From White Fox and the director of Jormungand and Katanagatari comes Utawareumono, a show that ably demonstrates less is more by starting off simply and not trying to do too much in its first episode, yet still utterly drawing me into its fantasy world. We’re dropped right into the same plight as the protagonist: we know not his name nor from whence he came, but neither does he. He just suddenly wakes up in the middle of an achingly gorgeous wintry landscape, barefoot and wearing simple green robes, and he has to run, first from a giant centipede, then a frightening goo monster with a face.
Unsure of who he is, where he is, and what to do, a hand suddenly grabs him, and when its owner turns around to face him, he learns it’s a beautiful young woman. She introduces herself as Kuon once they’re safe, and appoints herself his guardian, as she considers herself responsible for his life now that she’s gone and saved it. She lends him warmer clothes and the two trudge through the winterscape towards a village.
Along the way the as-of-yet no-named man learns Kuon has ears and a tail (the latter she’s very cross at him for touching), and Kuon learns the man doesn’t have much energy or stamina to go along with his amnesia. But I enjoyed the fast rapport they develop; Kuon is unflappably kind and patient, and their environs are, as I said, arrestingly pretty. The show has a stirring score, but when it eschews music for the silence of the place, I could really feel the cold, just I could feel the warmth of the campfire.
When they arrive at the village, it’s an opportunity for Kuon to show Haku, as she officially names her (by the power vested in her as his guardian), other aspects of herself. She eats a huge amount of food in the form of the delicious-looking, fajita-esque spread she orders at the inn. She also has a bit of a mischievous streak in peeking in on Haku in the bath, which she soon regrets when he starts doing nude calisthenics, a scene for which you can tell the show didn’t skimp on the Foley artist. In addition to bumping up her cuteness, her tail is also a good indicator of her mood. She even mixes up a salve for his blistered feet before he hits the hay. It’s all very pleasant domestic stuff.
The next morning, Haku learns he’s not getting a free ride; if he wants to keep eating and staying at the inn, he needs to do his part. It’s here where Kuon learns Haku is, essentially, allergic to manual labor, and quite bad at it when forced to do it. However, he does show he can use his head and has a mind for machines when he fixes the waterwheel at the village mill. That achievement may have helped him find his niche, even if he only fixed the thing so he could sleep.
In all, this was a well-made and well-executed episode; a pleasure to watch. It reminded me a bit of Spice & Wolf in its immersive power; feeling like a nice, cozy blanket I can wrap myself up in. It’s actually a welcome change of pace from the more hectic Summer stuff I just got done watching. That being said, the cold close in which three men are attacked in the night by some kind of beast promises more action in the near future.