Sword Art Online II – 24 (Fin)

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SAO completed the Sleeping Knights’ mission and resolved Asuna’s family problems to my satisfaction, leaving one episode to do, well, whatever it wanted as a curtain call. Preston seemed pretty miffed that she watched so much Chaika only to get a rudely rushed finale, but I knew that wasn’t going to be the case here.

The episode opens with a barbecue at Asuna and Kirito’s cabin; an opportunity for her new friends to meet her old friends. A montage follows, showing how they go on to fight more battles and go on missions as a united super-party, along with Asuna hanging out with her friends in the real world.

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But this isn’t just a goodbye to SAO, it’s a goodbye for Yuuki as well, who takes a turn for the worst. There’s nothing out of left field about this, though Asuna is still distraught that so soon after meeting Yuuki the universe means to rip her away.

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The Yuuki of the real world is too weak to talk, so Asuna grabs an Amusphere and meets her where they first met, on the isle with the great tree. Seeing the hale, healthy, and alert Yuuki there is a sight for sore eyes, but we know it won’t last long. This is her last full dive, and this time when she logs out, she won’t be waking up.

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There’s not much to say about Yuuki’s sendoff, except that it was pretty much perfectly done. Yes, it got pretty mushy there (even my roommate, who was watching SAO for the first time, teared up a little bit) but the emotions that let loose here were earned a long time ago. Asuna summons not only the other Sleeping Knights to say goodbye to Yuuki properly, but hundreds if not thousands of fellow players gather to pray for her safe journey to the hereafter, a fitting farewell to the finest swordsperson in the game.

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Yuuki could not have imagined a better way to go either; surrounded by friends and admirees alike; closing her eyes for the last time in the arms of someone she’s come to love like a sister. At her memorial service in the real world, those same masses from the game come to pay their respects, and Asuna is surprised to be able to meet Siune (An Si-eun), who took a turn for the better when her leukemia went into full remission not long after saying goodbye to Yuuki.

She also reports that at least one other Sleeping Knight seems to be on the mend as well. These aren’t taken as miracles endowed upon them by the departed Yuuki, but her love and strength, as well as Asuna’s, obviously helped their spirits and mindsets. And it’s understood that not all of the Knights will get better.

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Asuna also learns that Kirito knows Kurahashi too, and Kurahashi tells them that the original designs that led to the creation of the medical full-dive technology that’s now in development (and vastly helped by Yuuki’s cooperation in her last days) were created by none other than the late Kayaba Akihito AKA Heathcliff, the creator of SAO; an interesting (if sudden and oddly-timed) callback.

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We close with Asuna and Kirito enjoying a picnic with Sugu, Shino, Klein and the others in a park in Shinjuku. Yui is on Asuna’s shoulder, with eyes and ears to the real world, and probably more in the near future. Kirito and Asuna reiterate their desire to never leave each others’ sides, and as long as she keeps her grades up, she’ll be able to honor that desire. So Kirito…where’s the ring?

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Sword Art Online II – 23

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With the Sleeping Knight’s final victory sealed and her friendship with Yuuki forged and galvanized, Asuna still has a battle to fight; one that will define the rest of her life. And yet, here she is, setting her own problems aside and working feverishly with Kirito to help Yuuki ‘come to school’ via a remote-controlled A/V interface. It cannot be said enough: Asuna is The Best.

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It occurs to me that this like the first time in the whole two-season run of the anime (that I can remember anyway) where we sit down with Asuna’s class and just go through the normal school motions, without any other distractions (the virtual Yuuki on Asuna’s shoulder excepted). That, and the almost eerie, dreamlike way the classroom is lit, along with the enthusiasm of the class itself, gives this ordinarily mundane scene so much more weight and significance.

We’re seeing things, like Yuuki, for the first time. The cut to Yuuki in the school uniform as she gives a tremendously moving reading of “The Truck” — a story that starts with somebody looking from afar at something and wishing they could be there — so beautiful. I’m not surprised the class is enthralled by the reading, and Asuna, who can hear Yuuki’s experiences and feelings beyond the words of the book, even gets teary-eyed, as did I.

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Beautiful, contemplative, and tremendously moving — all are great adjectives to describe this episode, which I think is SAO’s best ever, despite not having one sword in it and only spending a small portion of its time in the virtual world. The first half of the episode is all about Asuna showing Yuuki both the world as it is that she’d never seen, and her life that was, in her hometown and abandoned family home.

Their entire walk, like the school scene, is filmed and lit extra-beautifully so as to underscore what a special occasion it is for Yuuki. Asuna (and Kirito) literally gave her the ability to exist in the real world again, if only in a limited way. Asuna doesn’t know it, but she’s about to be rewarded for her immense kindness.

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Yuuki talks about her mother, and how being here and now finally allows her to understand what her mother meant when she said: “God does not give us more suffering than we can bear”. She thought at first it was only another recited bible verse, but realized that her mother was surrounding and infusing those words with her own feelings and experience, as Yuuki herself did with her class reading.

Asuna tells Yuuki about own problems with her mother, and Yuuki gives her the advice she needs, borne out of the experience Asuna made possible for her, and burnished by the fact that every day Yuuki lives—be it in the real or virtual world—is to be treasured, and not wasted hiding one’s true feelings, or running away.

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Again, look how dark the room Asuna’s mother Kyouko is sitting in when she comes to her that night. They have been talking at each other rather than actually communicating, and the darkness represents their present impasse. Yet SAO II is smart and I daresay bold considering its past problems with bad guys to not portray Kyouko as just another unreasonable, irredeemable villain to be defeated and shamed.

There is hope for Asuna to connect with her mother; she just needs to figure out how to get her feelings to reach her, and how to reach her mom’s feelings as well. It’s clear to her that that can’t be done in the real world, face-to-face. Instead, she brings her mother a headset and begs her to join her in the virtual world so she can say what she has to say properly.

The office is dark, but it is also warm. There’s still hope and love in there somewhere.

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Kyouko, always driving the hard bargain, grudgingly agrees, but only for five minutes, and Asuna must first understand that she won’t be changing her mind about her having to transfer. She also demands Asuna fill out the necessary paperwork as soon as her five minutes are up.

The scene when Asuna logs in and finds Kyouko in her cabin, checking out the Sylph sub-account avatar Asuna assigned to her, is just so funny and charming, particularly when she and Asuna get in a little mini-spat about each others’ weights, which is such a mom-daughter thing to do…especially if both are lookers, which they are.

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The cabin is oddly cool in color and lighting, but like the school, the change gives what had been a routine locale for Asuna and Kirito’s crew much more of a sense of occasion and ‘special-ness’, because her mom is there for the first time. When she opens the window and the cold hush of the snowy forest fills the speakers, things get even more immersive.

Then we learn another reason why the cabin has so much sentimental value to Asuna, beyond her time there with Kirito and the others: it’s not at all unlike the real world cabin where Asuna’s grandparents – Kyouko’s parents – used to live. And one Obon when Asuna was there with them alone, and they told her how much their daughter Kyouko was a treasure to them, rising so fast and touching so many lives as a result of working so tirelessly to become great.

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Here, in that cabin, Asuna can tell her mother that while there’s nothing particularly wrong with putting the betterment of oneself above all else, it can’t be her way of life. She wants to support others, protect them, and improve their lives, while improving her own in the process. I’m not putting it nearly as eloquently or beautifully as Asuna, obviously, but it was a phenomenal exchange, perhaps one of the best in the show’s run.

T_T *Sniffle*…oh gosh, it’s so dusty in here. Does anyone have any Kleenex?

Heck, even Asuna’s mom tears up…a lot. While in the real world she can stifle her tears with her ‘armor’; here she can’t, and they come flowing out from the power of Asuna’s words. Her mom’s response to this: “What an inconvenient world”, is just such a perfect thing her character would say under such circumstances. Just one of so many great lines in this episode.

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The next morning, to Asuna’s relief, the dining room is full of light; her words and feelings reached her mother, no matter how stiff and stern she looks sitting there. She lauds her daughter’s desire to help and support others, but insists she do what is necessary to become strong enough to do that stuff, which means studying her fanny off, keeping her grades up, and getting into university.

If she can do those things, it’s fine for her to stay in the school she wants. It’s a transaction, a comrpomise; but it’s one arranged after the two parties had properly communicated, not one foisted upon the other, and so it’s one Asuna can live with.

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Aww, just look how goshdarn happy Asuna is. And she deserves it. She didn’t trick her mother or plunge a sword through her heart; she merely found a way to get what she needed to say through to her. That way was the virtual world, but in this case its trappings were that of Asuna’s memories and emotions, and not a wholly artificial fantasy world. SAO wasn’t just a game because lives were at stake; here Asuna uses ALO to fight for her life in a very different way, but it’s just as vital. And it’s all thanks to Yuuki’s moving, motivating words.

It’s a far better resolution to her conflict with her mother than I could have possibly hoped for. The writing really has soared in the Rosario Arc, as has the emotional resonance. This episode didn’t have a single sword fight or magic spell or crotch shot. Instead, it kept its characters shining even in the midst of considerable plot movements; and it moved me to tears more than once (though I’m told I’m a bit of a crybaby). For those reasons and far more, it is SAO’s best episode and masterpiece.

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Sword Art Online II – 22

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Asuna is troubled and confused after Yuuki suddenly disappeared and didn’t come back, and Siune doesn’t make things better by meeting with her and not answering any questions before quickly logging out herself. She did assure Asuna that it wasn’t because of anything she did…just that this has to be goodbye.

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While it would have continued her own dependence and time spent using a device her mother has threatened to take away if it makes her late one more time, Asuna was still excited at the possibility of continuing her friendship with the Sleeping Knights, even after they disbanded. But all the while she thought she was opening a book, they recruited her with the intent of closing a book, at the time and in at way of their choosing.

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Thanks to Kirito’s involvement with full-dive tech, he finds out where Asuna may be able to find Yuuki. Again, Kirito plays a small but crucial role, not only being a shoulder to lean into, but the source of the information that could give Asuna the answers she desires so badly. But unlike the previous episodes, where there was a battle to be fought and victory was achieved, those answers show Asuna that Yuuki can’t win the real-world battle she’s fighting.

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Now I finally understand why Kirito thought there was something “long-term full divey” about Zekken/Yuuki. Reinforcing the idea that you truly know someone by fighting them, he saw the same tendencies he himself has in VR combat as a result of his two years there fighting for his life. The real Konno Yuuki has been in full dive continuously for three years, because in the real world she’s bedridden in a hospital clean room, suffering from incurable, drug-resistant AIDS.

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The reveal of the rail-thin Yuuki surrounded by machinery, as well as the tragic story of how she ended up there, is desperately sad and tough to watch, yet also calls to mind the kind of reveal a mad scientist-type villain would pull to show Asuna he means business. Refreshingly, that isn’t the case here; Dr. Kurahashi is a good man and this is simply the future of medicine, though it’s more than a little strange and frightening to contemporary eyes.

On the other hand, considering Yuuki’s irreversible condition, being able to escape the body that failed her to new virtual worlds is a tremendous gift, and that’s how Yuuki sees it and how she saw her time with Yuuki on the Sleeping Knights’ final mission.

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Throughout Kurahashi’s discussion with Asuna, Yuuki is listening, but once she sees Asuna only wants to see and talk to her again, she invites her to dive into ALO to meet her. There, she explains that the Sleeping Knights are all hospice patients (hence the ‘sleeping’) with terminal illnesses. They decided as a group that the next time two of them were told they didn’t have long to live, they’d disband.

Thanks to Asuna, they were able to do so on their terms, and even leave their mark on the memorial wall. They wanted Asuna to forget them to spare her the pain of knowing the sad truth of the Knights, but Asuna isn’t that kind of person, and Yuuki knows that now.

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It was great enough that SAO finally got around to using my favorite character, and give her something important and exciting to do. It’s even better that they gave Asuna something she couldn’t do, no matter how strong she became: save Yuuki’s life. It also puts into perspective just how trivial her own problems with her mother and her life direction really are. After all, she haslife ahead of her, period. That alone makes her blessed.

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But while Asuna can’t save Yuuki’s life, she asks her what else she wants to do before it ends. When Yuuki says she simply would like to go to school, suddenly Asuna has something she can do for her, for the same reason she was able to find and speak with Yuuki at all this week. Kirito. His research on trying to give Yui a real-world experience could be used to let Yuuki experience school.

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Kimi no Iru Machi – 06

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Eba tells Haruto about how she met Kyousuke in school and how he supported her when she had no one else to lean on. When she returned to Tokyo, she learned that he only had one year to live, so she decided to support him by being his girlfriend. When Haruto asks Asuka what to do, she tells him he can’t hide his true feelings for Eba from Kyousuke and still consider him a friend. Haruto visits Kyousuke and Eba in the hospital and declares war; Kyousuke accepts, and Haruto starts fighting to get Eba back.

Color us relieved that despite Eba’s desire to keep her romance with Haruto a secret, Haruto came out and told Kyousuke the truth as soon as he could. Asuka’s advice may threaten any chance she had with Haruto, but it also happens to be spot on. To our minds, it’s more of a betrayal for Haruto to hide his feelings for Eba than to be upfront and honest with Kyousuke about wanting to win her back. Kyousuke is happy Haruto did so, and even feels a bit guilty for stealing Eba in the first place. It takes guts to tell a friend on his deathbed that he’s in the way of your happiness, but that’s exactly what Haruto does.

Doing to might make him  a HUGE cad, but it’s actually kind of exhilarating having such a selfish, contemptible asshole as the main character (He’s a bit like Yagami Light without the Death Note). And burying everything in would only make him hate Kyousuke with time. Haruto is looking out for Haruto. The problem is, we just don’t see any good reason for Eba to leave Kyousuke for him anytime soon, especially considering how obligated she feels to repay Kyousuke for the support he gave her in the past (plus the asshole part). But as slim as Haruto’s chances are of ever winning her back are, they’re still infinitely higher than they’d be if he’d never made the attempt. You can’t win if you don’t play.

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Rating:7 (Very Good)

Stray Observations:

  • Just one: Holy Crap, Eba’s sister Rin is an abusive bitch!