really wants Yuki to understand he’s not just a cute animal, but a man, and believes being more assertive is the key. The only thing is, Yuki is so into Momo, his attempts to get closer end up overwhelming her, to the point she’s involuntarily spinning in her swing until she’s dizzy and collapses in his arms; no doubt an ideal outcome for both of them.

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Later, while studying with Yuki, Norika discovers her hidden stash of gifts Momo has given her, but also an obscene amount of used items he has cast away. In effect, it’s a cabinet full of junk that Yuki is placing far too much importance on, so Norika walks out of the room returns with bags, and starts cleaning up.

Even once the stuff is bagged with tight knots, Yuki still wants to get inside to retrieve her “treasures.” This kinda stuff in Momokuri walks a fine line, but the point is made that her love of Momo is so intense, sometimes she thinks she’s going crazy, an assertion Norika can’t argue with.

Purging her stash, and letting the stuff that doesn’t matter go, are necessary steps to tempering what is right on the line of being an unhealthy obsession. Love the guy, not his refuse.

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Mobile Suit Gundam: Iron-Blooded Orphans – 11

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It didn’t happen last week (there was too much going on with Mika coming in to save the day to add one more thing), but it happens here: Akihiro comes face-to-face with his brother Masahiro, who is fighting with pirates. For some reason, perhaps the fact I had a week to let the information settle, the impact of Aki’s hasty story about him and his brother wasn’t lessened by the brief in-show interval between backstory and plot twist.

On the contrary, that Masahiro is among the pirates, piloting mobile suits with other young lads with the same implants as Mika, adds personal stakes to the conflict with the pirates. The Kudal Cadel guy is another goofy throwback bad guy with a resting evil smirkface, but his child pilot minions and Masahiro in particular complicate what could have been a simple matter of “beat the bad pirates and move on.”

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While Takaki isn’t killed, despite ominously telling us what he’s going to do with the rest of his long, long life last week, he is seriously injured, and Tekkadan…has no doctor. When his blood spurts out of his jacket and floats in the low-grav environment, it’s a horrible moment that could lead to an unraveling of morale and cohesion. Even Kudelia freezes at the sight, compelling Merribit to pass her from behind, grab the medkit from her hands, and stabilize Takaki.

Merribit also lets Orga hear about the recklessness in not having a proper doctor aboard in such a dangerous environment, saying he’s “not being a good boss” by letting something like that go on. Orga can’t argue with her on that, and seems glad for the honest criticism. Still, things could have been a lot worse. They could very well get worse, as Naze accepts a challenge from the boorish, bizarre-looking pirate leader Brooke Kabayan, even as he’s suspicious about why the pirates are so eager to take on a far more powerful Teiwaz.

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We spend some time in orbit around and on Earth—I believe for the first time. Ein is already getting ribbed by superiors for his Martian roots, while Fareed and Gaelio visit their boss (and Fareed’s lordly dad) then Gaelio’s family residence, where Fareed’s betrothed (and Gaelio’s little sister) plies him with tea she’s recently learned how to make.

It’s all very civilized and bougie and dollhouse-y, and we see Fareed is as comfortable here as he is on a ship or in a mobile suit. He’s decided to be more or less hands-off with the Kudelia issue. Gaelio and Ein especially may want revenge for slights or lost comrades, but Fareed is playing a longer game (his ultimate goal seems to be running the whole damn operation), and not dirtying his hands with work he doesn’t have to do. It’s apparent the Brewers, the pirates who attacked Tekkadan, are being financially backed by Gjallarhorn, or someone working for it.

In a stark contrast of worlds, we see Masahiro being mercilessly beaten by Kudal for failing to secure the hostage, as the other human debris boy pilots can only stand there and watch. It doesn’t look like it would take much to turn these guys against their harsh pirate masters, the fact that Mika killed Pedro makes at least one of them put revenge ahead of a better life, which they’d certainly have under Orga’s command.

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While waiting for Takaki to wake up, Akihiro runs himself down for having had so much fun being on Tekkadan, and explains how his brother is with the Brewers. He blames himself for everything that happened, because human debris isn’t supposed to have “fun”, meaning the opportunity to explore his potential as both a fighter and a person.

Even freed of oppression, he still wears that red stripe down his jacket to remind himself of his place in the universe. He doesn’t lament what he is, but rather the fact he strayed from the limited view of who he’s allowed to be, programmed into him from years of abuse.

Orga and Mika, however, don’t let him fall in that trap. Orga promises to take responsibility. No more letting Merribit, or Naze, or Mika, or Akihiro down. He’ll help Akihiro get his brother back, if that’s what he wants, as well, because Akihiro’s brother is Tekkadan’s brother.

Tekkadan and the Turbines are portrayed as principled organizations that do things the right way, while the Brewers aren’t, and don’t. They shouldn’t be taken lightly moving forward, but they’re also a good opportunity for Orga to show what Tekkadan can do when looked down on. Here’s hoping they teach the Brewers a lesson.

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Ookami Shoujo to Kuro Ouji – 09

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At this point, I know what makes Sata and Erika work, and I know it’s a strong bond forged in hellfire that isn’t going anywhere. The show is keen to reinforce that with “challenges” to their relationship that rarely last longer than an episode or two, rather than introduce threats for the sake of stoking drama.

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Not only does Kamiya Nozomi believe he can ‘convert’ Sata into someone like him, but his charisma and persistence make us believe he can, too, at least early on. He’s the kind of ‘final threat’ that could take a show right to the end.

Ookami, meanwhile, proceeds to demonstrate just how doomed Nozomi’s crusade really is, without creating yet another relationship dilemma for Erika and Kyoya. In fact, Erika is glad Nozomi is sticking by Kyoya’s side; she knows how nice it is to have normal friends like Marin, Aki, and Ayumi.

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Nozomi believes Kyoya is resisting his instincts, and so throws gorgeous girl after gorgeous girl at him in hopes of “waking him up.” In the process, Nozomi is callously using his admirers as tools and bait…and Kyoya isn’t biting. I felt bad for Miho, Nozomi chooses, because she’s an innocent bystander in this. Nozomi is presenting Kyoya as an unattached suitor, which isn’t the case.

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Nozomi doesn’t quit while he can, but rather turns to more extreme tactics. It only takes two seconds for the girls to respond in the affirmative to his request they sneak into his room that night, and he sets up a “Who’s the King” game with the specific purpose of getting Kyoya to kiss Miho.

Again, it’s a cruel use of both the girls and guys, and underlines the fact that it isn’t Kyoya who has ‘something wrong’ with him. Even when Nozomi takes things to a point where he thinks Kyoya has no choice but to be kissed by Miho, Kyoya shuts her, and Nozomi, down.

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Foiled yet again, Nozomi is increasingly desperate and seems out of ideas, going back to the fact that he has 500 girls’ emails, all of whom worship him and would do whatever he wants, which he equates with enjoying life 500 times more than Kyoya with his plain girlfriend.

To this, Kyoya offers his interpretation of Nozomi’s situation, with classic Kyoya ruthlessness: “It doesn’t matter how much trash you pick up; You’ve just got a pile of trash.” The wording is way too harsh on the girls, but the point is, quality (of relationships, not merely looks) over quantity. Not only that; Kyoya has already been down the road Nozomi is on. He knows exactly where it leads.

A case in point occurs just after Kyoya bits him goodnight, when one of Nozomi’s 500 shows up and he puts the moves on her, wanting comfort in his time of vulnerability and defeat. She recoils: someone asked her out (Kimura, from episode 2!), and she accepted, so they can’t hang out anymore.

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Now Nozomi has 499 girls…but the loss of that one was his awakening, because deleting her made him feel absolutely nothing. He looks at Kyoya and Erika, so devoted to each other and so embarrassing in their flirtation, and for the first time really sees them.

Now he starts to get excited about finding a girl — one girl — who could be as special to him as Erika is to Kyoya. A girl who would make him feel bad (or at least feel something) if she dumped him. I’m not saying Nozomi’s lifestyle is something to avoided, and I don’t think the show is trying to make that point either.

What it is saying is that it’s far to easy to convince oneself that that’s the life for you. Kyoya once thought so, but he, and now Nozomi, have learned that it isn’t.

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