Love Stage!! – 05

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Texting, Texting, Texting, Messages, Messages and Messages, Everybody has something to say to each other, especially when they aren’t in the same room. Also bad manga…

This week starts off with another Izumi daydream of achieving success as a manga artist and this time it’s actually pretty funny: Izumi’s imagined ‘break out comic’ is presented as it is in the real world—hilariously crude and nigh incoherent.

Meanwhile, Ryouma has transitioned into full-on-fem style over-bearing girlfriend and texts Izumi constantly. (He sent 27 while Izumi slept in class) Why doesn’t Izumi block the number, you ask? Well…he tried, and Ryouma convinced everyone he needed to be on suicide watch.

Nice.

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Moving along, Ryouma drops by Izumi’s college for a visit and invades the manga club. What follows is a mostly innocuous string of nerds talking about nerdy things that Ryouma ignores, marked by moments of Ryouma flattering Izumi’s (lack of) talent like a doting girlfriend.

It’s an interesting role reversal, in a way, since Ryouma filled the raging masculine bull/rapist role only 2 weeks previous. Now it’s Izumi’s turn to keep Ryouma in line and make sure the day runs smoothly.

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Izumi’s manga is awesome and I don’t understand the kind of person who wouldn’t enjoy reading it! No Seriously! Someone has to print this!

Partly due to Ryouma’s flattery and partly due to a looming deadline, Izumi makes a crazy decision to invite Ryouma over to help ink. Thankfully, the scene is tame and Ryouma turns out to be a good helper. He’s arguably a better artist than Izumi and helps draw a solid background.

They finish the work in record time and Izumi falls asleep. Then Ryouma kisses him in his sleep, which is a mellow return to rape-town, but, now that Ryouma’s in the fem role, it’s not quite as horrible. Still creepy though.

Then Ryouma gets a call from his manager before he can land a second kiss. He’s in trouble for the voyeur’s photos we assumed were taken last week. Before he goes, he lands some more Sleeping Beauty kisses…maybe more than a few.

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Love Stage!! got its pacing right, at least during the opening this week. It was charming and a lot of it unfolds in bursts as Izumi reads on his phone. Rather good comedic timing, really.

However, by the time we get to the manga club…meh? Ryouma and Izumi’s love story just feels mushy, if not unterrible as romance slice-of-lifes go. The manga-drawing-marathon session offered a little reprieve and the opportunity for Ryouma to find a non-physical attribute to like about Izumi was needed but…still meh?

Truth be told, I’m running out of steam for Love Stage!!—and it’s worth noting that I’d be just as low on juice if this were a hetero-romance show. In some ways, I see why the rape mayhem was needed two weeks ago. Without that, sincere or not, I’m not sure LS has much to get all that excited about. Not for 13 episodes, at least…

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Samurai Flamenco – 19

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Ah, the quiet life in a world with no evil, where there is only love, peace…and Maya Mari. Kudos to the show for putting all the world-saving on hold for a least an episode and putting the focus back on the lives of Masayoshi, Goto, and MMM (the Flamengers get abridged status reports, but they’re far less central characters).

While we knew the next global crisis was just over the horizon (being announced rather abruptly in the final minute of the episode), we’ll take all the Samurai Flamenco slice-of-life we can. Masayoshi learns Goto is going to visit his long-distance girlfriend back in his hometown. This is huge, as Goto’s girlfriend has been nothing but very animated texts since the beginning, and we thought we’d never see her face as following through with the joke.

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Turns out it’s no joke at all, more of a tragedy, as Masayoshi learns when he tells Mari about Goto’s plans and gets sucked into a four-hour bullet train ride followed by some standard stalking. During the trip Mari suggests something we had been pondering for a long while, which the show hadn’t so much at hinted at: the possibility of Masayoshi going out with Sumi. It’s a new world, after all: there isn’t much to do besides settle down and find love.

It’s when they meet Goto’s mom, and then find Goto himself waiting at a bus stop with a bouquet of roses and, as always, his cell phone in hand, they learn the heartbreaking truth: Goto’s girlfriend in question was his high school sweetheart who got on a bus and disappeared years ago; he started texting messages to himself as her as a way of coping with the crushing grief…and never stopped. All the time the show had laughed off the fact Goto never had any real contact with his girlfriend is brought into heartbreaking focus…and now we know why he’s a cop.

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Mari, who’s been pining for him all this time, is similarly devastated at being passed up for an imaginary girl, but at this point he’s been “talking” to her for so long, she may be just as real as Mari, if not more so. So while there seems to be no more evil in the world, there’s still pain, loss, anguish, and frustration. There’s still times when you just need your two friends to meet you at a hot spring to feast on lobster and de-compress.

Oh, and obviously, there still IS evil in the world, after all! What Samurai Flamenco did threatens all who—profit directly or indirectly—from that evil (the press and the police among them) The boy who shakes Masayoshi’s hand just before blowing up his apartment essentially tells him what Masayoshi (and Mari) were likely so uneasy about all along: that a world without strife is a world without movement or change, of stagnation and ruin.

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Rating: 8 
(Great)