Dimension W – 12 (Fin)

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I’ll be honest: I came into the DW finale with a “Let’s just get this over with” attitude. While initially promising, the Easter Island arc to close the show ended up repeating and amplifying the issues I had with the Haunted Mansion arc. In hindsight, I should have dropped the show then.

Over-stuffed with characters, plot points, explanations and contrivances, all surrounding an item—Genesis—that has no limits or boundaries to what it can do, Dimension W was just the latest demonstration that more is usually not more. More is meh. Cavalierly throw too much crap and I stop caring—and I stopped caring long ago.

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But I got this far, so yeah, let’s get this over with. The big crucial memory Kyouma needed Mira to go into his head and “trace his memories” (what does that even mean?) is that when he had a chance to save Miyabi with Genesis, he didn’t. Instead, he destroyed it, and she died, perhaps to save the world from a cataclyism that would have resulted from its use. It’s the classic “too powerful for anyone’s hands” concept.

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Haruka Seameyer, the most horrendously irritating villain I’ve come across in a good long while, wants that Genesis coil bad, but along the way offers Loser a chance to come over to his side (what side that is, why, or why in God’s name Loser would agree to that are all beside the point). When Loser refuses, Seameyer attacks him with his weird and pointless “Sophia Corpse-Bot”, which can morph into Sophia’s original human form.

Seameyer then turns his attention on Mira, who after the tracing is trying to get as far away from Kyouma since her coil is going critical. He considers using her to make improvements to his body, but Kyouma shows up to rescue her and ruin Seameyer’s day (which I’m all for) by telling him Genesis is gone.

With the help of Loo, the siblings, etc., they unearth a “particle accelerator” coil to tie up Seameyer’s monster, because all these characters need something to do.

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Seameyer fumes and screams a lot, but Kyouma tells him to chill; nothing that happened is pointless; after all, because Miyabi died he has Mira as a friend and partner.

He tells Seameyer to go willingly into the “sea of possibility”, because even his future may not be as bad as he imagines. Of course, it sure looks like Seameyer is being swallowed up into oblivion, so I’m not sure what Kyouma’s on about…but I get his point about Mira…and I’m glad he gets it.

With the expulsion of Seameyer and closing of the gate, the island returns to a state of stability, and flowers start to bloom. Everyone returns to their lives, which for Kyouma is continuing his collector work with Mira as his official full-time partner.

As per usual, the nice Kyouma/Mira stuff saved the episode. If nothing else, I enjoyed the evolution of their relationship and where it ended up. But this arc was hampered by some serious restraint and focus problems.

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Dimension W – 11

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With KK captured, Yuri neutralized, and Chrysler disabled by Loser, one would hope things would start to simplify towards the end, but this second-to-last episode does not comply with that hope.

Rather, it is very quickly descending into the anime version of tl;dr: tc;dc, or too complicated; don’t care. No one can say DW doesn’t have enough stuff going on in the frame, but the problem is so little of it matters; it’s all had a numbing effect on me.

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I’m glad the surviving collectors are more or less working together now, or at least looking out for each other, but there are still way too many of them and I simply don’t care about the vast majority of them.

Another problem is that as our people draw closer to the story’s conclusion, the general nebulousness and wishy-washy technobabble-as-plot becomes more exposed and more problematic.

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There’s plenty of cool imagery and action, but this episode was often choked with lengthy explanations from all sides. At some point it all kinda sounds the same and becomes a sparkly-yet-muddled mess.

The fact that Kyouma and Mira are able to enter and observe Loser’s memories of the events that led up to the calamity on the island lose a lot of their gravity due to the utterly boring, shallow, generic mad scientisty evil of Seameyer.

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Seameyer’s evil and cruel for the sake of evil and cruelty, and it doesn’t elicit much more than an apathetic shrug. And we know even if he (and the giant robo-monster he somehow turned Sophia into…don’t even ask) are defeated, the bigger problem of what to do about the Genesis coil is the true conflict here. Seameyer is just taking up space.

But the thing is, Genesis is even more generic and nondescript as Seameyer. At least he has some semblance of a personality (he’s a dick); Genesis is naught but an all-powerful MacGuffin; a Holy Grail/God Machine that isn’t safe in anyone’s hands.

I regret to report that my enthusiasm for Dimension W, and my optimism for a strong finale, have dwindled significantly in this, the home stretch, but I’ll watch it to completion nonetheless.

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