Kokkoku – 05

At last we see Majima Shouko’s side of the story of the time she and Juri last crossed paths. She was riding in a car with her mother, father, and brother (the latter two being violent dicks) when the Yukawas activate Stasis.

Overwhelmed by despair at their sudden predicament, one by one her family is surrounded by tentacles and dust and floats away, leaving her alone. She finally meets another moving soul in young Juri, who is so upset about her dog dying she expels Shouko on sight.

Juri’s goal, which is different from Sagawa’s, is to retrieve her family from Stasis, if she can. She believes Juri’s ability may be the only way to do that, and manages to get one of Sagawa’s men to side with her in exchange for sex at a later date. Suddenly Juri teleports in and expels that guy, leaving Shouko with just one guy.

There’s a fleeting opportunity for Shouko and Juri to talk, woman to woman, but it doesn’t happen, because there’s no trust on either side. So Shouko and the eye-spot dude go to Sagawa, who again uses a sacrifice in order to summon not one or two but three separate Heralds, which Shouko believes to be her lost family members.

Shouko seems to refine her goal on the spot to simply recover her family’s bones, not get them back alive, which while noble, is simply not as pressing or compelling as the situation of the Yukawa’s, who are all still alive and haven’t given in to despair.

Juri and Gramps manage to rescue Takafumi, despite his resisting when they come to get them (Sagawa apparently set him up outside like bait with a big tin of chocolate). The bickering Yukawas are immediately surrounded, and Gramps teleports them away, but it’s going to be another chase. Yippee.

Finally, Tsubasa and Makoto make it home, but their tail gets there first and takes the note Juri left for her brother. Thankfully, Tsubasa can sense something isn’t right just in timeto save Makoto from getting stabbed.

Somebody ends up stabbed in the end, but as the fabric the knife goes through is the color of the towel Tsubasa was using as a shield, we don’t know who yet.

While it’s good to know more about Shouko’s motivations, things continue to move at a snail’s pace, while the cat-and-mouse game through the drab, lifeless Stasis has long since grown stale.

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Kokkoku – 04

Juri’s would-be attacker is stopped by Gramps’ catlike reflexes and Juri’s own power, and she gets Gramps to talk about the incident from her youth in which the two went to the Stasis because her dog Andre was about to die, then she used her power out of anger to almost cast Gramps out of Stasis. While running around looking for her, he passes a young Majima on a bridge with her big stuffed cat.

When more thugs go after them and Gramps has to stop to rest, it’s No More Miss Nice Juri. She’s done running, and decides to launch a counterattack on the thugs, pulling out their specters one by one. The fight works up an appetite, so they head to a konbini for some food and drink.

There, they find the place a mess thanks to the thugs, and Juri curses them for being so awful before trying to turn matters to the girl on the bridge years ago, which Gramps only somewhat remembers.

They later can’t find Tsubasa or Makoto where they left them, but Juri believes the specter of the man killed by the Handler transferred to Tsubasa, which means he’s moving around somewhere.

Meanwhile, Takafumi is being grilled by Sakawa and his friend, who think the Yukawa family has been selfish and reckless in their ownership and usage of the Master Stone.

Takafumi, the worst negotiator in the world, doesn’t seem like he’d resist whatever ridiculous terms these sinister sweet-talkers come up with, as he still believes they’re holding his family members hostage.

Back at the Yukawa residence, Majima and the other henchmen sit around. One gets restless, and decides to demonstrate the proper way to strangle someone on a stalled guy, but gets killed by a much smaller and weaker but still deadly Handler/Herald.

When Majima inspects the remains of the Handler, she finds a desiccated human body, and tells the others that those that stay in Stasis and give up control of their bodies to the Specters end up as Heralds. Someone in Majima’s family met such a fate, which goes a little further towards explaining her present beef with the Yukawas.

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Juri escapes death by strangulation when her eyes go white and she spontaneously gains the ability to expel “specters”, the jellyfish-like beings humans must merge with to be able to move in the Stasis. Before long, the three men in her house are stalled, and Juri escapes with The Stone, much to the chagrin of Majima.

Now that we’ve seen flashes of both Majima and Juri’s memory, it’s clear the two knew each other, and were both involved with specters during that time. Majima remembered, Juri didn’t, and now Majima is with the bad guys, working against Juri’s family. It’s not much, but it’s something.

Meanwhile, the Bad Guy leader (Sagawa) tests the abilities of the Herald on an expendable henchman, and learns that the monster is getting smaller, and thus his power isn’t limitless. Before long, they may even be rid of it, and able to do affect change in Stasis as they see fit.

Coincidentally, the specter within the now-dead henchman travels to Makoto and merges with him, enabling Ma-tan to wake up, much to the delight of Tsubasa.

With all the Yukawas now free except for Takafumi, Sagawa decides to try to talk man-to-man about ownership of the Stone. In the fact of such intimidation, I fully the gentle, passive Takafumi to fold like a cheap suit.

The tougher members of the family in Gramps and Juri thankfully reunite, but not before Juri gains another tail from a group of thugs who were looting a store when she walked past…not trying to hide herself or her movements in any way despite not knowing who may be around and after her. Baka Juri!

One of those guys appears and tries to keep up a story about simply being some guy who happens to be able to move as well, which lasts all of ten seconds before he and his friends start to rush Gramps and Juri.

With a series of short teleportations, the two are able to get away, and stick to the middle of the road to avoid ambush. However, they don’t take the extra and very obvious precaution of staying away from other people, regardless of if their motionless or not.

The huge goon in sunglasses doesn’t have to go anywhere to get his knife in a position to stab Juri to death; she strolls right up to him! I tell ya, I’m rooting for the Yukawas—there’s no one else worth rooting for—but they aren’t making things easy for themselves with these constant tactical blunders.

I get it; they’re merely civilians unaccustomed to being in this kind of situation, they’re way outnumbered, and they’re scared. But if they want out of it with their all organs still internal, they’ll have to do better.

Yamada-kun to 7-nin no Majo – 02

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While last week was an exploration of two very different people finding common ground in each others bodies (that sounds kinda wrong, but bear with me), while a third supports them, while this week explored the ironies and misunderstandings inherent in suddenly throwing a fourth member into the club, Ito Miyabi, complete with her own set of charms, and neuroses. She’s voiced by Uchida Maaya, no stranger to playing weirdos.

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Itou joins and proceeds to thoroughly clean the supernatural club room. The others don’t tell her they’re in the room because it’s a safe place to switch bodies—which is far more supernatural than materia stones and UFO photos. Instead, they simply accept her intermittent existence in the room without explaining anything.

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So when she inevitably walks in on Ryuu and Urara kissing, she gets the very reasonable impression that the others never intended to start the supernatural club back up, but only wanted a place to make out. Slowing her roll and telling her the truth from the start might have been tricky, but now they have a scorned Itou out for revenge, which is worse.

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Itou’s campaign of vengeance consists of distributing posters, fliers, and rumors about how Yamada and Shiraishi are an item. When Yamada sees that the rumors are isolating Shiraishi again, he takes the rash step of cornering a hostile Itou in the clubroom and coming clean the quickest way he can: by kissing her.

This is actually played as a pretty uncomfortable scene, with Itou’s face a flurry of expressions from fear, nervousness, bashfulness, to acceptance, and then the face of Itou (in-Yamada’s body) before Yamada (in-Itou’s body) clocks her.

Chalk the discomfort to Yamada feeling he neither has time or the wherewithal to properly explain, and Itou her hostile state wasn’t going to listen.

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After the obligatory check of Itou’s body, Yamada proceeds to try to undo all the harm Itou’s rumors caused, only to find no one took them seriously, because she’s known around school for making stuff up, like UFOs and such. Shiraishi even admits she was alone because it’s close to exams and she asked not to be disturbed!

So Yamada’s desperate measure turned out to be completely unnecessary, while switching bodies had far greater consequences, as Itou (in Yamada’s body) disappears after being spotted posing in the mirror, striking poses, and performing finishing moves.

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A search of Itou’s phone reveals she was being hustled for supernatural objects by some thugs, and decided to go after them in Yamada’s body. She gets her ass kicked, but Yamada (in Itou’s body) shows up and takes the thug trio out, introducing us to the idea that Yamada’s stronger body wasn’t enough to fight her enemies; Yamada fights with his spirit, so even in Itou’s body, he kicks ass. I really like this concept.

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After switching back to their own bodies, Itou is content to withdraw with dignity, but Yamada shows her her completed club application, re-welcoming her into the supernatural club. At the end of the day, Itou was lonely and looking to become more popular at school, and while the path to get there had a few corkscrews and switchbacks, she’s now in a club with far better caliber people than she first imagined when she saw them kissing.

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Itou also puts the possibilities of the body-swapping into high gear, testing out every possible combination between the four of them. I’ll admit I lost track watching the scene the first way through (which I think was kinda the point), but the order goes like this:

  1. Yamada switches with Shiraishi (when Itou shoves him into her).
  2. Miyamura kisses Yamada (in Shiraishi’s body).
  3. Itou kisses Yamada (in Miyamura’s body).
  4. Miyamura (in Shiraishi’s body) kisses Yamada (in Itou’s body).

That right there is some big-league comedic complexity. It’s a wonderfully absurd sequence and all the voice actors do a great job imitating each other’s voice patterns and modulations.

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In the end, we finally meet more witches, though they’re not identified as such. I’m not sure where this whole power struggle for class president between Miyamura and Odagiri Nene (Kitamura Eri) is going, but nor do I really care…yet. 7-nin will have its work cut out for it integrating stodgy politics into the far more fun body-swapping narrative.

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Pupa – 08

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In tonight’s quick dose of unpleasantness, word gets around about Utsutsu’s quick-healing ability, and his sister’s tendency to eat him when she’s hungry. A thug with a knife kidnaps the siblings and “has fun” with Utsutsu by slicing him up with said knife and marveling at said healing. This is done in an abandoned warehouse, the standard venue for such activities.

Not wanting to escalate the situation, Utsutsu simply takes the punishment, but Yume eventually steps in to beg for the thug to stop. The thug is rough with her, setting Utsutsu off, who slugs him and then gouges out his eyes. Yume is horrified at what her brother has done for her sake, but then Utsutsu is tased and the two surrounded by more unsavory people.

Yume can’t go into Beast Mode when it would be useful to do so, i.e. to protect Utsutsu from the baddies. Thus the siblings continue to serve as the show’s heavily-abused punching bags; wretched repositories for all of the misfortune and despair that can be imagined, and that can be inartfully censored with streaks of black and white.


Rating: 5 (Average)

Kokoro Connect – 17 (Fin)

The three thugs tie up Inaba and take her to a warehouse and summon Setouchi. Inaba is able to use the phenomenon to tell the others where she is. They storm in and Yui takes care of two of the three thugs. The third pulls a knife on Inaba, and Iori makes her move, pretending to betray the others so he’ll let his guard down. They knock him out and escape with Setouchi. Iori forgives, hits, and apologizes to her, then asks if they can be friends. While the five reunited CRC members walk home, the third thug runs at them with a pipe. Taichi shields Inaba and gets knocked out.

While unconscious, Taichi has a conversation with Iori using the phenomenon. They’re both glad the other fell in love, but after all that’s happened, they agree to reset their relationship. When Taichi wakes up, Inaba is by his bed. Her thoughts scream her love for him, and he asks her out right there. She accepts and they start dating. Heartseed tells Iori the phenomenon is over. Their club presentation goes off without a hitch, and Gotou decides to advise both clubs. Life returns to normal, with Inaba and Taichi a couple, Yui and Aoki drawing closer, and Iori becoming popular on her own terms.

Fun Fact: Every high school in Japan has an abandoned warehouse nearby where delinquent students can kidnap classmates and hold them there until they’re rescued by friends. Was this an incredibly silly development? Sure, but it does give the finale some much-appreciated action elements. Yui shows the importance of a young lady being trained in self-defense while Iori gets out of bed and does whatever the hell she wants to do, which is save Inaba from the shitstorm she wrought. Using her powers of deception (and her sex appeal) to lower the thug’s guard was some awesome, heroic shit. Inaba and Taichi told Iori to be her own person, and that’s what she does.

And the real her is amazing. She sees that Setouchi is in the same boat, and befriends her so they can work through it together. Everyone seems to have found themselves and one another. Iori and Taichi work things out…in their heads. The girls do the presentation in cosplay after all…because why not? Yui teaches Inaba a submission hold, because let’s face it, Inaba can get into trouble sometimes. Taichi and Inaba (or rather “Dereban”) end up together, and they work beautifully. The episode is replete with satisfying scenes that are payoff for all the teeth-gnashing and emotional discord. It’s a well-earned happy ending.


Rating: 9 (Superior)