Oregairu 2 – 13 (Fin)

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My, how time flies when you’re engrossed in a long-standing love triangle of friends! Oregairu wisely pared down its cast to just the main three this week, and gave those three an arresting send-off in more or less the same awkward state they’ve been in for most of the season, but at least knowing where they can, if not should go, along with where they’ve been and where they shouldn’t go.

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Ah, Haruno-chan. The lighting, BGM, and close-ups always seem to cast her as the villain, an interloper who likes watching the world burn. But more than a force of malevalence, she’s an agent of change, for Yukino if not herself (her own personal and emotional issues are not a big focus of this show, which is both a shame and a relief). The time is soon coming for Yukino to make her own choices in life. If she doesn’t, her mother and Haruno will make them for her. Will she let herself be washed along in the current, or swim against it?

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For now, she seems to be caught in some netting cast out by Yui and Hikki, not to catch and eat her, but to keep her in the pleasant stasis Yui wants to keep going on forever but knows it won’t.

Outmatched outside the school, when Yukino calls Haruno, she decides not to lend her more potential ammunition, and instead parrots what Hikki told her: neither sister is thinking clearly, and a night apart is indicated.

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Throughout Oregairu Yui has indicated on numerous occasions that she wants to “make a move” vis-a-vis Hikki at some point, but this isn’t that time. Instead, she invites both Hikki and Yukino to a date at the aquarium.

Hikki isn’t the sort of guy you’d expect to be on a three-way date, but it’s not like this is going to be The Episode Where One Girl Gets Dumped so that a couple can emerge and progress into adulthood.

Rather, the aquarium trip is billed as a kind of last hurrah for the trio in their current state, a nostalgic look back before turning towards an uncertain but increasingly close future where stuff like this is not guaranteed.

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Thus follows a sequence of the three making comparisons between the traits of aquatic wildlife and themselves, with the metaphors flowing wildly. The camera’s insistence on shoving that sign with the mated pair of penguins, the fish in the muddy water, being contained, and the life-partner penguins grooming each other—all of it reminds them of what they are.

But an aquarium is a place that doesn’t exist in nature: a kind of training center where one learns about the ways of the aquatic world, the world humans left when they exchanged gills for lungs and fins for legs. The parallels are never not on-the-nose, but not obnoxiously so, and they also happen to all ring true.

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The Deadman Wonderland Ferris Wheel the three ride is one last elemental symbol that the three of them are spinning their own wheels. They feel like they’re going somewhere, but always end up at the same place in the end; the progress is an illusion—just like the “world where nobody gets hurt” Hikki believed he’d created back at the season’s start.

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Pretty soon that ride has to end. When it does, the Service Club might be toast. But if you wanna make a life omelette, you gotta break some eggs. Yui, who has thought all of this through, thinks she knows how to help Yukino with her family issues, and brings up the bet that, if she wins, she gets to “take everything.” She almost gets Yukino to go along, just as she appropriated Hikki’s words to Haruno.

What Yui seems to be suggesting is that things continue going on, finding answers for one another, like three penguins grooming one another (which I doubt happens often in the wild). But Hikki intervenes before Yukino goes along with it he thinks Yukino should find her own solutions or she’ll grow, and neither will he or Yui.

Now, I knew going in this wasn’t the kind of show that would rush into confessions. It did come close with its many confession-friendly atmospheres set up this week, but what with three people present there were never going to be any. But everyone’s eyes are open now, both to what the three of them are and that they have to choose between stepping back on the Ferris Wheel together, or starting off on a long road they won’t necessarily be able to share.

This felt like so much more emotionally complex a show than the first season, and I imagine if there’s a third it will grow even more so. But even if there isn’t one, I’ve really enjoyed the run, and content with the open ending.

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Maoyuu Maou Yuusha – 07

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After the battle, Yuusha returns to Winter’s Pass Village to spend time with Maou, but Onna-Kishi is competing for Yuusha’s attention. While in the Gate City, he is accosted by the Dragon Archduke’s daughter. Minor earthquakes start cropping up in the village. Maou travels to Iron Country to inspect her prototype for a printing press. While she shares a bed with Yuusha and Onna-Kishi, Maou announces she must return to the demon world to have her king’s license renewed, lest civil war rend the realm. She leaves Yuusha in charge and gives Maid Ane the ability to mimic her appearance.

Maou isn’t about handouts. Better to teach someone how to fish or grow crops or use a printing press than to just supply such things to them already done. After all, if Maou’s plan works out, she won’t be around forever to see it sustained. And so the latest and best weapon in her arsenal is education. The serf girls who became her maids are microcosms of the amazing change education can bring in people. There’s a huge difference between knowing one’s plight but being unable to change it, and not even being aware of said plight, or of the possibility of a better life. The maids didn’t until they were shown and taught.

In this regard, Maou seeks to bring a dark world into the light…but educating the masses is a double-edged sword. The social structure of the current world is a certain, if imperfect, form of stability. Awakening the masses means inviting further conflict. But Maou doesn’t believe keeping one group of people ignorant and subservient to another is the proper way to peace, and in any case, there really is no true peace, as long as people like the disgraced Gate city administrator are plotting in dark rooms. It dawns on us we haven’t mentioned that Yuusha was in bed with two girls this week…but since nothing happened, we didn’t really see the need.


Rating: 7 (Very Good)