Koi wa Ameagari no You ni – 03

Quite disappointed the words she worked so hard to say to Kondou didn’t give her the response she wanted, Akira becomes so preoccupied by Kondou and her feelings for him she seems to float above everything else with little interest.

She reconsiders asking her classmates for advice, and we kinda see them through her eyes. She knows how they’d respond if she mentions someone she likes, and especially if she tells them his age. So she doesn’t bother. When two track kohais lure her back to the track to watch and offer tips, it feels like a gross imposition, and an insensitive one at that.

Upon watching one set a new personal record, she regrets having been lured. When she goes, the girls consider going to her restaurant, she snaps: “DON’T!” That place is her world. Hers…and the manager’s.

As if mimicking Akira’s darkened mood, the heavens open up and a steady rain falls. Akira has no umbrella or coat, so she get soaked. She doesn’t care; she’s too lost in thought.

This rain reminds her of the day she injured her ankle, having felt something but simply taped it up and practiced in the rain anyway. We see everything from the injury, the doctor visit, and the isolation she felt upon being knocked out of action…and it’s frikkin’ heartbreaking!

Mind you, all of that ends with her getting a free cup of joe from Kondou and BOOM, it’s gone from the rain to…After the Rain. Great title, that. When she arrives at the restaurant in the present, soaked head to toe, she meets Kondou there, having a smoke.

He beckons to her to get inside, but she isn’t there for a shift. She’s there to repeat her words, and phrase it so there’s no mistake: I like you. Then she leaves. Kondou, bless him, gets the message, and it causes him to space out at a green light. Was Akira’s confession just a dream; a mirage in the rain?

After it rattles around his aged cranium, Kondou determines that it is not a dream, but a prank Akira and the other young staff members are pulling on him, because there’s no way she’d seriously be into him. He’s SO SURE of that he curses himself for almost falling for the prank!

But as he’s an adult, he doesn’t make a big deal of it. Kids will be kids, and sometimes kids are awful, both to each other and to their elders. He shrugs it off, though not because he isn’t irritated. Those punks!

Akira’s behavior upon returning to work seems to back up his theory, at least for a time. But when her casual talk immediately turns to I’ve told you how I feel; what’s your response, all hope that this was something “shrug-off-able” disintegrates.

Kondou is very careful with how he proceeds. He offers Akira a ride home, since it’s still wet out and she’s still recovering from her ankle tweak. He’s direct about his response: he can’t give her a proper one, because he’s 45 and she’s 17.

Akira immediately disputes the relevance of their age gap, and when Kondou persists, she repeats her confession so loudly and strongly he puts the car in a skid. This isn’t something he can shoo away with what he thought was common sense and social conventions. She’s resolute!

Sensing both of them could use some air (and that continuing to operate a motor vehicle could be hazardous at the moment), the two go to a park. Kondou follows a respectable distance behind Akira, who surely wishes he’d walk beside her. They come to a tree where there’s shelter from the stray raindrops that linger.

He asks her why she likes him, of all people. We already know she has plenty of reasons, and isn’t just interested in him because he “saved” her when she was at her lowest—when the proverbial rain was at its harshest. She’s come to like him even more since getting to know him more. He’s hard-working, honest, kind, fair, and a good father.

And he makes her laugh; indeed, when he insists she reconsider, as he’s a 45-year-old boy with no hopes or dreams, that right there makes her smile and laugh in a way he’d never seen, because she’s hearing him talk in a way she’s never heard him talk before.

Akira doesn’t care that he’s 45, or that she’s 17, or how low an opinion he may have of himself, and she doesn’t list any of the reasons I mentioned above. Instead, she questions the very notion of liking someone requiring a reason at all. And she’s right; you can cherry-pick whatever reasons you happen to brainstorm when explaining why you like or love someone.

But the reality is perhaps closer to Akira’s particular philosophy at this time: that love is ultimately a mystery. You may never know for sure why you feel it for someone; but you can never let that lack of answers frustrate or discourage you.

Being pursued in this way is a strange feeling for Kondou, and a nostalgic one, since it’s been decades since he’s felt it. But he has felt it, so he knows what it’s like better than most. He remembers being Akira’s age, and for a second, we see him like that.

When Kondou jokingly challenges Akira to go on a date him, and find out just how short a time it would take until she finds it creepy, Akira takes it to mean We’re going on a date? We’re going on a date! Kondou dare not correct her, at least not then and there. So, at least for now, on a date they shall go.

Koi wa Ameagari no You ni – 02

Yoshizawa takes a job at the restaurant where Akira works, but never gives him the time of day, nor should she feel obligated to. If, indeed, he only got the job there to get closer to her, he’s barking up the wrong tree! He’ll have better luck with Yui, who considers him more her type.

Speaking of Yui, on a slow day, she and Akira engage in a game of telling one another what makes their hearts flutter. Yui lists a number of tasty foods, while Akira names things like pansies, shoes with ribbons, black-and-white cats, lotion, etc…obviously without mentioning the person who makes her heart flutter the most.

In addition to the work small-talk, we also get a momentary look at the change-making register of the restaurant. I for one love the little touches that make the restaurant setting feel so realistic and cozy.

When a customer forgets their phone and leaves on a bike, Kondo thinks he’s SOL, but Akira takes the phone and bolts, showing Kondo the form and speed that once made her a distinguished member of the track team. Kondo, for his part, is very impressed, as well as happy to see another side of his employee. And Akira is impressive.

However, her ankle injury flares up, and Kondo has no choice but to help her up into his car so he can take her to her clinice for evaluation. Little does he know Akira is absolutely loving every moment she gets to spend alone with the manager, in addition to him demonstrating once more what a kind and caring fellow he is.

Against a goofball like Yoshizawa, you can’t really fault her for developing a thing for Kondo. And of course, she isn’t fazed in the slightest by all the evidence of his son in the backseat; they got along just fine, after all.

At the clinic, Kondo suggests having Yoshizawa bring her things, since he’s her boyfriend at all, causing Akira to emphatically correct that gross misunderstanding (causing the doctor to apologize to his other patients, the same way Kondo apologizes when his staff is rowdy or breaks something).

It’s when Kondo starts staring at Akira’s foot before she removes her sock that she sends him off to take care of the restaurant. But when she comes back later to grab her uniform and bookbag, she catches a glimpse of Kondo in the window and is momentarily spellbound.

Back home, she lounges on her bed, remembering how it felt to be held by Kondo, and then receives a call from an unfamiliar number…which turns out to be Kondo’s! He calls to makes sure she’s alright, and to tell her she can call him anytime if she needs anything. Yes, now Akira has his number. She’s very happy about that.

The next day, feeling a bit cooped up, Akira heads to a konbini on her crutches, and who should she encounter on the sidewalk but Kondo, searching for her house so he can properly apologize to her parents. Her mom (note no mention of dad) is at work, so Kondo treats her to a parfait at a local restaurant instead (and I really got a kick out of Kondo checking out another restaurant’s displays and setup).

When Kondo catches a glimpse of her pink toes (painted last night after his call to her, and perhaps the reason she didn’t want to show him her foot at the clinic) and wonders whether it’s due to the blood pooling in her toes. She simply tells him it’s a pedicure and laughs at his misunderstanding.

Then, quite suddenly, and even to her own surprise and shock, she confesses to Kondo she likes him, right then and there. And Kondo takes it exactly the way you’d expect a decent guy of his age to take it: as a compliment, while also expressing his relief she didn’t hate him like he feared.

Obviously, he’s taking her “I like you” to mean “as a manager, colleague.” Having either dodged a bullet or struck out, Akira merely sets to work on her tasty-looking parfait, while Kondo, happy to hear his employee doesn’t hate him, orders more food.

Koi wa Ameagari no You ni – 01 (First Impressions)

Tachibana Akira is a quiet, soft-spoken high schooler who works part-time at a family restaurant. Despite one of her older co-workers always shitting on the manager, Akira actually has a thing for the guy, even though he’s much older. Where others see weakness or spinelessness, she sees kindness and gentleness.

The manager is divorced and also a dad, and when the kid is hanging out in the break room, Akira shows the kid how to play the recorder properly, noticing he has his dad’s eyes. It’s here we see that Akira is every bit as warm and kindhearted as the manager, and that, if she was, you know, an adult, they might be a fine match for each other.

While Akira’s school friends are fixated on the dreamy soccer captain, Akira doesn’t give that guy a second’s look, and when asked what her type is, basically describes the manager, open fly, loud sneezing and all. They kinda laugh it off, unable to relate to her taste. We also learn that Akira has been working at the restaurant since a leg injury forced her to retire from the track team prematurely. Still, she and Haruka, her former track captain, remain close.

The episode allows us a moment with the manager, as Akira brings up “types” with her co-worker Yui, then brings up the manager as a possible type, and Yui dismisses that possibility immediately, complaining that the manager has a weird smell. The manager accidentally overhears this, and later makes a note to be mindful of the smells he emits as well as take care not to eavesdrop on conversations.

Finally, we learn how Akira and the manager met. Akira, fresh off her surgery, gets out of the rain, and the manager gives her a free cup of joe while she waits. It was just a little gesture, but well-timed Akira was likely feeling very lonely and down, from having to quit track.

Presumably, she applied for a job at the restaurant to get closer to this kind older man, and despite the fact he caught her smelling his shirt, he’s still very much unaware of her feelings, and when he spots an annoying stalker-y classmate who bothers Akira, assumes the prick is her boyfriend.

I’m sure she’d like to tell the manager how she is, but is obviously apprehensive due to the extreme age difference. No doubt this show will explore her attempts to get to a place where she can do so, or failing that, be content with the way things are.

I’d describe this show as fresh and breezy, and yet also warm and very thoughtful. Despite the controversial nature of the premise, it’s handled with all due delicacy and respect so far. The aesthetic is crisp and detailed; everything from the clouds in the sky to the steam on the food, there’s a keen realism to everything, which plays off the somewhat retro character designs nicely.

Nazo no Kanojo X – 07

Track captain Yajima discover’s Urabe’s natural running prowess, and though Urabe refuses to join the track team, she agrees to run with her in a relay on Field Day. She practices during lunch so she can still walk home with Tsubaki. When he gets a cold, she takes advice from Oka and visits him while wearing a bikini, which nearly cures him despite her being covered by a coat. Tsubaki’s cheering her on is the difference in the relay, and she wins. Tsubaki tells her he’d still be happy if she joined the team, but when he tastes her drool when she’s wearing his nametag on her leg, it reveals he’d prefer she didn’t, so she won’t.

With all her panty-scissoring and hug-dodging skills on display almost weekly, it was only a matter of time before the school’s jocks noticed her innate athleticism. That she is almost as fast a a champion runner who’s bigger than her despite not practicing makes that ability all the more mysterious, and mystery is what Urabe is all about. She can’t quite keep all her secrets from her quasi-fiend Oka, though. While Oka is totally fine flaunting around Ueno in her bikini, Urabe is too embarrased to do the same for Tsubaki, but her drool proves just as effective.

The issue of whether she should join the track team doesn’t remain a controversy for wrong, as Urabe is devoted to Tsubaki and will do or not do whatever his feelings indicate. She sees through his attempt to express support for her joining the team; the drool reveals he would indeed not be as happy making compromises for her sake. One would say relationships are full of these comrpomises, but in a way, they already have one in the drool system, which overrides Tsubaki’s more, ahem, direct physical method. In any case, Urabe would prefer to walk home with Tsubaki too. She doesn’t feel like her talent is being wasted, because she doesn’t let those talents to dictate who she is.


Rating: 8 (Great)

Medaka Box – 02

In the first half, a second-year track team member comes to them seeking solace from a threat she recieved warning her to quit said club, along with a pair of vandalized shoes. Medaka narrows down the possible suspects from observing the note and shoe damage and sends Zenkichi and Shiranui out to find suspects. When they spot the likely culprit, Medaka asks her upfront, and she attempts to flee. However, Medaka catches up to her and decides to believe her false denials. Shamed, the girl buys her victim a new pair of shoes. In the second half, there’s a request to find a lost dog, but when Zenkichi and Shiranui find it, it’s a dangerous, bad-tempered Borzoi that resists all attempts to be caught. Medaka, who loves animals but is feared by them for some reason, dresses like a sexy dog and startles the stray dog into submission, allowing them to return him to his owner.

Sket Dance-style, Medaka and Zenkichi carried out two separate missions this week, as befits the nature of the suggestion box…there are many suggestions, and not all of them will fill a whole episode, whereas some may take up more than one; we’ll see. What we like about both this week’s missions is that they both reveal something about Medaka’s personality; things her good friend (essentially brother) Zenkichi already knows. That he can flash back to moments when he and Medaka were wee ones adds richness both to their characters and to their friendship. Zenkichi isn’t your typical led-by-the-nose president’s bitch. He’s here by choice, because he cares about Medaka, and wants to support her in any way he can and make up for her weaknesses.

Speaking of weaknesses, Shiranui did not ingratiate herself with us this week; she comes off as an overly surly little smartass most of the time, and that’s kind of her only note. We were kinda hoping the dog would eat her :). Meanwhile, the guests this week – the the despairing Ariake and even the petty Isahaya, were more likeable. Other things we liked: the badass-looking Borzoi that radiated evil vibes (a most drastic disconnect from the childishly-drawn ‘lost dog’ poster); Medaka’s stray hair swaying whenever she’s in thought; everyone asking about Zenkichi’s sweater; and Zenkichi’s line about usually being the one to deal with those Medaka gives a pass for their transgressions, but deciding to go along with her vis-a-vis Isahaya.


Rating: 6 (Good)